Lauren Vicente, Artist’s Letter

April 1789

Dearest Friend Franz,

I’m sorry I had not written any sooner, it’s very hard to write anything beyond music at this time. Young Karl has developed a dastardly cold and Costanze and I have been worried ill over him, but we’re trying our best to stay afloat. My next opera is due oh so quickly – it is very hard to ignore the anticipation!

The depth of art flowing through my veins has been riveting! I feel as if I eat and dream about my trade, but sadly there has been little salary in what I love.  I’m very ashamed to ask for a loan – only 200 florins, my friend – because money is scarce with a sick child. I’m hoping you and your family are in good health and never have to feel this pain. I am still waiting on the return of a few loans I had given too readily. This loan, however, will not follow suit!

Thank you!

Your greatest friend,

Mozart

April 1789

Dearest Sister,

My how long it has been! I’m so sorry I have yet to reply to you – it has been a hard few months, but we are a resilient bunch – except in the economic sense. I so humbly request some money – any sum! I calculated time and time again and each time realized you do have a sum owed to me, but, as your loyal brother, hope you will give me as much as you see fit. I will waive most of the debt…however, I do request the return of the money I had loaned you years prior.

Forever your loyal brother,

W.A. Mozart

P.S. – I believe the sum was around 300 florins. You do the math.

May 1789

Honorable Franz Hofdemel,

I am so sorry I haven’t had a chance to write you! The sum of money you provided landed in my hands safely but escaped just as rapidly. I’m sorry to say I have yet to reclaim a reasonable sum of money to send back to you. Times are hard, my friend, and I am truly grateful for the kindness you have shown me. It is very hard for me to admit this – you know I am a man of high standard – but my music has yet to flourish as I intended. Therefore, I will continue to work to pay back the debt, and then some!

You are the greatest companion I could ask for and truly appreciate the kind eye in which you use to look at me. I am proud to call you my friend.

Yours truly,

W.A. Mozart

June 1790

My dear sister,

All is well here. Please do not be worried. I’m sorry for the rude letter I sent – I have acquired the funds necessary to sustain my livelihood. Return your debt as soon as you can.

Your patient brother,

William

Roseann Weick – Artist’s Letter to a Friend

June 1788

My most estimable friend, Michael Puchberg!

I feel it has been ages since we have last corresponded. I have not had a moment to myself to finally respond to your letters and convey my happenings. At any moment when I attempt to continue my communication with you, there is but another task I must tend to. As you know, my compositions and traveling have kept me very much occupied, but as you also know my Brother, I have the utmost dedication to you. I do pray that your trades in Vienna have been successful ones. I myself have been hoping to confirm an orchestra in the Prince’s court. As I spoke of earlier, I was in correspondence with Sebastian Winters, Royal Groom-of-the-Chambers, to settle this arrangement.

As such close friends – in all honestly, you are in fact a brother to me – I must ask for your quick reply and acceptance of the request I know leave in this letter. With such a close bond, as brothers do have, I must now be frank with you. You know me of a man of honor and loyalty. But I now must ask you for a small sum to ease my financial situation. I ask for a mere 1000 florins. This sum would at last give me the opportunity to focus on my music. I apologize for this imposition, but I assure you I will repay this loan with interest. My brother, as you know, whoever lends to me is secure enough by reason of my character.

You do not understand how this small contribution will be the greatest of comforts to me. My mind can be at rest, and I can once again compose to earn my salary. I hope you receive this letter in good health and with an open heart. You generosity is very much appreciated.

Your true friend,

W. A. Mozart

June 1789

Honorable Michael!

Oh my brother, how I do hope my last letter found you in good health. I cannot express enough my gratitude for your generosity. However, I must show regret in writing you again. It torments me, but I must ask again for further funding. My circumstances have worsened, as my father, wife, and child have fallen ill. I still continue to work on my own to earn money; however, my ventures have proven fruitless. Your further contribution would be very helpful and so very much appreciated.

Oh how horrible fate has been to me. I face many a misfortune and grovel in desperation. I profess, with all my heart, my thankfulness and I again assure you the good of your generosity will outweigh the bad.

Ever yours,

W. A. Mozart

June 1790

Dearest Brother!

Oh truest of friends! Brother dearest! I am so very grateful for your earlier services to me. However, I regret to inform of further personal tribulations.

