In chapters 8 and 9, Marris continues to criticize returning ecosystems to the way they existed before human intervention. She reiterates the idea, this time using designer ecosystems and once again, human misperceptions of nature and the goals of conservation, to illustrate the problems with trying to restore environments in this manner. Marris then clearly offers how people should think of conservation. Marris argues that the goal of conservation should be to create environments that are “ecologically sound, aesthetically satisfying, economically rewarding and favorable to the continued growth of civilization” (131). This idea of conservation is reasonable and practical given the amount of irreversible changes humans have already made to nature and its ability to appeal to the many people.
Marris has already attacked a variety of conservation ideas such as rewilding and assisted migration. The latest method of conservation she attacks is designer ecosystems. She begins by destroying the common idea held by ecologists and average people alike of what a stream should look like. The thought of a stream being a “single languidly curving channel with high banks” is actually something that has been created as a result of manmade dams during the Industrial Revolution (123). The archetype for an untouched stream is anything but natural. She goes back to the idea of baselines and where people decide untouched by humans really is. One point that she really nails is the idea that designer ecosystems can be expensive, difficult and unsuccessful. The idea of designing an area to look a certain way may require using humans to maintain it. One example she uses is sinking old ships so coral reefs can live on them. Old ships certainly are not a part of the way the ecosystem naturally was, but they are effective solutions. Some designed ecosystems just fail completely due to amount of changes and alterations in an ecosystem. One example she gives is in Australia where the soil and rainfall patterns have changed, that making it incredibly difficult to repopulate the area with eucalyptus trees that have become locally extinct. In such cases, it is fruitless to try to design an area to its original ecosystem; however, in other instances, designer ecosystems should not completely be thrown aside. Using the example of the sunken ships to promote growth in the coral reef, it does offer a solution that works, despite it not being completely natural. Designer ecosystems can save species that are going extinct.
Marris argues that the best type of conservation blends together the needs of humans and nature for a happy medium. An example that she provides that is working towards benefits for both humans and nature is the Duwamish River. The river is an important place that not only functions as a habitat but also a “active industrial waterway” (133). Though the water is polluted, cleanup efforts are being made to improve the ecosystem. A key point that Marris points out is how people are not asking for the entire river to be cleaned up completely and returned to a more ecologically friendly state since the river also provides a vital source of jobs. Perhaps because this idea does not require a drastic change in how humans already altering their behavior that it is often overlooked as a solution. Yet this might also be a selling point, because it is so simple, people might be more willing to adhere to it.