Black and White and 15 feet long!

Julie Mehretu's abstract piece "Augeries"

Julie Mehretu’s abstract, described in the article from the New York Times as “reminiscent of Chinese calligraphy, scribbles that vaguely resemble Cy Twombly canvases and bolder architectural shapes,” is a work that is truly to be admired. Inspired by the “Grey Area” show at Guggenheim Museum (available until October 6th), this piece consists of twelve equal parts, divided by a grid that was used for pacing.

“Augeries” will be the main attraction at the “Notations After the Ring” exhibition at the Metropolitan Opera’s Gallery Met, with nine other black and white abstracts to compliment the piece.

Abstract art has always caught my interest. When it comes to interpretations, nothing at all is set in stone; we all see the lines and shapes create different images for us, similar to a Rorschach inkblot test. When I look at this certain piece, I actually feel a little frightened. I can visualize a Stalin-like figure in the middle of the piece, pale skin peeping out from a dark hideaway. I’m pretty sure that no one else is gonna see the eye I’m visualizing, or the crudely drawn mustache a mile above a gleeful smile.

What do you guys see in this picture? Does it invoke any particularly strong emotion?

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3 Responses to Black and White and 15 feet long!

  1. esmaldone says:

    Abstract art vs. representational art. Do you have an open mind, or are you partial to one type or another? In the 21st. Century, is the braver position the artist who paints representational images (and runs the risk of being damned as too traditional) or the one who re-imagines art in some conceptual manner (and runs the risk of repeating something already attempted)? It is important to know the history so that you can make an informed observation. Some research before we go to see the Matisse exhibition next week is in order!

  2. esmaldone says:

    Does anyone know the name Cy Twombly, referred to in the post?

    • Alexandra Nicoletti says:

      Before reading the article, I honestly have not. But from looking at a couple of his works online, I can see the resemblance. His abstract works are surprisingly enjoyable – I especially like his work comprised of lipstick stains!

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