Bread Givers Response

Sara’s American dream revolves mainly around her defiance toward the patriarchy and its unfair code of rules in her society. She hates the idea of being owned or dominated in any way by a man, which is a big reason why she is always vehemently against her father’s attempts to marry his daughters to men who they do not love. She feels that despite her father’s dated opinions about women’s role in the world, “In America, women don’t need men to boss them.” (Yezierska, 137). She dreams of finding a love that is true, not just one that will make her wealthy. She also wants to go to college, because she wants to work as a teacher and be able to provide for herself instead of being a servant to a man.

 

The American dream for her father is nearly the opposite. His main goal in life is to study the Torah every day, for “the whole world would be in thick darkness if not for men like [him] who give their lives to spread the light of the Holy Torah” (Yezierska, 24). However, while he would not attempt to make a profit off of his religion, he expects all of his daughters to make money and contribute to the family financially. He also tries to marry them to religious men with money, so that he can be well off into the future.

 

And lastly, in the eyes of Sara’s sister Mashah, the American Dream mainly involves vanity and looks. She is “always busy with her beauty” (Yezierska, 4), and spends a lot of time in front of the mirror. She often wastes the money that she makes (that should go to the family) on things like clothing or accessories. It is clear that she does not think about things long-term and places a lot of value in material things.

Gangs of New York

In the movie Gangs of New York, there is a scene during which the Butcher, Amsterdam, and a wealthy group of New York politicians all pray in their respective locations. Then, the battle begins between the Dead Rabbits, the police force, and the Bowery Boys, and the entire street becomes clouded with smoke and dust.

As the prayer is recited, the locations alternate between those of the wealthy New York politicians, the Butcher, and Amsterdam. The cinematograph of this part shows the relation between the characters. Despite each of the three opposing each other in some way, and the fact that they are soon to be battling in the streets, they still recite the same prayer, which underscores their obscure yet true likeness.

The cloudiness of the streets during the battle created by the smoke makes for an interesting mood of the scene. It seems to possibly underscore the lack of accuracy and reason with which the battle is fought. Although those participating know what they are fighting for, it becomes so overly chaotic that the battle is essentially fought in vain. This is alluded to when Amsterdam says “This will all be finished tomorrow,” and Jenny responds “No it won’t. This whole place is gonna burn anyway” (Gangs of New York). She basically states that no matter the outcome of the battle, it will be a highly destructive bloodbath.

Summary of Painter’s “The First Alien Wave”

Today we think of race as being determined solely by the color of a person’s skin. However, in the early 19th century when the Irish were immigrating to America by the thousands, races were divided by not only skin color, but also by things like nationality and religion. The Irish were categorized as Celts, and were deemed aesthetically and personally inferior to Anglo-Saxons.

A lot of the anti-Catholic views upheld in America could be credited to the anti-Catholic legislation in British colonies. After seeing Ireland for themselves, Gustave de Beaumont equated Celts with negroes for being the lowest life forms, and Thomas Carlyle equated Celts with animals, and assumed that they were inherently lazy and stupid.

In the mid 1830s, “Samuel F.B. Morse, the father of the American Telegraph” (Painter, 135) and Yale alumnus and prime minister Lyman Beecher were two popular figures in America whose anti-Celt views helped influence others to feel the same. Morse wrote texts about why Celts were lesser than Anglo-Saxons, and Beecher preached strongly anti-Catholic sermons, which led a mob to burn down the Ursuline convent school in Charlestown.

In 1836, Awful Disclosures of Maria Monk: The Hidden Secrets of a Nun’s Life in a Convent Exposed became very popular and well know, and sold “some 300,000 copies by 1860” (Painter, 136). The book told Maria Monk’s story of what it was like to be a nun in the Catholic church, and how nuns’ obedience to the priests often involved rape of the nuns and murdering offspring. Even after investigation of the validity of the story “quickly disproved Monk’s allegations” (Painter, 137), it led many publications to be written about how bad and immorally sexual Catholicism was. This of course caused more people to have anti-Catholic views.

