I think this exhibit required a certain level of awareness because the minor differences in each of his works were not noticeable at first, but a closer look revealed the slight details incorporated in to each work. For example, Rifts #1-3 illustrate the retrospective aspects of modern art. The differences, however slight, are deeply impactful. Richard Serra uses a minimalist approach and his work reinforces the notion that art can be monumental without relying on massive, “in your face” substances and formats.
He also creates many sculptures, in which he considers space to be a material- using sculptural form to make space distinct. Junction and Cycle, probably the largest and most complex works Serra has ever created. I experienced such a visceral reaction to the delightful and thoroughly engaging work- probably because the sheer mass of the sculpture overwhelmed me, simultaneously appearing as threatening and protecting.
Rift #’s 1 and 2
Junction and Cycle
Artist: Richard Serra
Title of Work: Rift #’s 1-3, July #’s 7, 9, 11, 12
Date of Work: 2011
Materials/medium: Paintings, sculptures
Genre: abstract-expressionism, minimalist art
Location/venue: Gagosian Gallery
I was alone when I saw this exhibit.