My misfortunes have only multiplied and I now beg so shamelessly for your help and money. Although I see possible lucrative opportunities in the future, I must now rely on you, my faithful friend. Please excuse my persistent demands – it is just that I am so confident in our strong bond. I am forever in your debt, most gracious brother.

Your humble servant,

Mozart

 

Anissa Daimally: Letter Channeling an Artist

Dearest Michael Puchberg,

My beloved friend, I know I haven’t written to you in what seems like ages. I’m terribly sorry for this. From composing to travelling, I have not had a minute to myself. It seems that I have been writing this letter for days, but every time that I sat down with the pen in my hand, another errand came up that had to be taken care of. Well you now have my complete devotion. I have heard that you are doing well in Vienna with the textile business. It seems that there has been a high demand for the goods, and you are profiting well. I am very happy for your good fortune.

As you may have heard, I am in Berlin to play before the King of Prussia, Frederic II. What an honor this is to play in the royal court! I shall surely hope to secure a position in this royal court as the musical composer.

My loving brother, I shall now get to the point as to why I am writing to you. I need to ask you for a great favor. I am only coming to you since I feel as if you are my own and that I can trust you dearly. I need 2000 flourins to pay off my expenses and to sustain a living. With these monetary problems in mind, I am not able to fully concentrate on my pieces. If you were to lend me this sum of money, my mind would be cleared and I would be able to earn more money. My brother, you know that I am very reliable and trustworthy. I will pay you as soon as possible, so you should not worry.

I know this seems like a great sum of money, but if you were truly my friend, you would do this favor. This is a very embarrassing situation for me, and I only came to you because I consider us brothers. I know you are a man who will help out those who are in serious need.

I beg you my friend, my brother, please give me a helping hand and lend me this money. You would be keeping me off the streets and thus promoting the compositions of my music. I promise you will never regret it. I shall pray that you have received this letter and have made the decision to lend me the money.

 

Forever Your Brother,

Wolfgang Amadeus Mozart

Ashley Haynes: Artist’s Letter to a Friend

Dearest of Friends,

It touched me dearly to hear from a friendly voice. Not many people still believe that there is still any good in me. I just hope that you understand why it isn’t until now that I have replied. Every time I have settled down, I have had to seek new refuge.

I understand that taking matters into my own hands when I took the life of Ranuccio was unacceptable, but I had truly reached my breaking point. No matter how hard I try someone is trying to dampen my success. The controversy that has come to fuel my success is now only starting to ignite my personal turmoil.

I just want to be an artist, use art as an outlet for my emotions and viewpoints. Why is it that I am wrong in perceiving the Virgin Mary with a swollen belly and bared legs? Is it only acceptable to do what is perceived as safe and simply draw the Virgin Mary compassionately coddling baby Jesus. I am only human, I only long to express my faculties.

However, after using my time on the run as a time for reflection, I have come to realize that I just need to keep surging forward. Not all hope is lost. Yes it seems as though people have lost all inhibition to recognize me for my prowess as an artist rather than my personal shortcomings, but that isn’t the chronicle of my life.

When the award that I received in Malta into the Order as a Knight of Justice was stripped away, I simply used that as motivation to only create better work. I figure it is only a matter of time before people finally give in and realize I am more than what my personal shortcomings lead people on to believe. Thus, while in Naples I returned to painting by creating the “Madonna of the Rosary” for a fellow painter and later “The Seven Works of Mercy” for the church of Pio Chapel of Monte del la Misericordia. Currently in Malta, I am working on a painting depicting my interpretation of the beheading of St. John the Baptist for the cathedral in Valletta.

It is only my hope that you come to visit me soon while I still reside in Malta, although temporarily. I long to discuss my upcoming works as well as yours over a cup of coffee. It is truly thanks to companions like you that I am able to continue to coexist with so many who constantly chastise me. It is because of friends like you that I hope there will come a time in my life when I will be able to channel all of my pain and combativeness into a more productive outlet such as my paintings alone.

I know I can rise above all of the misconceptions I have been labeled with. I know that I have the capability; I know there is more to life than simply being in constant fear for my life. I want to be able to be appreciated for my gift as an artist, which speaks more volumes of my true nature than anything else.

Your Loyal Friend,

Michelangelo Merisi da Caravaggio

 

P.S. Write soon as to when you will be able to come. I will be patiently awaiting your arrival.

