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‘THE DEATH OF THE LAST BLACK MAN’ Starts Tonight at Signature Theatre
Broadway World Parks is Signature’s current Residency One playwright; her plays Venus, directed by Lear deBessonet, and The Red Letter Plays: In the Blood and Fucking A, directed by Jo Bonney, will be presented in 2017. The cast includes William DeMeritt (HBO’s The … |
Playbill.comMiss You Like Hell Musical, With Daphne Rubin-Vega, Begins TonightPlaybill.comWith direction by Lear deBessonet (The Odyssey) and choreography by Danny Mefford (Fun Home), performances are set to run through December 4 in the Mandell Weiss …
Broadway World |
Antique HAMILTON Portraits Set for ‘MY SHOT’ Exhibition at The Public
Broadway World The Public Theater, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is the only theater in New York that produces Shakespeare, the classics, musicals, contemporary, and experimental pieces in equal measure. |
The Times (subscription) |
Theatre: Plenty at The Public Theater, New York/ The Front Page at The Broadhurst Theatre, New York
The Times (subscription) In the midst of an October heatwave in New York it’s odd to stumble into a perfect conjuration of London gloom, in David Leveaux’s Public Theater production of Plenty. David Hare’s 1978 play is an earnest man’s attempt to do The Feminine Mystique and a … |
Playbill.com |
What Do Critics Think of the Public Theater’s Revival of Plenty?
Playbill.com Plenty_Public_Theatre_David_Hare_01_HR.jpg Rachel Weisz and Corey Stoll (Joan Marcus). The first major New York revival of David Hare’s Plenty officially opened October 23 at The Public Theater with direction by five-time Tony nominee David Leveaux. Rachel Weisz Leads A Chilly ‘Plenty’ Revival At The Public Theater – ReviewDeadline Review: In David Hare’s ‘Plenty,’ Time Takes the Edge Off a Femme FataleNew York Times Plenty, Public Theater, New York — review – Financial TimesFinancial Times Hollywood Reporter –Vulture –TheWrap all 19 news articles » |
Deadline |
Theater|Review: In David Hare’s ‘Plenty,’ Time Takes the Edge Off a Femme Fatale
New York Times Reincarnated with equal parts limp hysteria and fashion-plate elegance by Rachel Weisz, Susan is the radioactively unhappy center of David Hare’s “Plenty,” which has been revived by David Leveaux at the Public Theater, where it was first seen in 1982. Rachel Weisz Leads A Chilly ‘Plenty’ Revival At The Public Theater – ReviewDeadline What Do Critics Think of the Public Theater’s Revival of Plenty?Playbill.com Plenty, Public Theater, New York — reviewFinancial Times Vulture –TheWrap –NorthJersey.com all 20 news articles » |
NBC 7 San Diego |
The Long Journey at the Center of La Jolla Playhouse’s ‘Miss You Like Hell’
NBC 7 San Diego Miss You Like Hell opens at The La Jolla Playhouse on Oct. 25 and runs through Dec. 4. Books and lyrics by Quiara Alegria Hudes, music and lyrics by Erin McKeown. Directed by Lear deBessonet and choreographed by Danny Mefford. Musical direction by … |
Deadline |
Rachel Weisz Leads A Chilly ‘Plenty’ Revival At The Public Theater – Review
Deadline I had forgotten until the revival that has opened at the Public Theater — where the play was introduced to New York audiences in 1982 before moving to Broadway — how perilously close Susan comes to losing our sympathy. Like so many smart, gifted … Plenty, with Rachel Weisz, Opens TonightPlaybill.com ‘Plenty’ review: Rachel Weisz overplays her hand in tedious revivalNJ.com ‘Plenty’ Theater Review: Rachel Weisz Chooses Between Anger and MadnessTheWrap Hollywood Reporter all 5 news articles » |
Auburn Citizen |
After ‘racist’ Auburn comedy performance, venue schedules community forum
Auburn Citizen A comedian for more than 20 years, with several dozen acting credits and a Comedy Central special, “Black by Accident,” Godfrey previously performed at Auburn Public Theater in 2013. He could not be reached for comment about what happened at his … |
Playbill.com |
Plenty, with Rachel Weisz, Opens Tonight
Playbill.com “Plenty is one of the great plays of the post-war era, and certainly its critical production was one of the high points of The Public Theater’s existence,” said artistic director Oskar Eustis in an earlier statement. Originally directed by Hare himself … |
