Union [By Tasmim]

Joan Miro was a Spanish artist who derived his artistic style from his passion for poetry and his view of the modern world. He combined abstract art with surrealist fantasy when he produced his murals, tapestries, and sculptures.

As the Sergeant explained how Joshua had passed in Vietnam, Claire stared at the prints above her couch with a forced smile. She questioned “Miro, Miro, on the wall, who’s the deadest of them all?” (McCann 112) This line immediately made me think of Snow White, and the famous line that belonged to the evil queen, “mirror, mirror, on the wall, who’s the fairest of them all?” I knew well the evil Queen asked her mirror that question to reassure herself that she was the fairest of them all. However, I was not sure who Claire was referring to when she had asked who is the deadest of them all. Was she asking about herself or her son? The group of women who had lost their sons in the war came together to share their stories as a source of comfort. None of them fully accepted the death of their sons; there was still a part of them that believed they would return. Maybe “Miro, miro on the wall,” is a representation of Claire’s hope. The hope that the mirror will respond back Joshua is not the deadest of them all.

The primary characters are Corrigan, Ciaran, Adelita, Claire, Jazlynn, Tillie, Gloria, Fernando, Blaine, Solomon and Sam.

There are about 70 connections between the characters throughout the book. There is not only human connection but also geographical connection as well. We begin from the top of the world trade center to the deep ends of the Bronx. They are all scattered throughout New York, and a series of events unite them.

I was most intrigued by the intersection between Ciaran and Blaine. To be clearer, it was not their meeting, but more so their attraction for each other that drew me in. I became more curious about Ciaran and why he felt an attraction to someone who was involved in his brother’s death. Maybe he realized she was not a bad person. During their meeting, Lara let the driver who hit the back of her car go without an argument, she confessed she was not the one who was driving the car that killed Corrigan, she returned Corrigan’s belongings and attended his funeral. All of her actions could have persuaded Corrigan that she was not at fault for his brother’s death or maybe he was just very drunk and wanted to kiss someone. The last two lines “There is, I think, a fear of love. There is a fear of love.” (McCann 112) of the chapter represents Lara’s fear of falling in love again because of her experience of Blaine. Blaine and Lara are two very different people. Through their actions, it’s easy to see Blaine does not care about anything else but himself and his pleasure, whereas Lara still holds her morals to some value. The experience she had with her former lover ended up killing two people hence she might not be ready fall for anyone else anytime soon.

 

“Miró, Miró, on the wall, who’s the deadest of them all?”

“Miró, Miró, on the wall, who’s the deadest of them all?” (McCann 112).

I) Joan Miró was a surrealist Spanish painter from Barcelona whose artwork is presented in Claire’s apartment. The quote McCann states is a direct allusion to the famous Snow White fairytale in which the queen asks her magic mirror on the wall who is the fairest of them all, though McCann’s version is slightly more twisted due to Claire’s dead son and grieving character.

II) Primary Characters:

  • Corrigan
  • Ciaran
  • Jazzlyn
  • Tillie
  • Adelita
  • Claire
  • Solomon
  • The group of mothers
  • Gloria
  • Lara
  • Blaine
  • Tightrope Walker
  • Computer Hackers (Sam Peters -“The Kid”, Compton, Dennis, and Gareth)
  • Fernando Marcano

There are over seventy human interactions or collisions as of book two.

III) I am the most intrigued in Lara and Ciaran’s interactions because I find it incredibly odd for someone to be cordial with their brother’s killer. Although she did not directly kill Corrigan, Ciaran still knows she was in the car that hit his. Even before he finds this out and she says that she was the driver, Ciaran is still very friendly with her and invites her out. Upon her admission of being the passenger, he claims to have known that she wasn’t the driver. They drink together and their relationship presented here is not quite a typical one due to their character involvements and actions. I find it admirable that Ciaran was not angry with her; however, I find it weird that he was even so interested in taking her out after the funeral. Finally, they kiss and Lara leaves to discover that she wants to leave Blaine and I am left wanting to see more of Lara and Ciaran together. I wonder how their characters are going to develop and if they are going to continue to see each other.

Sonder

I knew watching the same fairytales countless amount of times would come in handy in life one day. Other than giving me unrealistic expectations of men and an obsession with happy endings, these fairytales also come into play when novels I read in college make allusions to them. In Let the Great World Spin, “Miró, Miró, on the wall, who’s the deadest of them all?” (McCann 112) is a more morbid version of “Mirror, mirror, on the wall, who’s the fairest of them all?” asked by the Queen from Snow White. Joan Miró was a Spanish artist and Surrealist, and it is a piece of his art that is on the wall of Claire’s house, which she zoned in on while smiling uncontrollably when the sergeant brought the ultimate bad news. Here’s another fun fact: There’s an instrumental called “Miro, Miro On The Wall” by Hugh Buckley, who was actually born and raised in Dublin!