Lucy Snyder: Artist’s Letter to a Friend

Lucy Snyder

Professor Graff

MHC 100

31 October 2012

Dearest Clovio,

It is the thirtieth of August, and I am only reminding you because I have noted it has been more than a fortnight since I have heard from you and I can only hope you have been distracted with your clients and busy with your family. You know I always enjoy hearing from you.

Having been in Venice for fourteen months, I have become quite acquainted with the revered Titian. He formally adopted me as one of his pupils last week, and in addition, I assist him in his work. Others have done the same for him but they remain in this position for most of their lives. While I am struck by this honor, I know I cannot stay for very long, for I must continue with my own paintings. Titian is an old man in his eighties and he will not be here for much longer as I am sure you have met with him fairly recently, though he is still vigorous in his profession and teaching.

The Venetian air has treated me well; I have very much so enjoyed living here but something is telling me a time for change is coming soon. I am unsure what has spoken to me but the thought of moving has come over me several times in the past twenty-four hours and I feel as though I should act upon my repeated notions. Actually, as I cogitate on the thought of leaving Venice more, I believe you have suggested it to me in the past, that I spend some of my days in Rome. Yes, now some names come back to me– Farnese, the Cardinal. I will be in touch with them later today regarding your recommendation.

As for now, I am enjoying my unique painting style. The way I portray my figures I praise our homeland of Greece and the wonderful stories it has brought us throughout history. I am currently working on a painting of my own, a scene which was inspired by the Catholic aura of Italy and it’s rich golden qualities. Amusing, I am using much gold in this painting, dark gold with dark figures and colors. I want to convey the presence of Christ throughout our ages in different places, so I am combining some of the nontraditional aspects of art in my dark contrast and filling of space, though I have not fully determined the background of this piece. It has some work to go. I hope you can get an image of what I am trying to explain; it is not so different from my The Burial of the Count of Orgaz in terms of its composition. When you see it, you will realize its Byzantine infusion in parts.

Manússos, I assume, is doing very well. He is still merchanting, I believe now off in Eastern Europe and his successes have never failed him. I have not heard from him recently either, and I wish he could just take some fifteen minutes of his hectic and sometimes manic day and begin a letter to me here. Even a word of his travels would entertain me; I know he is fine. I would like to speak of my experiences here in Italy to him as well. It is a shame we did not grow closer as we grew older. Our separate paths I believe have made us independent wealthy men but unrich in familial relationships.

Please respond with slight urgency. I miss your accompaniment through your words. Your letters have always helped me with your advice and helped comfort me knowing the things you have been doing. I truly hope all is well.

With much love, Doménikos Theotokópoulos, El Greco

Life of Peasant Woman

Hello and my name is Maria and I am struggling as a single mom. My husband had passed away after my child’s first birthday from fighting a nearby village. He had a sword go right through his heart, a friend of his mentioned to me. Ever since this tragedy, things have not been the same. It is very difficult for me to feed my child and still watch over our house. I also have high hopes for our child, as I want him to go to school and hopefully avoid being drafted to become a soldier. I would not want him to have the same fate as his father. I also want him to start a family and be able to enjoy spending time with his kids. Winter is coming soon and I am still not sure how I will take care of little Nicholas.
Aside from the tough life I lead, it is my dream to break free from my shell and make something of my life. I would have loved if I had the opportunity to have fought in the army instead of my husband. I have troubling thoughts in my brain that propel me to move forward and attempt to make a better life for myself. I only dream of getting an education, but I know under my living conditions, it is almost certainly impossible. The only work that is left for me in this world is to cook, make clothing, and raise my son.
The ladies in the village have been talking to me recently and discussing the possibility of finding me another man. I loved my husband but at this point, I feel like I need a man just to make it through the day. My garden is getting overfilled and the trees need to be uprooted or else they risk collapse. My son will be growing up without a father and I feel like he should have a strong make figurehead in his life to show him the ropes of life. Theresa is attempting to set me up with William, who had become a widower quite recently after his wife had given birth to a little girl. I feel sorrow for those women who do not get to experience raising a child and holding their child in their arms after such a long period of carrying. However, William is also going through a tough time. He must raise the little girl all by himself. I think it would not be too great of an idea to combine our families, but Theresa has been really worried about me lately and says that both William and I could benefit from such unity. He could help me around the house and be a father figure for my son and I could cook and clean for him and his daughter. At this point in my life, I doubt there is any other choice for me. Maybe I’ll even have some time to spare and form a class in the village that can teach women archery. I’ve always wanted to learn archery and I feel like it’s about time women also got involved in things outside of the kitchen. For now I guess all I can hope for is the best.

