‘The Scottsboro Boys’ on Broadway

The Scottsboro Boys on Broadway


‘The Scottsboro Boys’ is a new musical to recently hit Broadway. The Broadway musical portrays the event in histroy when 9 boys from Scottsboro, Alabama were wrongly accused of raping 2 white women. What makes this Broadway show unique, however, is that it is performed in Minstrel theater style. The minstrel style of theater was originally meant to “debase and sentimentalize slavery”. This style of theater was chosen specifically for the purpose of creating the tone of the era’s racism. As well, an African American actor plays the role of Samuel Leibowitz, the white Jewish lawyer who defends the nine boys in 1931. For the actors in ‘Scottsboro Boys’, who are African American, they must reincarnate this style of theater, while also creating an extremely dramatized, “buffoonish” version of the events of history through the use of language. These bold and innovative ideas were the creations of theater veterans John Kander and Fred Ebb (who passed away in 2004). Kander said to one of his actors about the performance, “You cannot go too far. Just go.” This is exemplified by young actor Jeremy Gumbs, 12 years old, who performs a tap dance titled “Electric Chair” which reveals the disturbing nature in a comic light.

Not all have accepted this style of theater as well as the nature of the show. Actor Colman Domingo, who plays the sheriff and prosecuting lawyer, recalls that a woman once booed him during the show’s run on Off Broadway when he quoted a famous line from the case, “Is justice in this case going to be bought and sold in Alabama with Jew money from New York?” And during its short time on Broadway, there have already been a few walk-outs. In The Amsterdam New‘s review of the show last week, the reporter claims that she was “offended” by the show.

Personally, I think that this is an extremely brilliant idea to weave the racially charged nature of the show with the Minstrel theater style, which creates an ironic, yet eye-opening, tone for the production. Not everyone will accept it, and some will surely find it offensive; however, it is important for Broadway to bring up important events in history through the performances and to be constantly reinventing the meaning of a “good show”.

The 9 boys from Scottsboro, Alabama 1931

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Cultural Enlightenment ala Walt Disney

After reading Susan’s post I had Disney on my mind, which got me thinking about all the
amazing movies that the company has made. From there I somehow began wondering about the origins of Disney’s films. I had already known that “Aladdin” was based on the Arabian folk tales, but after a little bit of research I was shocked to discover where many of Disney’s ,movies stem from. Many of Disney’s films are based on either folk tales, myths, or previously published stories. The people at Disney do a great job of adapting whatever source they are working with into a fun and amusing animated adventure. They usually combine the original story line, great music, child friendly subject matter, and a couple of jokes for the adults(to help them enjoy and not dread going to a “kid’s” movie). The variety of sources used for these movies is astounding and it’s so interesting how a great family movie can be produced from such diversity. Here is a short list of some of our Disney favorites and what they are based on. It’s cool how over time old art and culture develops into new art and culture.

Snow White-“Snow White”-Brothers Grimm, The Jungle Book- various stories from Rudyard Kipling, Robin Hood-“The Legend of Robin Hood”, The Lion King- inspired by Shakespeare’s “Hamlet”, Pocohantas- The legend of Pocohantas and accounts by John Smith, The Hunchback of Notre Dame- story by Victor Hugo, Hercules- myth of Hercules, Mulan- legend of Hua Mulan, Tangled(new movie coming soon)- “Rapunzel” Brothers Grimm

These are just some for a larger list click here

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Coloring Inside the Lines

When you watch kids color, it looks like an explosion of crayons and markers. The sun is purple, the people might have three arms and no legs, and sometimes it just doesn’t seem to make any sense of all. Yet, a lot of people find these drawings adorable.

As we get older, coloring outside the lines seem to be more and more unacceptable. Creativity isn’t as treasured as it used to be. We’re not supposed to have drawings that don’t make sense, well that is before we learn the rules of how to paint. Somehow, once we understand what we’re not supposed to do, if we still break the rules it suddenly has much more artistic value. A few others in the class has told me that it is the same case in music. I find it interesting that knowing the rules makes all the difference when you’re breaking them.

During the show at the 92nd Y, they spoke about a different teaching method from the one that is traditionally used. Instead of teaching them scales or rules about music, allow the students to learn by interacting with the music and not the rules. I’ve never really had an official music lesson, so I’m not sure what works best. Do the arts really just come to us naturally? Kind of like instincts, but only we have to dig a little deeper?