Speaking of real-life human intersections, there’s quite a lot of them in the book (I lost count at 50). This reminds me of the word sonder, which is defined by The Dictionary of Obscure Sorrows as “the realization that each random passerby is living a life as vivid and complex as your own… an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.” This book does an excellent job of depicting this word, leaving me amazed at the interconnectedness.

One such human collision is the one between Lara and Ciaran, which really intrigues me. How can he fall in love with her, the very girl who was involved in the accident that killed his brother? Even given that she wasn’t the one driving and that she tries to atone for her guilt, it is quite fascinating that Ciaran falls in love with her. This reveals how in reality, almost nothing is black or white, but a gradient of grays. I admire how well McCann illustrates humanity and humanness.

Miró Miró on the Wall

The title of this chapter refers to the Catalan artist Joan Miró. Miró was a painter sculptor and ceramist born in Barcelona, and he was popular by his style of surrealism. The phrase “miró miró on the wall who’s the fairest one of them all?” alludes to snow white where the evil queen asks the mirror on the wall who the fairest one is. The queen expects the answer of this question to be herself as she is extremely self-conceited. This is used as by the author to make a comparison to the new character introduced in this chapter, Claire.Claire is a rich women living with her husband on the upper east side of Manhattan. Claire lost her son in the Vietnam war and she joins a group of other women who have also lost their sons in the war, in order to help one another out. These women gather at each persons house and hear the story of the house owners child. Claire was the last one to host the group, and as she is the host she is very nervous about her appearance. She constantly thinks about how the other women are going to think about her and her house. She is incredibly insecure and believes that her friends will start to dislike her. This relates back to the queen how she cared so much about her appearance and she looked at the mirrors and asked the mirror to reassure herself. In this case Claire being rich has paintings around her house and so she is looking at them and trying to change the way her house looks because she wants to impress the women. It is not until the end of the chapter that Claire realizes these women are not here to impress each other but they are here to grieve and help one another overcome the loss of their sons.

Miró Miró

  1. Miró is a reference to the Spanish painter Joan Miró, who was active in the late 19th century. He was known for his works which fused abstract art and Surreal fantasy. His style changed from as his view on modern life evolved. The chapter title Miró, Miró, on the Wall, alludes to the famous line from Snow White, “Mirror, mirror on the wall”. Claire Soderberg, the main character of this chapter, references this with “Miró, Miró on the wall, who is the deadest of them all?” This is a reference to her upper-class status and her the sadness she is in over the passing of her son, Joshua. 
  2. The primary characters that we’ve been introduced to so far are Claire, Ciaran, Corrigan, Adelita, Blaine, Fernando, Jazzlyn, Lara, Philipe, Sam Peters (The Kid) and the other programmers, Solomon, Tillie, Gloria and the other grieving mothers. I have counted about 70 connections in the book alone.Lara and her husband Blaine were predominant painters in New York. They decide to move to the outskirts of town to gather themselves and practice art styles from the 20s and 30s. Lara and Blaine are the passengers in the car that hit Corrigan’s van on the parkway, which resulted in the death of Jazzlyn and Corrigan. This relationship is interesting because she took the blame for the accident even though Blaine was driving. Ciaran forgives her for this and they soon develop a relationship.I think it’s worth noting that Lara and Blaine both study the same art that Joan Miro became so popular for in his time. I also think the connection between Marcia and the tightrope walker was interesting too. She was sure that the man on the wire was her son coming to say hello. Claire only asked the question as to why a man would risk his life such a task as walking a tightrope above 110 stories.

 

Miró on the Wall & Character Intersections

Miró from the name of the chapter refers to the Spanish artist Joan Miró. He is known for his work in the genre of surrealism.“Miró, Miró, on the wall… who’s the deadest of them all?” pg. 112 has the same structure as the known phrase, “Mirror, Mirror on the wall, who is the fairest of them all?” from Snow White. It has a connection to the death of Claire’s son Joshua, her grief and difficulty to accept the truth. She wants to get a reflection of her perspective from others to support her.

The story of Corrigan comes first in the book. This automatically makes me more inclined to find out more about the events which relate to the first set of characters. Having heard of Corrigan’s and Jazzlyn’s fatal car crash from the perspective of Ciaran, made the intersection between Ciaran and Lara worthy of a mention. Tracing back to the time of the crash, Lara’s perspective on her relationship with Blaine changes by seeing him care more about the damage done to his car than the fact that the accident he was responsible for resulting in the death of two people.

Filled with guilt, Lara goes to the hospital, picks up Corrigan’s belongings and goes off to Ciaran. She accompanies him to Jazzlyn’s funeral and they later drive to a bar. Despite seeing the damaged car, Ciaran does not reject talking to her as he sees honesty and regret within Lara. She lied at first, saying that she was the driver due to the embarrassing reaction of Blaine to the accident. But as they talked more, she confessed that she was not the driver.

List of characters (known intersections: more than fifty-five since I am sure that I missed some): tightrope walker Philippe, Corrigan, Jazzlyn, Lara, Ciaran, Blaine, Gloria & other mothers, Tillie, Solomon, Fernando, Adelita, computer hackers, Claire.

