by: Allyson Gonzalez, Teresa Lau, Michaela McGovern, Jacqueline Bosco,
We mostly discussed the ambiguity of this pieces origins. There was a lack of detail in the caption that led to a lot of hypothesizing about its origins, uses, and why there were so many other “shabtis” in the museum. We didn’t discuss the materials or the historical context and hope that next time we are in this situation, we can be better informed commentators.
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