A variety of crises occurring in Western Europe in the mid-1840s, including political unrest and agricultural failure, led many mainland Europeans to immigrate to America. This great increase in America’s immigrant population led to the creation of the first U.S. census in 1850, which showed that nearly half of the immigrants were from Ireland. Despite the diversity of the German immigrant population “in terms of wealth, politics, and religion” (Painter, 138), they were better received than the Irish due to their tendency to become wealthy. Ralph Waldo Emerson, a leading intellectual in America, furthered this clear distaste of the Irish in his writing by reinforcing the Paddy stereotype.

Cartoons also “played an important role in reinforcing the Paddy stereotype” (Painter, 141). Thomas Nast, editorial cartoonist for Harper’s Weekly pictured a balance beam with a negro on one side and a Celt on the other to represent their equal inferiority to Anglo-Saxons. Even those who were on the pro-abolition side of slavery could draw parallels between the Negro and Celt. After a “visit to Ireland in the famine year of 1845” (Painter, 143), Frederick Douglass did just that. However, Irish people in the United Stated were totally against this assumption, for they understood that although they were Irish, it was better to be white in America than to be black. This anti-black ideology led many Irish to vote in favor of the pro-slavery Democratic Party.

During the mid 19th century when Irish nationalism flourished, two non-Irish writers named Ernest Renan and Matthew Arnold “laid a basis for the study of Celtic literature” (Painter, 144). Despite their rather condescending and patronizing words, they shed light on the idea that though the Celts may have been a pathetic race, it was not the fault of an inherently inferior mind, but rather that of unfortunate circumstances and situations in their country. Nevertheless, the Celts took a liking to these writers at the time.

The Order of United Americans was an extremely violent anti-Catholic terror group that first appeared in New York, and by the mid-1850s had “flourished in sixteen states” (Painter,147), including Massachusetts, New Jersey, Pennsylvania, and Connecticut. Then, the Supreme Order of the Star-Spangled Banner, a nativist American and anti-Catholic group, was founded in New York. These groups and others like them were known as “Know-Nothings” because they “responded to queries about their orders with “I know nothing”” (Painter, 147). Mobs were incited by these groups upon a visiting papal envoy in 1853, and “a mob in Ellsworth, Maine tarred and feathered a Catholic priest before nearly burning him to death” (Painter, 148) in 1854.

The influx of anti-Catholic views led many of the members of these Know-Nothing groups to be elected into office during the fall elections of 1854. When in office, they passed bills that prohibited “people not born in the United States from holding political office and … extend[ed] the naturalization period to twenty-one years” (Painter, 149), which in turn made it more difficult for immigrants to vote and be involved in politics.

Know-Nothings did well in elections and were a powerful group until “1855 [when] the question of slavery in the Nebraska Territory” (Painter, 150) separated the pro-slavery south from the pro-abolition north. Most Know-Nothings from the north joined the newly-founded Republican Party, and those from the south rejoined the Democratic Party. While the worst of the violence against poor Irish-Catholics was over, they were still viewed as Celts. They as well as Africans remained inferior to Anglo-Saxons, who “monopolized the identity of the American” (Painter,150).

“In Search of the Banished Children” by Peter Quinn

Prompt: Read and carefully analyze the first sentence of “In Search of the Banished Children.” What bearing does it have on the essay?

“Memory is unique to each one of us, it is familial, tribal, communal, the seepage into our minds of other memories, an intravenous inheritance, the past in our bloodstream, elixir, narcotic, stimulant, poison, antidote” (Quinn, 43). This first sentence from “In Search of the Banished Children” from Peter Quinn’s Looking for Jimmy encompasses the idea that memory, while it is an integral part of who people truly are, can leave scars on the psyches of those who have struggled.

For the most part, Quinn seems to deem the Irish Americans as fairly ignorant of their past and heritage. For example, he states that “the poor have traditionally lacked not only the education and time to record their lives, but also lacked the interest” (Quinn, 47). The unfortunate fact is that those who had experienced the Famine and held the memory of the event wanted neither to remember their story nor to inform others of their struggle, probably due to feelings of shame or inferiority.

And who could blame them? The Irish were seen by their British neighbors as a “problem, scourge, infection, perpetual nuisance, and source of national weakness and unrest” (Quinn, 53). And even after leaving the UK, those who had experienced the traumatic Famine were left with “the effects of their own powerlessness, [and] of humiliating dependency on landlords and government officials” (Quinn, 49) in America. The Famine Irish were stuck in a perpetual state of abhorrence by others and poverty, which left scars on their memories of the Famine and all events preceding and following it.