Author Archives: Lara Porter

Posts by Lara Porter

The Wife--posted on Dec 12, 2010
Afghanistan in Theater and Art--posted on Dec 9, 2010
Lady Gaga for Music Snobs--posted on Dec 6, 2010
Vevertise- The Brass Band I Found in the Subway--posted on Dec 6, 2010
The Super Sufjan Stevens Show--posted on Dec 1, 2010
Modern Art at The Met--posted on Dec 1, 2010
Salman Ahmad and Peter Gabriel--posted on Nov 30, 2010
Kubilai Khan--posted on Nov 28, 2010
The Biennial’s Coming!--posted on Nov 23, 2010
Tim Burton at MOMA--posted on Nov 19, 2010
Star Wars: Return of the Toon?--posted on Nov 1, 2010
“Rigoletto” at the Met--posted on Oct 15, 2010
Queens College and the Nobel Prize Winner--posted on Oct 8, 2010
Bauhaus--posted on Oct 5, 2010
Kanye West and Modern Dance--posted on Oct 5, 2010
On Graffiti--posted on Sep 20, 2010
Public Art and the Sukkah--posted on Sep 13, 2010
Art and News--posted on Sep 5, 2010
Mixed Media--posted on Sep 1, 2010

Comments by Lara Porter

"Okay I love Keri Hilson, but "Pretty Girl Rock" is not about female empowerment. She straight up equates woman's power to be attractive, citing "don't hate me cuz I'm beautiful", also feeding into the stereotype that all women are essentially catty. In fact, throughout the music video she doesn't reenact strong female leaders but rather dresses up as other pop icons who essentially represent the same anti-feminist roles for women. Also, in general, pop artists don't tend to produce material with a intellectually consistent message. Most of the times their songs are written by other people. Both Keri Hilson songs represent the same message though, that hot girls being hot translates into hot music."
--( posted on Dec 13, 2010, commenting on the post Confusion from Keri Hilson )
 
"I just read that article in the New York Times this weekend! I found this piece incredibly apropos to our essay on snobbery. What's great about the 'Trocks is that they perform as if they were in a old Russian ballet school, similar to that of Najinsky. The all-male dancers take on the personas of dramatic ballerinas. I also thought that this piece directly connected to what Alexa later wrote about gay actors and homosexuality becoming more accepted with time, something that the leader of the 'Trocks thinks has directly influenced their popularity."
--( posted on Dec 13, 2010, commenting on the post Ballet, at any age or stage )
 
"This completely fascinates me, especially after analyzing Kriegel's "Graffiti: Tunnel Notes of a New Yorker" in Professor Davison's English class. The issue of graffiti as a personal statement in an "impersonal" urban setting is age old. It reminds me of those "[insert a name] wuz here"s I used to see on every field trip. There's a heartbreaking passage in the book White Teeth by Zadie Smith where an immigrant, Samad, write's a piece of graffiti that is later found by his son. I find that that particular act of art is a muffled cry against the overwhelming crush of mortality. The sense that no one knows me and no one will know when I no longer exist but maybe twenty years from now some one will see my name scratched into a park bench and somehow be aware of my existence. It's that urge to fight, however pathetically, against mortality and anonymity that drives our every day lives. To me, graffiti is always the strongest and most primal representation of this urge."
--( posted on Sep 20, 2010, commenting on the post An 8 Mile Signature )
 
"I loved this piece! I thought the the personal narratives added a lot. To me, this represented art and perspective that I don't usually see. I loved the mixture of personal voice with artistic expression. These photos made me realize that life is beautiful when you look at it through a new lens. It transformed the mundane into the art."
--( posted on Sep 8, 2010, commenting on the post Teenage Girls Explore Their Lives Through a Camera’s Eye )