The passage says that the rondo form of dance has the performance start at, and later return to, a “home” section. This home section – is it the central idea behind the dance? Does the home section essentially define and set the outline for the remainder of the dance, like a thesis sentence for an essay or the plotline of a movie? Is this set in stone, or can the “story” of the dance twist and turn as the choreographer wishes? In the case of very long dances, can the home section be neglected for a long period of time and still retain the same impact?