In this photo, the upside-down ship that signifies the African Burial Ground is undergoing nearby construction. In essence, the landmark is changing. This scaffolding and the notion of changing monument reminds me that places have different meanings particular to the context they are in. The African Burial Ground has a deep, nestled history. It roots back to the time of slaves brought from Africa to New York City, was designated as a national historic landmark in the late 20th century, and now remains as a distinct piece of architecture, standing as an upside-down boat surrounded by a modern, busy, urban environment. Regardless of its long history, it is extremely relevant today. One of the reasons the grounds were allotted was to give African-Americans a larger and well-deserved voice in the narration of history. Time and time again, this group of people has been pushed to the side and given a side role. By preserving the excavated bodies and creating such a site, these slaves are made important in the events of the nation’s history. The notion of incorporating different racial groups into history is always pertinent, as evidenced by artistic works such as Hamilton and Moonlight and social movements such as Black Lives Matter. In New York City, promotion of racial equality and celebration is especially significant. The idea of change marked by the scaffolding in this photo sparked this area of interest.
