Of The Artist’s Struggle

Over the past few weeks, having finished “Just Kids” and having Daniel Kelly and Tara Sabharwal, practicing artists, in our classroom, I realized that a common theme to all artist’s lives is that of struggle. Artists, initially at least, struggle to have a solid financial foundation. In their passion to practice their craft, many artists sacrifice security and luxury for a meager existence, all for their art. Of course, I’m exaggerating a bit, as this is clearly not true of all artists. But there is the question of making their craft pay for their living, as being an artist isn’t a stable source of income, especially if you are young and unknown.

At this point, we’re all pretty familiar with Patti and Robert’s struggles as up and coming artists. They had to work a variety of side jobs in order to make the minimum amount of  money they needed to make the rent. Often they ate little and spent money very frugally. Daniel Kelly, when he was speaking to us, made note of the large number of weddings that he had to play at to be financially secure. Tara Sabharwal told us about residencies, which many artists use to have a safe financial backing while they pursue their passion and eventually succeed. There is no denying that an artist’s life is full of struggles, for money and for the freedom to do what they truly want. So why do they pursue it?

Again, drawing from “Just Kids” and our visitors, one can clearly see that, despite their struggles, artists are dedicated and passionate about what they do. Their craft makes them happy. Patti and Robert were dedicated to their art throughout all their struggles and continued to create art during those times. They never gave up on their art to pursue a more stable career. They did what they loved. When Daniel and Tara spoke to us, it was evident that they were truly in love with what they did. It is everyone’s dream to make money doing what they love and artists, I believe, have accomplished this.

Tara Sabharwal & Daniel Kelly Visit

Delayed thoughts!

I’m really glad we had the opportunity to be able to grab a glimpse behind these two artist’s lives. It was really interesting hearing about their stories and how Ms. Sabharwal came to be the artist she is today, and how Mr. Kelly came to be the musician he is today.

In Mr. Kelly’s visit, I really enjoyed seeing how he got himself involved with a community he’s not necessarily familiar with, and allowed himself to not only learn from all kinds of people from different cultures, but also to create original music with them and incorporate their individual stories. I thought it was interesting and awesome to see how he experimented with incorporating voice recordings into his music as well as playing with musicians who played instruments that are completely different from the piano itself in order to develop this new type of sound and music.

In Ms. Sabharwal’s visit, I really enjoyed being able to see and hear how she had the opportunity to earn residencies within different countries and how even to this day, she is still learning different styles of painting and still incorporating new methods and mastering old ones. Like I said in class, I think the idea of having a residency is absolutely amazing and being able to have the opportunity to do that I think is such a blessing and I can’t even begin to imagine all the things you’d be able to see, experience, and learn. I also thought it was funny how Ms. Sabharwal described her painting process, and how once she decides to use certain colors, she begins to see those colors in everything, wherever she goes.

All in all, it was a pleasure meeting the two of them and hearing their stories and insights. Thanks for taking the time to come out and talk to us, and I wish you two the best as you both continue to pursue your passions!

My Reaction to Tara Subharwal

I was quite interested by Tara Subharwal’s story of her life. I find it fascinating that she was allowed to have so many opportunities to travel to and fro from one country to another. After hearing of that fact, the first thought that came through my mind was that she is really lucky being able to express her art so freely.

Speaking of her art, I find it amusing that she has a “go with the flow” sort of style while painting. Going to art school in India may have influenced her art style in the sense that I think she had enough of copying art, but instead wanted to just make it. Although her paintings aren’t the type of art I prefer, I found it mind boggling to try to piece it together.

One of the big things I wanted to ask her was how could she even afford everything or where her income was. That type of question did seem too personal so I kept quiet. I really do regret not asking her though as it’s still on my mind.

