Throughout the performance, the most obvious thing besides the music was the body movements of the performers. The lead and second violinist were the most animated, coordinating their body movements with the mood and tempo of the music. The violist was not as animated in her body movements as the violinists but her facial expressions and emotion could be easily seen through the three acts. The cellist was restricted in his body movements by the size of his instrument but still managed to incorporate his body movements and facial expressions into the acts.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.