Posted in Music, Visual Arts | 1 Comment

Instrumentalists!

After last Thursday’s class, I was inspired and humbled by the instrumentalists in HNRS 125. It was so amazing how each student was able to improvise on demand, yet make it sound completely rehearsed. I remember in class, Corina and I even turned to each other and was like “I wish I could do that” because to us, it seemed like a different language. This reminded me of the show at the 92ST Y because they compared learning a language to learning how to play an instrument. Some abilities are innate, while others you have to acquire after years of practice until it becomes second nature. Another thing it reminded me of was when I went to interview our very own Professor Smaldone for the “Interview a Professor” assignment. I asked him if there was any moment in his life that has changed who he is as a musician and he told me about Modest Mussorgsky’s “Night on Bald Mountain”, which is a piece in the Disney movie “Fantasia”. He had seen the music score for the piece and it motivated him to want to learn how to read and compose music. When I went home to look up the piece, I could see why.

While listening and watching the movie scene, I had trouble imagine a person capable of composing the piece because of all the little nuances in tone and sound. I found myself paying more attention to the music than the actual images in the movie, although the two went together very well. There were parts when the orchestra was at full blast, which made the scene dramatic and chaotic. Then there were other parts when there was just a single bell ringing. The piece constantly went up and down in dynamics and volume, which is what added to the emotion and sort of eerie quality to the piece. I also tried to picture what instruments made what sounds because sometimes it wasn’t clear to me since there was so much going on.

In the end, this video and the session we had in class made me very appreciate music a lot more than I already do. It really is another language because it serves the same functions: it can convey thoughts, idea and emotions…and sometimes it can even do it better than language itself.

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Sunflower Seeds Not For Consumption

Remember this?

When the name “Ai Weiwei” pops up, many would probably have no idea who he is, but when “Bird’s Nest” comes about, I am sure many of you will refer to the 2008 Olympic stadium in Beijing. Ai Weiwei is a Chinese artist and an architectural designer who co-designed the “Bird’s Nest”. He is a very well known artist in China and after seeing some of his works, I can understand his popularity because his works are really impressive.

Individually & Uniquely Painted

Recently, at the Tate Modern Turbine Hall in London, Ai Weiwei’s exhibition “Sunflower Seeds” was installed. This work consisted of one hundred million porcelain “seeds”! But the number is not as impressive as the fact that each and every seed was painted individually by hand, with the help of 1,600 Chinese artisans. Each seed has its own unique design as well, so therefore there were no exact same seed.

All the seeds were scattered across the hall and visitors were allowed to skip, jump, walk, run, or lay down in these seeds. Visitors were also encouraged to pick up the seeds and let it run through their fingers. Ai Weiwei has a purpose with this exhibition though, he was attempting to portray the mass consumption, Chinese industry, and famine and collective work in China.

Unfortunately, this particular exhibition had to be shut down after less than a week of opening due to the noxious ceramic dust that arose from the seeds.

Ai Weiwei - The Genius Himself (above); Having Fun In the Seeds (bottom)

This is one of his previous works that I also found to be quite impressive.

Working Progress (Fountain of Light)

Check out his other works here.

NY Times Article.

Posted in Visual Arts | 1 Comment

Better Not Break THIS Glass

I was fortunate enough to take this past year to study abroad in Israel. One of the cultural highlights that I experienced while I was in the country was going to a glass art exhibition at the Litvak Gallery in Tel Aviv. According to their website, the Litvak Gallery aims to “to help leading artists create their own masterpieces and to assist them by promoting their work internationally. The Gallery promotes artists working in different media, including painting, sculpture, glass art and video art.” The exhibition I was privileged enough to see was a compilation of various renown glass artists including Dale Chihuly, Vaclav Cigler, Lucio Bubacco, and many more. These artists come from many different backgrounds and thus have many different and awe inspiring styles. Some manipulate the glass to form lifelike everyday objects such as fruit or a guitar, some use the glass to make ornate and magnificent chandeliers, and some produce installations and pieces that are left up to the interpretation of the public. Until viewing the exhibit I had no idea that such beauty could come from glass. I had always thought of glass as a delicate material, one used occasionally in art but more practically when dining. This notion was completely “shattered” after experiencing the Litvak Gallery’s exhibit. I had hoped to visit the gallery again before I left Israel but sadly I was unable to. A similar exhibit is now ending in our very own SOFA Chicago in Illinois, where many of the same works of art were on display. Hopefully the exhibit (or one like it) will be brought to a gallery in the Tri-State area so that I can marvel at these masterpieces again.