Miró

I) Miró alludes to Joan Miró, who was a Spanish painter from the late 19th century to the late 20th century during many periods of art including surrealism, fauvism, cubism, abstract, realism and modern art. The title of the chapter “Miró, Miró, on the Wall” is a reference to the popular line from Snow White, “Mirror, mirror, on the wall”. The main character of the chapter, Claire, says this because she is a fairly high-class woman living in a nice house and is very depressed over her son that died and seems to be unsure if she is more dead than her son is. She appears to be very affected over the tragic loss of her son.

II) Primary characters: Adelita, Blaine, Ciaran, Claire, Corrigan, Fernando, Gloria + the other mothers, Jazzlyn, Lara, Phillipe, Sam + other hackers, Solomon and Tillie. They’re is about 65 human interactions now (may be off by a few) that I can point out.

Lara was with Blaine while he was driving and they were the ones who crashed into Corrigan’s car while he and Jazzlyn were in it, resulting in both of their deaths. The interaction that interested me the most was between Lara and Ciaran because she first told him that it was her driving the car, while it was actually Blaine. Ciaran forgives her for it and Lara realizes she wants to leave Blaine and we earn that previously when Lara and Ciaran went to get a drink, she told him that she actually wasn’t the one driving, to which Ciaran responds that he knew all along and then kisses her. It’s kind of weird that things turned out like this since she was in the car responsible for killing his brother and that Lara actually decides that she wants to leave her husband Blaine probably a little for what he did and how he treats it, plus the whole Ciaran situation.

Miro, Character Intersections, and Gloria

I) The title of the chapter of Let the Great World Spin about Claire is “Miró, Miró, on the Wall.” This is a reference Joan Miró (1893-1983) the modern Spanish surrealist painter, and the famous line: “Mirror, mirror on the wall, who is the fairest of them all?” from the fairy tale Snow White. Later, Claire references this line again on page 112 saying: “Miró, Miró, on the wall, who is the deadest of them all?” The title of the chapter is a reference to Claire’s status as a well-off modern woman with a house full of exquisite art, who is grieving over her dead son to the point of feeling dead herself.

II) The Major Characters in Let the Great World Spin:

  • Corrigan
  • Ciaran
  • Tillie
  • Jazzlyn
  • Lara
  • Blaine
  • Solomon
  • Claire
  • Gloria, and other bereaved mothers
  • Fernando
  • Sam, and other computer hackers
  • Philippe
  • Adelita

Here is a diagram of all the connections between named characters in Let the Great World Spin so far. I counted 74 connections total.

Gloria is a quiet character in the first half of Let the Great World Spin. She interacts with many major characters, but has yet to come to the forefront.

Diagram of all the intersections between Gloria and other characters in Let the Great World Spin.

When Tillie is in jail, Gloria brings Tillie’s grandchildren, Janice and little Jazzlyn to visit her. Tillie recognizes Gloria from the projects, but she doesn’t even know her name.

Despite not knowing Tillie and Jazzlyn well, Gloria took Janice and little Jazzlyn in after their mother’s death and lives with them in a house in Poughkeepsie.

Why did Gloria take in Jazzlyn’s children? Why did she take them to visit Tillie? She was uninvolved with Tillie and Jazzlyn before the car accident. She could have stayed uninvolved.

Gloria is a powerful character. She steps in to help Janice and little Jazzlyn when they were forgotten. Yet, all we really know about her is that she lost three sons to the war, and that she wears flowered dresses. Who is Gloria?

Sources: https://www.guggenheim.org/artwork/artist/joan-miro

 

Miro, Intersections and Regrets

  1. Miro was a Spanish painter who lived from 1893 – 1983. When the book refers to a “Miro” it is referring to one of his paintings. His style of painting was unique and unlike others’, but some claim that his style is closest to Surrealism. Some of his famous works include the Nord-Sud, Horse, Pipe and Red Flower, and Spanish Dancer.
  2. There are many characters in this book, and many that I would consider to be primary characters. What is interesting about this book is that each character has a role. They are not just “extras”, but each character can be considered a primary character and adds certain elements to the story. Here is a list of the more prevalent primary characters.
    1. Corrigan
    2. Ciaran
    3. Tillie
    4. Jazzlyn
    5. Adelita
    6. Claire
    7. Gloria
    8. Lara
    9. Blaine
    10. Fernando Marcano
    11. Compton
    12. Kid

 

There are so many intersections in this book. The one that intrigues me the most is Lara and Tillie, when they meet in “The House that Horse Built”.

What intrigues me the most is simply the fact that Lara took the effort to go visit Tillie and to get her to be able to see her grandkids. I feel as if they are both regretful of different things. Lara regrets not stopping when they crashed, and Tillie regrets allowing Jazzlyn to follow the same path she did as a prostitute. Yet, their regrets take them down unbelievably different paths. Lara falls in love with Ciaran, anb Tillie kills herself. Regrets can make people do crazy things.