Tara Sabharwal’s Visit Reaction

Tara Sabharwal’s visit was contrasting to the previous guest. Instead of videos and music, she talked about painting along with many visuals for support. She passed around the books, and while I was looking through the artwork, I was fascinated. I remember the book in which she drew the same artwork, however with distinctive colors for each drawing. It explicitly showed the effect of color in the painting, and Tara Sabharwal, specially said she spends a great deal of her time trying to make the color that she wants to use to portray her image. In other words, it was a memorable experience to have an actual painter talk about her own paintings and have a live description of what was going through her mind and what her intentions were in drawing such product.

“The Cut-Outs” Reaction

Henri Matisse’s exhibit “The Cut-Outs” was mostly impressive to me because of its testament to the human spirit. In the exhibit, there was a short video featured that shows how Matisse designed his cutout pieces. Despite his age, illness, and other limitations, Matisse managed to design extravagant pieces and instruct a partner in physically putting it all together. The exhibit stuck with me because of Matisse’s sheer determination. Not only did he manage to work through any and all of his limitations, but he also progressed as an artist on an extravagant scale. By the late 50s, his pieces were spanning entire walls and, in a few cases, entire rooms. It left me seriously considering the extent to which artists go in order to create. I was always led to believe that there is a certain romanticism in sacrificing for your art. However, there is also a necessary determination that, despite all odds, you will pour yourself into your work. After this exhibit of Matisse’s final projects, I now believe that this determination is what separates mediocre art from true masterpieces.

Tail! Spin! Reaction

The political satire Tail!Spin! was much more lighthearted than the other shows we saw, although it was just as clever and eye opening. The genius of the performance comes in the script, entirely put together with quotes from disgraced politicians throughout our country. The actors easily manage to make fun of representatives such as Anthony Weiner, Mark Sanford, Larry Craig, and Mark Foley all while using the politician’s own speeches, tweets, text messages, and interviews. I really couldn’t believe what I was watching, as the comedy was so jarring simply because the politicians did not need much help in making themselves look like fools. However, the perfect juxtaposition of their promises to the public and the things that they say, tweet, and text in private left me questioning whether all of our politicians are this disparate between their supposed policies and their actual beliefs. For the most part, I appreciated Tail!Spin! because of its entertainment factor. However, the reason that it works so well is because the politicians portrayed are ultimately making fun of themselves, and that idea makes me pretty scared for our political system.

Disgraced Reaction

Ayad Akhtar’s Pulitzer Prize winning play Disgraced opens up one of the most significant questions that can be discussed in our current society: to what extent are we truly an open and accepting culture? As the show specifically deals with Islamophobia in New York City, it toys with the ideas of underlying resentment toward Muslims and general xenophobia in one of the world’s most progressive societies. The show particularly stuck with me because of the more radical ideas that it presented, many of which are both anti-American and anti-Muslim. I left that night vastly disgusted with the points of view presented and could not imagine why someone would create a play to spread such viewpoints. However, the show left me thinking. I realize now that such radical ideas were included purposefully; they were not meant to be agreeable, but rather to present to the audience underlying issues in our own society and make us question our own beliefs and ideals. I loved Disgraced for more than just its depth of characters and enthralling storyline, but for the conversation it opened up which our society desperately needs to have.

Tail! Spin!

Sorry for the late post about the performance Tail! Spin!, but my computer was acting weird. I’ll keep this post short, and save the bulk for our new website.

Tail! Spin! is an incredibly hilarious and well thought-out play. It satires the theme of political sex scandals, focusing around the four elected officials Mark Foley, Larry Craig, Mark Sanford, and Anthony Weiner. The outstanding bit about Tail! Spin! is that writer Mario Correa utilizes only the texts, speeches, Tweets, and Facebook messages of these “esteemed” officials. Correa beautifully puts a spin on them, creating a hysterical script. At the end of the play, you cannot help but laugh to yourself thinking, “Did they really say that?” The entire cast only consist of five actors/actresses, the four government officials plus SNL star Rachel Dratch, who acts as the women who were part of the scandals.