Stephen Walsh – 19th Century Painting Short Story

As I enter the hall of 19th-century paintings inside the Met, I have one goal, one task to complete: let an Impressionist painting lull me into a trance. I run around frantically, my head whipping back and forth, looking for a work of art that will validate my life, when finally, I see it. “Manet!” I scream, as I run towards the painting of my favorite artist, a work titled, “The Monet Family in their Garden at Argenteuil.” I approach it rapidly, eyes closed, arms wide open. I’m ready to embrace the masterpiece. But before I can,  something strange happens: instead of my face slamming up blindly against the hard canvas, I find myself falling for a few seconds, eyes still closed, until my descent is stopped by a faceplant into the ground. I place my hands onto the soft earth, push myself off the ground, and begin to remove the soil from my eyes and nose, waiting for my classmates’ laughter, bracing myself for the inevitable chants of “loser” to erupt at any moment. “Wait a second,” I say to myself. “Soft earth? Dirt on my face? What the hell?” And when I finally open my eyes, I realize, I’m not in the Met anymore.  Rather, I’m in a verdant garden, standing in front of a bewildered family.

“Mommy,” a little, frightened child implores, “who is that strange, ugly man with the weird clothes?” “Don’t worry, Claude,” the woman replies, “I think he’s just a dirty American.”

She then turns to me and demands my name, age, and other basic information, but when she asks why or how I got to the private garden, I have no adequate words. “I was just … in the museum and I…I started running to a painting and then BOOM and now here I am.” She scowls at me. “Jean, “ she signals to her husband, “would you please escort this drug addict away from my family?” “No!” I scream. “Don’t! I’m not on drugs, I’m just Steve. Here, let me prove it to you.”

I make my way over to the little boy, whose frantic eyes and trembling face tell me he’s afraid I might eat him. “Hey there little bro, what’s your name?” He hesitates. “C-C-Claude.”

“What a pretty name. And your last?” He hides his face behind his hands for a few seconds, but after some coaxing by his mother, he tells me, “Monet.”

“CLAUDE MONET?!” I scream incredulously. “The renowned Impressionist painter?! The most influential artist of the 19th century?! That Claude Monet?!” The child explodes into tears, wailing at the top of his lungs for his parents to do something about the bearded monster before him. Luckily, his father runs over, settles him down, and leads me over to a cherry tree, where he tells me to sit and relax and eat cherries while everyone calms down.

After a few minutes and a bajillion cherries, Claude’s mother turns to me and asks, “Did you say something about my son being a ‘renowned painter’?” For the next hour, I tell them all about my world – I tell them all about the future. I let them know about little Claude’s eventual paintings and fame. I educate them on the internet and tell them all about the proliferation of rap music. At one point they ask if I’m Jesus, to which I respond, “Basically.”

Eventually they go back inside their house and invite me to stay the night, but I opt to remain outside. The weather is perfect, and I just want to soak in this ideal world and eat all the cherries. And legend has it, if you visit this exact spot today, I’m still there. The end.

Kristy Timms – A Sunday on La Grande Jatte – 1884, Georges Seurat

It’s as if the world stops on a Sunday. For just a few hours everyone takes a break. Long lasting memories are formed from the moments when one rests and lingers for a second longer. A weekly summer excursion to La Grande Jatte makes time stop and people breathe lighter.

The weather is perfect. The light breeze brushes along the water’s surface, filling the air with freshness. The calm river is home to little boats and avid rowers. Little boys push their paper yachts along its surface while their mothers keep watch from a distance, holding on to their childlike delight. Little girls chase butterflies, their giggles singing through the air like a lullaby. Open umbrellas protect fair-skinned ladies from the sun’s ever so harsh rays.

Little boys play tag as mothers catch up on weekly chatter. Younger girls look up to the older woman in admiration, straightening their postures subconsciously. Reaching out to feel their lavish materials, and dreaming of the days when they will adorn the same luxuries. In all their grace and glamor, ladies appear to float along the grass. Their corsets display their slim figures while their bonnets mysteriously hide the secrets in their eyes.

