Theater|Review: In David Hare’s ‘Plenty,’ Time Takes the Edge Off a Femme Fatale – New York Times


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Theater|Review: In David Hare's 'Plenty,' Time Takes the Edge Off a Femme Fatale
New York Times
Reincarnated with equal parts limp hysteria and fashion-plate elegance by Rachel Weisz, Susan is the radioactively unhappy center of David Hare's “Plenty,” which has been revived by David Leveaux at the Public Theater, where it was first seen in 1982.
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