Tail! Spin! is an off broadway play, and stays true to the off broadway culture (an obscure theme, performed by a small cast, in a small theater, for a small audience). I do recommend going an seeing it!

 

 

The Christmas Spectacle starring The Rocketts

It is that time of the year again when one feels the desire to talk about Christmas (ironically my favorite time of the year as a skier, as well.) In New York City, Christmas is clearly a big Deal! From decorations, shows and holidays shopping, Christmas transforms New Yorkers into characters from cliche Christmas movies. Indeed, the Holidays are an essential part of the city and they turn our wonderful city even more charming and magical.

The Rocketts

The Rocketts dancing to “Rudolf the Red-Nosed Reindeer”

In order to experience a bit more Christmas spirit, Nabila, Sophia and I went to see The Rocketts. We were very surprised to see a full house at Radio City because it was not nearly even Thanksgiving yet. Essentially, I believe that the Christmas Spectacular is so popular because it prepares the city for the Holiday season. The intent of the show is to entertain the audience, but also to sparkle some love, happiness and magic into the atmosphere. After the show, everyone felt incredibly elated. It was a very lighthearted show that transported us into a different dimension, Santa-land, leaving behind our troubles.

The Nutcracker performed by The Rocketts

The Nutcracker performed by The Rocketts

The show was highly led by distinct dance numbers from The Rocketts ranging from traditional ballet, tap dancing and even ice skating. While every dance number was wonderful, The Nutcracker performance was my favorite because it took a completely different twist on the traditional story. In this act, the dancers wore oversized costumes, yet still managed to appear completely gracious. It was a humorous act and Tchaikovsky’s music made it even more wonderful.

Everything in the show sparkled some magic over the audience, even the fake snow at the end of the show. I recommend that everyone sees this show because one can experience such innocent, childish happiness while watching it.

-Angelika

P.S. Happy Holidays!

P.S.S. 

ZERO: Countdown to Tomorrow

The New York Guggenheim Museum presents the ZERO: Countdown to Tomorrow, 1950s-1960s exhibit that is shown in the United States for the first time.

Yves Kleine "Blue Monochromes" (forces one to change their perspective by looking at the floor)

Yves Kleine “Blue Monochromes”
(forces one to change their perspective by looking at the floor)

The Zero Network initially began with Otto Piene and Heinz Mack in 1957; Gunther Ucker joined the German post World War 2 group in 1961. The group further became associated with distinct international artists that identified themselves with the Zero philosophy; the Guggenheim presents the works of 37 artists. They chose the name in order to indicate the post-war situation in wounded Europe, Zero represents “a zone of silence and pre possibilities for a new beginning as at the countdown when rockets take off (Piene).” The artists shared a desire to redefine the art in the aftermath of World War II by rejecting the existing European styles such as Tachisme and Art Informel. These styles emphasized personal expression and spontaneity, but Zero artists wanted to banish any trace of personal style or signature from their work and rather bring in elements of the “non-artistic” world into their art.

"The Yellow Picture" by Gunther Uecker

“The Yellow Picture” by Gunther Uecker (an example of monochromes and use of distinct materials: nails)

Zero artists concentrated on pure color, pure light and pure media as the fundamental premise of their art. The artists reduced their color palette to only ONE color and often their work was bland because the use of vivid colors was limited. Further, the artists incorporated a wide range of materials, such as aluminum, plastic, and sand into their work. They used lines and grids to emphasize the structure of their works. Some members even used destructive elements, such as burning, cutting and nailing in order to create something new in the aftermath of the war. The artists emphasized the creation involved in destruction, thus fulfilling their main objective by “making it new”-Ezra Pound.