The sweet smell of flowers drifts along the breeze as bird wings flutter overhead. Some remember loved ones lost as they hold on to memories never forgotten. Young girls nearby talk of their dreams of the future and of the boys along the river edge as their knitting needles click to and fro. The sun in the sky looks down on the Sunday afternoon with pleasure. The ribbons and bows on the dresses on little girls bounce, moving to the joyous rhythm of the day, chasing the glorious sunlight. Couples walk hand in hand, breathing deeply the perfection of the moment.

Older men relaxingly enjoy a cigar, their walking sticks tucked safely under their arm. Staring out to the river they think back on days passed. Picnic baskets lay open, uncovering sweet lemonade and snacks. Animals happily join in on the action. Digging their noses into the green grass, sniffing for food and searching for a mate. The rustling of the trees sing a harmonious melody, slowly moving the day along. The shade they provide invites those looking for a rest from the sunshine. A young couple in love lean in close and whisper sweet nothings, enjoying the blossoming of something so pure and beautiful. Men put away business deals for a few hours as they peacefully stand along the river with their fishing rods prepared for possibility. An older lady hums a tune to herself in content, walking past the younger generation, excited for the future and possibility glistening in their eyes.

There is a certain serenity in the air. Everything moves slowly, latching onto the smooth beat of the day. The elderly hold on to the day with more fervor, while young children play as though it will never end.  It is along the riverside that everyone comes together. Together as one, they take a deep breath. Holding on to memories past. Expectant for days to come. More days such as this when the weather is perfect, the breeze just right and the hum amongst friends lingers. More days such as this where peace floods the air and memories play out slower. More days such as this when everything seems right with the world.

Deanna Maravel- 19th Century Painting

Regatta at Sainte-Adresse by Claude Monet (1867)

As I stood in front of the steps, I looked helplessly at the map. I couldn’t remember which direction was 3rd Ave and which was Park Av when getting out of the train station near the dorm, and people expected me to find an entire wing of paintings in this place? Finally reaching the right area, I wandered aimlessly from room to room of the MET, fiddling with my camera as I waited for some painting to stop me in my tracks. Professor Graff is lucky I could even find my way here, I thought to myself, remembering the five minutes I spent trying to find my place on the museum map a bit earlier. I stopped for a moment, when an older couple arguing in rapid French moved, and a splash of blue caught my eye. This painting of the shoreline was so simple, yet it took my breath away. I knew this would be the one. Raising my camera, I took the picture; the satisfying click of the shutter went off.

All of a sudden, I heard the gentle crashing of the waves against the shore. Taking a step back, I felt myself lose balance as my camera slipped from my hands. I dove to the ground, grabbing it before it could hit the sand. Except it wasn’t sand, but pebbles and rocks, worn smooth by the ocean. The heat of the sun was beating down on top of me as I looked around.

There were a handful of couples on the beach, some strolling arm in arm, others placed on top of blankets watching the waves come rolling in. Faint whispers of conversations in French drifted as these well-dressed beachgoers passed me by, not even acknowledging my existence. I could almost taste the salt in the wind as I turned my head to see a whispering couple pointing in my direction. While watching a small seagull hop around a few feet from me, the full realization of what had happened suddenly hit me.

“Oh my god,” I mumbled under my breath. “My mom is going to kill me.”

I slumped down onto the ground with my head in my hands. After taking a deep breath, or two, or possibly ten, I looked up to see that the couple had made their way over to my spot where I sat huddled on the rocks. Clad in a cream colored silk dress complete with a white lace parasol, it was obvious this woman and her spouse were well off. They appeared to be admiring the view of the sea, but their stolen glances in my direction gave away their curiosity. I stood up as the woman neared me. Opening a hand fan, she began fanning herself as she turned to me.

“Stop slouching, darling. You’ll never find yourself a husband with that posture,” she quipped over the tip of her fan.

“Dear, look at her. She has that same lost look as the rest,” her husband drawled, stepping beside her. “Are you also one of those New Yorkers?” he questioned.

“How do you know that?” I cried out. “Wait, do you know what-“

With a flick of his hand, he cut me off. “We get a few like you every week. Come on, Edna, we can’t be late for tea at your mother’s.”