Some of Dale Chihuly’s art

Some of Vaclav Cigler’s art, he now has his own exhibit at the Litvak Gallery

Some of Lucio Bubacco’s art, check out “Eternal Temptation it’s my favorite

Posted in Visual Arts | 2 Comments

I Feel like a Jackass!

Finally, after many failed attempts I was able to see the movie I have been itching to view. No I don’t mean the “Social Network”(although I did see that as well and it was great), I am talking about the amusing although horrific third installment in the “Jackass” franchise. “Jackass 3D”, as the name suggests is more than simply the buffoonery and stupidity that you may be used to in two dimensions. I am sure you are all familiar with the “Jackass” boys and their handiwork but on the off chance that you are not, I’ll post some links so that you all can enjoy. I don’t know what it is about the stunts and absurdity that these guys partake in but i can’t look away. I like to think I have more of a sophisticated sense of humor than this, one that is tremendously dry and sarcastic. It is generally hard for something or someone to make me laugh out loud, but when watching “Jackass” I can’t control myself. These skits(if you can even call them that) make me howl in laughter and at times are so disturbing that I feel like I am going to vomit. So I must wonder,why on earth do I enjoy watching grown men hit one another with various projectiles, get gored by live animals, and constantly put themselves in serious danger? why do I yell “oh no!” or “oh my G-d!” every 5 seconds but somehow cannot look away. These men are a self inflicted train wreck and I love every minute of it.  I guess in a sick and twisted way there is something alluring about seeing other people do stupid and dangerous things, even if it’s done for a cheap laugh. I don’t know if I’ll ever understand it but I don’t know if i really care. After a tough week of school seeing this movie was a great kick off to a desperately needed weekend. Thankfully I am not alone in receiving immense enjoyment from the shenanigans of these..well…Jackasses, but if you are more cultured and sophisticated than I am(which I’m almost positive is true) and find these guys moronic that’s fine I just ask one thing from you.

please..please..please….don’t judge me.

The trailer for Jackass 3D

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Sinfully Good Theater


One of my absolute favorite books is making its debut on NYC’s stage: C.S. Lewis’s The Screwtape Letters has recently been adapted into a blockbuster theater production, and will be running at the Westside Theatre through January 9th.

In this wickedly (my sincerest apologies for the pun) hilarious play about spiritual warfare from a demon’s perspective, actor Max McLean takes on the role of “His Abysmal Sublimity” Screwtape, whose job it is to oversee the entrapment of human souls down the “soft, gentle path to Hell.” Costarring is Screwtape’s bumbling assistant Toadpipe, (played alternately by both Beckley Andrews & Tamala Bakkensen) a demon capable of molding herself into the various vices and temptations Screwtape requires to lure his “patients” away from the “Enemy above.”

I couldn’t possibly be looking forward to seeing this more, and I hope you all check it out.

For more info, visit the official site HERE.

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From Film to Theater and the Question of Fame

Adaptations through media can be hard to pull off. There are some people that love the Harry Potter series of books, but hate the movie franchise because many significant details were lost in translation, from print to film. The same issue is common with theater and film. The musicals made based on a movie have been hit or miss. While 42nd Street and the Lion King received critical acclaim, Legally Blonde tanked. Women on the Verge of a Nervous Breakdown is seen to be grouped with the latter. With a star-studded cast with the likes of Patti LuPone, Sherie Rene Scott, and Laura Benanti, Women on the Verge revolves around women and the men who pursue them, involving themes of the search or loss of love and rejection. The show has not been received with much success, but with acknowledgment for its potential. I haven’t seen this production, but based on the preview, I am not sure if feminists would appreciate the show. It looks like Sex and the City gone awry, with an emphasis on sex, because of a constant tearing of costume to show off a bra. I don’t think women really rip their clothes off when they have a nervous breakdown.