 

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Jan Henderikse (1962) Bottle Wall (demonstrates use of space and materials)

For the exhibit, artists employ space as both subject and material, and they explore the “interrogation of the relationship between nature, technology, and humankind.” Light, movement and space were the central themes for the ZERO network. The audience is not supposed to ponder about the artwork because the artist completely rejects his trace in the piece and wants the viewer to simply see the final product. The artists emphasized a sense of nihilism; their art works are not supposed to have meaning but because the art pieces are meaningless they in turn gain meaning. The ZERO network incorporated some of the most avant-garde artists of the 20th century that defined the post-war era.

-Angelika, Nabila & Sophia

Tara Sabharwal’s visit and presentation

I was happy to see another visitor come to our class on Monday. She had a nice presentation for us and she answered our boon of questions. She was really happy that we were hungry for so much knowledge about her and was thankful that she came. I felt that the reason I asked so many questions is because the paintings were the ones making the questions. Rather than stimulating an enjoyment for observing them, they stimulated interest and there were so many things about each painting that needed clarification and to talk to the artist was the best way to find out. Without an easy way to figure out the mysteries of her art, I was compelled to ask questions to understand the paintings. To be candid, several of the paintings looked like they were painted by an elementary schooler, and I had to find out why an adult with so much experience would paint something so ambiguous and unclear. I learned so much from her visit.

Our Guests

We have finished reading “Just Kids” and we can all definitely agree that being an artist opens so many doors to you.  It was a great experience reading the book and seeing how many people had influenced Patti Smith, but even greater an experience was meeting two real breathing artists.  Daniel Kelly and Tara Sabharwal were artists from very different fields in art, Daniel being a musician and Tara being a painter, however they both shared very active and high energy lifestyles.  The number of experiences both have had being of their passion is innumerable.  It’s one thing to read a book, but another to see and hear firsthand about the true life of an artist in modern day.

Does it make me want to become one? No but that is because I do not have that passion they both had said that you need to really make a living out of art.  I have also found reason more reason to pay more tribute to artists, as Daniel Kelly influences the lives of many of the locals he encounters on his travels.  In fact this class has introduced me to many great modern artists that have made me more appreciative of their work.  Although I did not very much enjoy some of Sabharwal’s actual, it was amazing to hear about all of the different places in the world she travelled to and how each area shaped her use of different supplies in drawing.

Another thing I had drawn from both artists was that once you delve into something, you realize how much more there is to learn.  Although I am going into a profession that is not in any way related to art, I can take this thought and apply it to my own academic and professional life.

 

Tara Sabharwal

One of the greatest gifts that this class provided us with is Tara Sabharwal’s visit. It was a wonderful experience to meet such a lively, open artist. She was very genuine in her answers to our questions and I felt that she really wanted to express her art in the best way possible for us (and she did!). As Tara mentioned, she never plans out her art (her work is not conditioned), it is candid. It is really rare that an artist can explain his/her work of art in detail as well as Tara did. She gave us an insight on her influences and her thoughts while she makes art, Tara provided us with a personal tour of her work. Her overview of life is very interesting in that she does not plan anything but rather just adjusts to life conditions. Tara traveled to different countries, took different opportunities and this entire life journey is evident in her art.

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This is my favorite of Tara’s work

As to her art itself, it is absolutely great. Tara uses aspects of Indian and international art in her pieces. She expresses who she is intrinsically. She also adds elements from each of her trips into her work to show how she evolves with her art throughout her life travels. Her art is truly something to marvel about.

-Angelika

Daniel Kelly’s visit

It was great to be able to see what an artist’s life looks like and incredible how much of his work was done in order to bring in the money to support his family and his future ventures.

He also gave great tips on life and improvisation.

It was a lovely visit.

I can’t wait to be #jamminwithDanielKelly.

Tara Sabharwal’s Visit

Tara was a fascinating visitor to have because she was so willing to explain her process and what she intended behind some of her pieces. Often times when I hear artists talk about their work, they are unwilling to share what they were thinking about as they made their piece of art. While she did say a few times that it is up to the audience to determine what it means to them, she still explained her reasoning behind each object in the paintings. This was much more interesting than just looking at artwork and creating a meaning behind each aspect because in this instance we were able to understand the process and see exactly what goes into each piece.

