Time: A Pool Filled with Albertine

The Albertine Notes was a whirlwind of a story, confusing in the way that Inception was. I feel like I need to read through it a second time in order to fully understand it, however, from just one reading themes that we have been discussing all semester did clearly emerge. Continue reading

Memory, Art, Transience, and the Road

Throughout the novel, the man and the boy find oases along the road, where they find food and supplies to sustain them on their journey. I find these brief respites fascinating because of how short lived they are – the man and the boy are not driven away from paradise, they chose to live. I’m not sure whether, if I was in their shoes, I would have the strength to walk away from the underground bunker, or the house hidden along the curve of the road, or the ship on the beach. Continue reading

No One’s Gonna Get Out of Here Alive

The passage that really stood out to me in the second half of The Road was the statement made by the man who briefly travels with the boy and his father: “If something had happened and we were survivors and we met on the road then we’d have something to talk about. But we’re not. So we dont”(172). Continue reading

Life in a Post-Apocalyptic World

The apocalypse that preludes the events of The Road begins with the end of linear time: “the clocks stopped at 1:17” (52). The end of time signals the end of stability, and the devolution of the world into an anarchic wasteland populated by cannibals and blood cults. In the relentlessly gray twilight world, “things believed to be true” (89), such as the existence of God and the different between good and evil, right and wrong, are thrown into question. Continue reading