And just as if nothing out of the ordinary had happened, the couple linked arms and continued past me. Now more confused than ever, I knew there was something familiar about the brilliant blue sky flecked with clouds and the ships that scraped the surface of the blue-green ocean. Throwing my hands over my eyes, I racked my thoughts, trying to remember why this moment seemed so familiar until-the painting.

“No. This is not happening.” I reached down and grabbed my camera, scrolling through the photos until I reached the one of the painting. Looking back up, I saw that my view was the same as that of the painting. Deciding to take a real life picture of the fantastic view, I stepped back a bit and snapped a photo. Looking back up, I found myself face to face with the painting again. I spun around, making sure I was back in the museum. Ignoring the questioning looks of the other visitors, I looked through my photos to see if that had actually happened. Just as I thought, the last photo taken was that of the painting. But it had all seemed so real? Noticing my frown, an elderly woman next to me spoke up.

“Honey, is everything all right?”

“I think so,” I started after a few seconds, “although I think it’s time to lay off the coffee.”

“Too much caffeine can do crazy things to your mind, “ she chuckled as she walked away, leaving me with nothing but my dizzying thoughts and a knowing smile.

 

Bleron Samarxhiu – Short Story based on 19th century painting

Paris was a beautiful city heading towards modernization, for the most part, that is. Its trains were filthy. They were dirty and disgusting, yet they were the fastest available mode of transportation available to everyone. The Parisians had no other choice, and the trains were full of the third class. The conditions that the lowerclassmen was in were as worse as those of the peasants outside the city. These people could not afford first- or second- tickets.  As a result, these poor people were sitting in cramped, dirty, open compartments. The benches were hard and uncomfortable. Without a doubt, no one wanted to ride these rough trains, but then again, it was not a choice, especially to one Parisian woman.

This Parisian woman was hardworking; she worked at a newly opened bakery from dawn to midday in order to support her kids. She lived on the outskirts of Paris, having to take the railroad everyday at least twice. The woman was approaching her late fifties, and she was widowed mother of two. Along with her son and daughter, she just had left the market, where she had bought bread and fruit. Her daughter was a single parent and had an infant in her hand. Lines to enter the train were too long, and upon entering the last train cart, a gruesome stench was in the air.

After finally finding a place to sit down in the crowded compartments, the odor was almost unendurable. People were having such loud conversations, and as the last passenger sat down, the train engine kicked off and released a high-pitched screech. All of this, the odor, the noise, and the stuffiness were all a part of the typical day of this Parisian mother.

Her daughter always carried her infant in her hand. No one sat next to her except her mother and brother. The single parent had become an outcast in society, because she was not married before having her infant nor does she know who the father of the child is. Almost no one in Paris admired to have such a daughter. The old woman, on the other hand, cared less of these traditions and took care of her daughter.

There was nothing to do on these trains. Men dressed in black and their wives had gathered as a group to initiate a conversation and spread the latest rumors of Paris among themselves. The woman faced forward and blankly stared. Her ten-year-old son was tired and fell asleep very quickly.  Her daughter was breastfeeding her child amidst the annoying noise.

“Hey, have you heard how Napoleon III’s power is weakening over the recent years?” said one man.

“No, his power is not weakening. It’s just that he has become lazy and hasn’t done any recent changes to Paris.” replied another.

“Well, it almost seems as if he put a complete halt to his plans to modernize Paris.”

“At least he kept so many of the Medieval structures. It is a good thing he preserved the cathedral of Notre Dame.”

“No one really cares about religion any more,” radically announced a wife of one of the men. Everyone stared at her, even her own husband. What she said could have been reported and have her exiled.

Nevertheless, someone disregarded her and continued the conversation. “Moving on. All I care if they would just improved the transportation around here, but no one cares about our class.”

“I sure hope so. We need improvement in our lives,” whispered the old woman. No one heard her.

The woman’s tiring day of work was approaching an end. The train was finally slowing down and arriving on the outskirts of Paris. The train came to an abrupt halt, and the ride was over. The woman’s son immediately woke up and mostly everyone was knocked off his or her seat because of the abruption. The woman gathered her two children together and left for her house as a group. As the passengers exited the train car, they groaned and complained. All these Parisians asked for was an improvement of their daily lives, and this daily train ride definitely needed improvement.

Story inspired by The Third-Class Carriage by Honoré Daumier