One thing I found interesting is that Justin Guarini, made famous in the first season of American Idol, plays one of the leading men. I am happy for his success, but it makes me wonder on the question of education and training versus being scouted for talent. Are all contestants on reality TV competitions really that talented? Is it to those who invest time and money in schooling for their craft? Fame is a mysterious concept.

http://www.youtube.com/watch?v=yLOzK8rNnQU

Source

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New York’s Great Art Work

In one of the previous posts, ToniAnn blogged about the Storm King Wavefield, a sculpture park located in upstate New York.  But although we hardly recognize it as a piece of art work, we actually have one the greatest examples of landscape architecture right here in New York, and that is Central Park.  Unlike the Storm King Wavefield, Central Park did not take a little tweaking to make it into what it is today.  Before it was Central Park, the land was actually a rocky, swampy terrain that was terrible for farming or commercial development.  It took more gunpowder to blast out the rocks than was used at the Gettysburg Battle during the Civil War, and it took massive draining to get rid of the swamps.

The current Central Park is the way it is because of the careful planning of the two designers, Frederick Olmsted and Calvert Vaux.  Their original Greensward Plan won the design contest, and was chosen as the main design of Central Park.  The park was to reflect the rough, unpolished look of nature.  Olmsted and Vaux wanted to provide sites for relaxation, so they also planned for big open fields, such as the Sheep’s Meadow.  They designed winding roads meant for the use of carriages, cars, and strolling, with many bridges to connect the roads to make the system run more smoothly.  There are gardens in Central Park.  Then there were famous structures like the Belvedere Castle, and the Bethesda Terrace, with many sculptures added like that of Shakespeare and Alice in Wonderland.  There is also the Metropolitan Museum of Art.  These are all art that is available inside the great work of art that is Central Park itself.  I think it is an overwhelming idea that in going to Central Park, you aren’t only seeing sculptures and artwork by other people, you are actually in one of the greatest works of art designed by Olmsted and Vaux.  I think that my next visit to Central Park will be a more appreciative one.

Posted in Visual Arts | 2 Comments

Energy and Art

A recent New York Times article, entitled “Finding Art in Energy in the United Arab Emirates” describes a project, the Land Art Generator Initiative conceived by the New York based Atelier DNA, that works at producing large-scale art presentations which doubly serve as clean energy generators.

“Its aim is to help participants to develop and ultimately attract investment to construct power-generating plants that are aesthetically and functionally integrated into the landscape.”

This article did not specifically appear in the Times Arts section, but it certainly has a lot to do with art and our perception of art. Often, we discuss “art for the sake of art”. It is a form of expression, but it need not hold any greater purpose.

The art of this project, though, certainly does have a higher purpose. Alternative energy is a huge topic of modern discussion, and is vital that we limit our dependence on non-renewable energy resources as much as possible.

Projects like the Land Art Generator Initiative show that art and alternative energy need not be two distinct fields, and I think this project is a great one.

Posted in Visual Arts | 1 Comment

Larger than Average Bambu

Taking a tour of Big Bambu was definitely one of the most unique experiences I have had with the arts. I first heard about it back in the summer. Since I live a few blocks from the Metropolitan Museum of Art, I made sure to see it in August. However, the day that I went, they were out of tickets for the tour. So on September 14th, I went back and took the tour. Having seen it twice, I can honestly say that the tour made the experience infinitely more impressive. At this point in this semester, it’s unnecessary for me to describe to you what Big Bambu is, since all of us have either been there ourselves or read about it extensively. However, I will try to relate my experience to you differently than how it has previously been written about on the blog.

I believe that the most amazing thing about Big Bambu is that nobody in the past has and nobody in the future will ever have the opportunity to experience what we did when we stood 40 feet above the Metropolitan Museum of Art looking over Central Park. That view that we had of the city is one that only people who visited the roof of the met during its roughly six month existence will ever see with their own eyes. They may hear stories about it or see pictures of it on the web, but never will they be able to truly recapture it. This uniqueness is what struck me the most as I peered over the peaceful green trees of the park to the magnificent buildings on the West Side.

This encounter with the arts is very different than what we usually associate with great works of art. Millions of people have seen the Mona Lisa’s piercing gaze with their own eyes. And millions more will observe the brilliant Statue of David in amazement. The feeling of sharing the same aesthetic experience with people throughout time is something that makes art so incredible. Nevertheless, I think that it is equally special to see a once-in-a-lifetime exhibit like Big Bambu.

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Chew, Spit, Paint

I am sure many of you have seen pieces of gum lying on the floor while perusing the streets, which were already stepped on and “cemented” into the ground. Have anyone ever thought of drawing on those pieces of gum? Well, British artist Ben Wilson has done just that.

