by: Ariel Avgi and Michael Borrello
At the Brooklyn Museum, we analyzed the subject matter of Koch’s, The Sculptor, drawing conclusions on the meaning of the painting and the artist’s intentions. Formal analysis was used to examine the artwork’s physicalities and how they influenced the emotions of the intended audience. Unfortunately, we had not taken into consideration the historical context of Koch’s work–an interesting aspect of the piece we would like to revisit.
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