The thing I found most interesting about her style is that she never plans out her pieces, but instead does whatever comes to her at the moment. I find that very fascinating because you could have the same ideas one day after the next but come up with something entirely different each day. It is almost like improvisation on stage, while the plot will stay the same, the smaller details will be changed, so it is different each time. Overall, I really enjoyed Tara’s visit and the insights into the mind of an artist.

Tara’s Visit

Tara’s visit was another highlight of this class. I could never wrap my head around abstract painting and the reasoning behind all the little details in paintings. Tara’s paintings had that same style that I would just skip over whenever I visit exhibits at the Met. She was heavily influenced by Indian philosophy and the art of it, so there were many little details, intricate designs that permeated her paintings. There were many hidden people, animals, designs, houses, and nature throughout her works.

We were able to see how her paintings changed as she progressed in life, and the influences in her life. It was more engaging than having a tour around a museum and having the guide explain to you what was going on in the artist’s life at that point in time and what influenced the specific style, color, and technique of a painting. She was able to directly answer our questions and give us insight on what she was feeling and the different themes she was playing with for a sequence of paintings. Tara also explained a lot about the placement of her paintings and her thought process, which was better than just telling us why she placed a painting with more white space between two darker colored ones.

She said one thing that really stuck in my head when she answered Adrian’s question about the tree being on fire and his uncertainty whether that was the correct interpretation. Tara told the class “It is what you make of it”. Having a living artist give viewers agency on her work, allowing them to interpret it however they want even if it wasn’t her true intention gave me a lot of confidence to believe in my own interpretations of paintings, and art in general.

We were also able to ask her questions about pretty much anything; from the style she painted, to the symbols in her paintings, to her thought process. This transparency really helped relieve some of the stress I feel when I can’t understand a painting. She even offered her own uncertainty as a way to tell us that there really was no definite answer to anything.

Straight White Men

Straight White Men is Lee’s powerful social commentary on privilege and manages to address several topics all in one piece–homosexuality, race, and gender. These categories through history have all been determinants of status and privilege in society. The play itself was at times crude (the intro music) and comical (the playfulness of the brothers). Although it began as a less serious piece with the family just hanging out and acting like typical guys/brothers the play to a turn and became a very earnest portrayal of the power of privilege. While the two brothers exhibited member of society who have privilege and the advantages of being straight, white, men who abuse their privilege and take it for granted the eldest brother continues to be conflicted by the ease of privilege and his urge to earn his way in this world. It was a very interesting way to address these topics.

Zero

When I first entered the Guggenheim and looked at the structure of the interior of the building I realized that the building itself was a work of art itself. The Zero exhibit itself was a very interesting array of pieces ranging from minimalistic paintings to complex, industrial, moving displays. There was a few common themes I noticed running through the various layers of the museum, including minimalism, bright colors, recycled materials, and clever use of light and motors. It all conveyed the ideals of the original members of Zero which was to begin anew and start from scratch so to speak in the aftermath of WWII. Though some the work may seem experimental (such as the pieces which incorporate burning) it all goes along with the effort to redefine art as it existed in that time period.

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Sebastiao Salgado-Genesis

Genesis was such an impressive collection of photographs, there was something sort of enchanting about each one. Salgado manages to truly draw you in and examine each detail of his photographs. His landscape photography was stunning and his use of light/black and white was reminiscent of some of Ansel Adams work. Salgado captures the pure natural beauty left in the world as well as distant cultures which strike a stark contrast to much of modern society which has become very distanced from nature. The name Genesis is a very suiting name in my opinion. Genesis, meaning the beginning of something or the roots, greatly reflects on what Salgado is trying to express and accomplish with this collection. The collection is not only a reminder of the natural beauty from which the earth roots its origins, before humans transformed the planet, but it is also the possible beginning of a movement to preserve and restore the planet. Here are some of my favorites from the collection.