Ben Wilson at work

Wilson began working full-time on these paintings in 2004 and has produces over 10,000 of these works all over the UK and some parts of Europe. To make these paintings, Wilson heats the gum with a small blow torch and then adds lacquer to harden it. He then uses special acrylic paints to create his designs. These paintings can take up to ten hours to produce. I find this to be a very creative idea. By doing this, Wilson has made chewing gum a better sight to see for pedestrians.

After some research on this artist, I discovered that Wilson was arrested on suspicion of criminal damage because of this, which I found to be absurd. Just like graffiti, I guess any art displayed on public property is prohibited. (Graffiti will always be considered as art than vandalism to me.)

This type of art reminded about a previous post when someone blogged about an artist constructing artwork using pieces of gum. Who would have known that chewing gum could have so many purposes? It obviously is not just for keeping your breath minty fresh.

yes, that's gum.

See the gallery of works here.

Posted in Visual Arts | 4 Comments

“Raoul” at BAM

While I was looking for different events and shows to see in NYC, I found out about a new dance/theatre piece called “Raoul” at the Brooklyn Academy of Music. It is part of BAM’s 2010 Next Wave Festival, along with “Gezeiten,” which Shirley wrote about in an earlier blog post. “Raoul” is a solo work performed and choreographed by James Thiérrée, and the overall plot of the show is about a man whose home is constantly “shape-shifting.”

But while the audience may be drawn into the conflict in the storyline, they will be equally impressed with Thiérrée’s movements. I looked up a video of one of his past productions, “Au Revoir Parapluie,” and I found his movements unbelievable.

Au Revoir Parapluie

Specifically around the 40 second mark, the way he is able to maintain balance on top of the rocking chair is something that I can never imagine being able to do. But it gets better from there, as after he gets off the rocking chair, he tumbles and rolls on the floor. And while his movements look so fluid and free, there’s a lot of work and effort that needs to be done in order to actually do those movements, while making it seem effortless.

Raoul

And in the second clip, which is taken from an earlier performance of “Raoul,” Thiérrée once again pulls off an exciting and mesmerizing performance. Again, at around the 8 second mark, when he is slowly rolling down, he makes it look so easy and gentle even though it looks like it would obviously take a lot of strength and balance.

When I watched these videos, I found myself comparing Thiérrée’s performances to the Parson’s Dance show we saw in Bryant Park. While the two may look kind of similar, I think Parson’s Dance follows a traditional modern dance structure, while incorporating more graceful movements that are more like ballet. “Raoul” contains more acrobatics, and actually uses props, which I think makes it more interesting for the audience. While I loved Parson’s Dance, I think that James Thiérrée’s work is also worth seeing.

“Raoul” will be performed at BAM November 5 through the 14th.

Official Site

Posted in Dance, Theater | 2 Comments

The New Sound Of Syria

Beginning his music career in 1994, Omar Souleyman has reached the level of being an international star by emerging as the new sound of Syria. Bjork describes his music to be “Syrian techno”, which takes in the overdriven Arabic keyboards and looping rhythms deployed by his sole Korg-cranking keyboardist-composer, Rizan Sa’id. After listening to some of his songs, I can see why he has become so popular. It is not your typical Arabian styled songs. It has a catchy rhythm to them.

On Tuesday, when Mr. Souleyman made an appearance at the Music Hall of Williamsburg in Brooklyn in his usual attire: brown leather jacket over a floor-length tunic, aviator sunglasses, a red-and-white-checked kaffiyeh. In his performances, he would sing rhythmically in Arabic, never in English, and still drew in the Western crowd.

After reading about Souleyman, I realized that lately there has been a revival of the techno type music in mainstream as well because many of the popular songs today possess that sort of techno “taste”. For example, Usher’s “DJ Got Us Falling In Love Again”, Far East Movement’s “Like A G6”, or Taio Cruz’s “Dynamite”, all have a piece of techno element present in the beat.

Find article here.

Posted in Music | 1 Comment

Not Just A Movie

When I ask people if they’ve heard of The Rocky Horror Picture Show, more often than not they respond with “the movie right?” and I say, “no, not the movie, the show”

I’ve been going to the show in Chelsea since I was 14. In fact, I went just last weekend. I’ve seen it over 30 times. What happens is, the movie starts at midnight while a perfectly duplicate and synchronized shadow cast performs the movie on the floor in front of the screen. They interact with audience members and there is a ton of audience participation. The audience yells funny things out in response to the movie and they throw props such as rice during the wedding scene and Scott toilet paper when Brad shouts “Great Scott!”

