This picture that I took encapsulates the essence of the High Line which can be defined as a highly artistic atmosphere. The photograph illustrates the projection of each persons’ aesthetics, which can be seen by the coincidental photography chain. Every body has its own artistic expression which affects each space and area differently. They each have their own auras that somehow blends and adds to the overall aesthetic. The image is scenic and calm but there is an underlying theme regarding the creation of art without conscious thought. In addition, there are also warm, luminescent undertones around the passageway and the two main subjects of the photo. The yellow glow directs the eyes to analyze certain aspects of the photos aesthetics. In contrast, the buildings surrounding the High Line has a colder atmosphere, showing how the park is one of the many pockets of artistic expression in a bustling metropolis.

In addition, there is also a juxtaposition of nature and modern technology. The High Line is a creation of modern architecture that implements nature in its overall structure. Although the High Line is already elevated, the tall buildings that surround it loom over the structure, showing how human creation has surpassed nature in a way. However, the plants are healthy and their bright green is enhanced by the previously mentioned warm glow. To a degree, this represents how the implementation of nature amplifies the unique aesthetics of the High Line. The plants add a distinctive aura to the artistic space, distinguishing the High Line in a city that is ironically called a “concrete jungle.” In addition the buildings that surround the High Line are examples of function over form. The buildings have their own aesthetic appeal but that comes second to the original purposes they were built for. However, the High Line (which is also a creation of modern architecture) isa prime example of how form enhances function. The High Line is based around aesthetics, which just strengthens the appeal of its overall purpose.