Traditionally Indian paintings have been largely classified according to regional areas and other fixed groupings; however, this exhibit used a different approach, linking specific artists and their lineages over the course of eight centuries. The notion of anonymity is heavily embedded in Indian art, which contributes to the mystical affect attributed to many paintings. This exhibit attempted to de-mystify those aspects, which have been traditionally entrenched in the culture. The exhibit was structured chronologically, focusing on exclusively identifying 40 or so artists, some of who are still nameless, known only for their style, while others individuals could be identified by their paintings.
It was apparent from many of the paintings that certain artists were also influenced by different cultures, such as Basawan, whose style seemed to be influenced by European realism. The intense color and emotion displayed character in the paintings- and the Hindu tradition. Krishna, who appears across a broad spectrum of Hindu philosophical traditions, is portrayed as a god-child, prankster, and the Supreme being. Nanda Touches Krishna’s Head After the Slaying of Putana, displayed an illustration of Krishna in an episode in which he kills a demoness by draining life from her breasts. I was very intrigued by the story behind the painting and decided to research it when I got home.
The dreamlike world of the painting was certainly brought to light, as different images of The overall experience was enjoyable, and enriching, as the Met exposed the Hindu tradition and the sacredness of the culture.
Slaying of Putana
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Shah Jahan, Mughal emperor
Artist: 40 named artists, several unnamed artists
Title of Work: Wonder of the Age, Master Painters of India
Date of Work: 1100-1900
Materials/Medium: Paintings
Location: Metropolitan Museum of Art
I was alone when viewing this exhibit
