Category — Critic’s Corner

Urban Bush Women and Compagnie Jant-Bi, as a part of the 2008 Next Wave Festival, collaborated on the production of Les écailles de la mémoire, or The Scales of Memory.  Sadly, despite the involvement of award winning choreographers and world-renown dance companies, Les écailles de la mémoire proves be a disjunctive work that is far less than the sum of its parts. [Read more →]

Historians argue as to what were the reasons for the world’s separation into seven continents.  Some historians, however, spend more time arguing why it became necessary for the worlds to meet once again.  Regardless of why it happened, different cultures around the world developed on their own, only to collide with others.  The result was that the people saw confusion, rulers saw gold, and artists saw a new medium of expression. [Read more →]

The Metropolitan Museum of Art is now featuring “Beyond Babylon”, a special exhibit that explores the artistic and cultural traditions of the Near East during the second millennium B.C. With approximately 350 objects on display, “Beyond Babylon” explored the art created in the circle of network among affluent kings and merchants. What attracted my attention the most besides the shiny gold artifacts were small objects that belonged to royalty and alluded to divine presences/gods. Evidently, there was a story behind each object. [Read more →]

Dance is difficult to interpret and is subjective to each viewer. However, it can be interpreted in so many ways and by so many different people that it becomes a visual sensation to watch. At the Brooklyn Academy of Music, Brooklyn’s all-female Urban Bush Woman and Senegal’s all-male Compagnie Jant-Bi performed a thrilling show titled Les écailles de la Mémoire, in other words, The Scales of Memory.
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I had never been to the Metropolitan Museum of Art before and when I heard there was an Italian-based exhibit, I couldn’t wait to get there.  I didn’t see this journey to the MET as a mandatory assignment for a grade; I saw it as a way to learn about the art of my own culture.  As soon as I entered the exhibit I felt right at home.  I was surrounded by countless paintings of Bible scenes and Italian settings that reminded me of my early childhood.  As a child, my family and I would journey to Church every Sunday and learn about such scenes as the priest delivered his sermon.  All throughout my time at the Art and Love in Renaissance Italy Exhibit, memories and emotions surged through my body as I walked past each gigantic oil painting.
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The exhibit Art and Love in Renaissance Italy made me feel as though I was walking into an art gallery in Florence itself. Recently the MET has been showing this exhibit which gives the viewer insight into the old customs and traditions in Italy a few hundred years ago. I found it to be quite enlightening as it taught me things about my ancient heritage that I did not know. I have found a new appreciation for renaissance art as well as for the people of this time period.     [Read more →]

Glass Ingots from Uluburun Shipwreck

Falcon Pendant

Standing outside of the Met for the first time, I wondered what lay ahead.  Despite the construction near the steps, the museum still appeared majestic.  The large scale of the pale sandy colored building reminded me of many of the museums I have been to in Washington, D.C., of which if I had never visited before, the Met may have appeared like a castle to me.  Of course, the inside of the museum was even more beautiful.  The high ceilings and the Greek columns gave the museum an open and airy feeling, and the lighting, which overall was bright but not harsh imbued the impression of a place not to be missed.  My friends and I even noted the elegance of the staircases, which were simple and sleek, and I haven’t even gotten started on the Met’s art. [Read more →]

The Brooklyn Academy of Music’s new production Les Ecailles de la Memoire, or “The Scales of Memory,” elucidates the complicated issues of memory, love, culture among the people of the African Diaspora. It is an intercontinental production involving the Compagnie Jant-Bi from Senegal and Brooklyn’s Urban Bush Women. The mixture of dance style, language, and shared history give Les Ecailles de la Memoire its flavor; however, the desperation to develop a narrative and characters takes away from the magnificent performance. [Read more →]

The Metropolitan Museum of Art is one of the most beautiful structures in New York City. Every time I go there I am amazed at the amount of ancient works of art and objects this museum holds. Besides the permanent exhibits, the museum often houses special exhibits for a brief period of time. On Friday I went to see the traveling exhibit called, “Art and Love in Renaissance Italy”.

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When we first received news that my fellow classmates and I would be going to BAM, the Brooklyn Academy of Music, I was looking forward to a thrilling performance.  Much to my dismay I was mistaken.  I was one of the first to arrive at BAM and I noticed some of the trailers for the performance we were about to witness.  My excitement and anticipation quickly changed to dread and loathing.  Several flat screen televisions were playing a few short clips that made my stomach churn.  As much as I didn’t want to, I decided to give the Urban Bush Women a chance to impress me before I made hasty conclusions.  I entered the theater with an open mind, hoping I would be wrong about the performance. [Read more →]