The success of a work is often gauged by the level at which an audience finds gratification in a work’s overall presentation. These echelons of audience enjoyment differ among varying mediums; audiences who attend traditional Shakespearean operas may attribute their degrees of entertainment to be founded primarily on the character interpretations shown by actors of…
Continue ReadingArticles Written By: Robin Kumaratunga
Angela Hewitt and The Art of Fugue Review: Audience Allure Audience Allure
Maintaining proficient command of an audience throughout the duration of a performance can be an arduous ordeal which often seems overwhelming to almost every performer, exclusive to those who emit airs of natural charisma and produce works that whet their audience’s desire for their works from the beginning of a performance. Angela Hewitt and her…
Continue ReadingA Presentation of Megalography Through The Boston Symphony Orchestra’s Rendition of Elektra
Megalography, by definition, is the portrayal of figures who exhibit prodigious, customarily approaching zones of inordinacy, levels of greatness and partake in seemingly exorbitant walks of life. Christine Goerke’s self master crafted title role as Elektra, within the one-act opera Elektra, serves as a paragon of megalographic individuality. The surrealistic nature of this character is…
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