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Genesis

Two weeks ago, Justin and I went to the International Center of Photography to view Sebastiao Salgado’s “Genesis”. Now, I’m not usually overtly fond of viewing exhibitions of artwork. However, I was interested in this one because of the overarching theme of the exhibition, that of Nature’s untamed power. When I got to the exhibit, I was not disappointed. Salgado, on his 8 year world tour, had captured some truly powerful and remarkable images. At some photographs, I found it hard to believe that they were photos and not paintings. The images seemed unreal and invoked a sense of wonder and awe. Salgado had done an amazing job in capturing the untarnished beauty of nature and in compiling these photographs together to create a global collage. The pictures of the Bryce Canyon and Brooks range, especially, caught my eye.

Brooks Range

Brooks Range

Bryce Canyon

Bryce Canyon

 

One World, Zero Tolerance

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A friend of mine that currently attends MICA (Maryland Institute College of Arts) told me that I must must must must must go to MoMA PS1 to see its exhibits, any exhibits. This assignment gave me an excuse to go there.

I suggested to our group to use this place as our third arts place, but we didn’t choose an exhibit to see until we got there. We wanted to go see a couple of exhibits and decide based on how we liked it. We ended up seeing three exhibits: Retrospective, Zero Tolerance, and The Flat Side of the Knife. Of the three, the most powerful one and the most influential one that we thought was Zero Tolerance.

Zero Tolerance depicts the political turmoil and demonstrations for rights by citizens of different countries from the 1960s all the way to present time. The exhibit included posters by John Lennon and Yoko Ono against the Vietnam War, demonstration at a church in Mosco by Pussy Riot against Vladmir Putin, attempting to breathe air into Tiananmen Square to revive the dead, crashing a car into a tree in St. Petersburg, rap video by a group of Turks, etc. All these strive to show the ill in our society, and the “zero tolerance” citizens have for the world.

The exhibit is presented from October through till March 2015. Even at present many other political tensions in the world could be incorporated. Look at the Umbrella Revolution/Occupy Central movement in Hong Kong, the protests in Ferguson, Missouri, People’s Climate March in New York. Maybe some of the worlds leaders should take a journey to Long Island City and reflect on themselves.

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And here is our favorite: Lucius

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~Christopher Chong

Straight White Men

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This post is a little late, however, this play is too good to not be posted. First of all, as soon as I went into the theater, the irrelevant  music caught my attention. I expected a smooth and a calm music for the crowd to settle in. However, that was not the case, since it was a very loud and electronic music. However, when the show started, the mood changed.

The overall story line was great, filled with suspense and humor. There was a great shift in mood in the second part of the play. The ending, however, did confuse me since I expected an additional scene. It felt as if something was missing, and I left the building confused and not satisfied. However, the fact that this play only used four characters and one setting to create such an amazing product, was shocking. In addition, I found it really interesting that when the scenes ended, the lights turned off, and when the lights turned back on, the staffs were moving all the props back to where it was originally and when they left, the characters came back in again, and continued to the next scene. That was something that I have not seen previously.

Daniel Kelly’s Visit

I truly admire, with a hint of envy, the level Daniel Kelly is pertaining his passion. He is at a point where he has enough mastery of a specific skill (in his case the piano) that he can create unique art. This is seen through the type of music he is creating. He chooses to represent the overall theme of culture and exude specific themes from specific cultures through his music. He speaks very highly of his craft and even to a person with very little understanding of music, I somehow could tell that Daniel Kelly knows what he is talking about. In essence, he knows what he is truly about.

This is a level of passion and skill that I hope to achieve one day, both in my martial arts and in my field of computer engineering. I place Daniel Kelly on level with Munoz. Both are incredibly talented artists. Both have acquired a certain level mastery that each could dive into a unique, artistic passion. Both choose to represent the idea of culture, to represent the unrepresented.