The show is so much fun that it’s been performed all over the world every Friday and Saturday for the past 35 years. Tim Curry himself once said that he recognized Rocky Horror as being a right of passage and a coming-of-age story for so many teens. This is definitely something I consider art and it’s one of the reasons I love this city. To captivate an audience for 35 years, a show has to have something special, right? In fact, its different every single time.


Posted in Music, Theater | 1 Comment

Comments about “Brain and Music”

I have a feeling this will lead to a lively discussion. Because Clarissa’s post is so elaborate (thank you Clarissa) I thought I would put this post here for others to leave comments. Short comments specifically about the discussion should be left here. As I read several items in today’s paper, I am struck by the enormous variety of musical (and artistic) styles and genres available. Here are two, reviewed in today’s paper (this is ONE DAY!) – music and dance.

1 – the Ukelele Orchestra of Great Britain:

2 – Sutra, by Sidi Larbi, recently performed at Lincoln Center. Here is a video of excerpts of one of the pieces,

Posted in Music | 2 Comments

Music for the Devil(again)

Far from posting a Vlog, my technological capabilities won’t even let me post a video in a comment box. Therefore it’s on to the main board for me. When saw the title of Clarissa’s post I immediately thought of The Charlie Daniels Band and the song “The Devil Went Down to Georgia”. This song has been a favorite of mine for quite some time because it tells me a story as well as wows me with music.(kind of like some music videos Sandra?). After reading Clarissa’s blog and listening to her various music clips, I was reminded of another song that shares this storyline. Apparently musicians love to have jam offs with the devil. The song I started to think of is the comical “Tribute” by Tenacious D. This band is made up of musician/actor Kyle Gass and actor/musician Jack Black. Jack Black is obviously the more famous member of the duo and both of his talents are on display in the movie “School of Rock”. Tenacious D is a bit of “mock rock” band and plays mostly humorous, and at times inappropriate songs. I can’t say that their music is a technical wonder or even amazing, but some of it makes me laugh. In “Tribute”(their first single), the band is engaged in a similar battle with the Devil and need to play the GREATEST SONG IN THE WORLD to defeat him. That sounds easy enough, too bad they have forgotten how to play it.

listen to “Tribute”

Posted in Music | 3 Comments

Expressing the Secular through Art

We are well aware of prevalent global issues in our world today: environmental, medical, political, and so on. In fact, we repeatedly hear about these issues so often that we now tune out their purpose and messages. In the world of art, however, that automatic dismissal is generally discarded. Creative expression can present a lesson or story in a refreshing – and usually striking – way.

Performance Space 122 is a cultural center in New York that has just revived a dance piece from 1986. It is titled “Them,” and was created by Chris Cochrane (composer), Ishmael Houston-Jones (choreographer), and Dennis Cooper (writer). The performance actually debuted at P.S. 122, before its 2010 revival. At that time, the AIDS panic was fully developing, but “Them” was not about that specific crisis. The piece reflected unsettling general issues through its own disturbing elements; these were not explicitly stated, but an observer could make an internal connection. “Them” continues to have a similar effect today, yet it is translated differently due to changes in history. The story and art themselves, however, have not changed.

Through artistic and poetic expression, “Them” presents the theme of male interaction with fellow men. The individualistic qualities of the dancers quietly intertwine with one another as they maintain an anonymous identity. Low lighting on the set further enhances the mysterious character of the performance. As Cooper recites words of loss, Cochrane sensually plays a guitar and Houston-Jones passionately dances. These grieving words are parallel to the externally depressed and “dying” figures of the dancers. Men, in general, strive to give the appearance of invincibility and strength; yet, in the piece, they show longing for an escape that cannot be achieved, which ultimately has affected them physically. What they wish to be freed from is not quite clear; it could be from themselves and what society pressures them to become, or from the prevalent global issues at the time (i.e., AIDS, sexual identity, etc.). Improvisation is also an important skill for these dancers, which further symbolizes the erratic change in global dilemma.

Since the piece was recently performed, I couldn’t find a video of it online. However, P.S. 122 has a YouTube channel with other visuals that you can watch for your own curiosity.

Posted in Dance | 1 Comment

Devil Music

There’s a famous saying about messing up, which is “An error doesn’t become a mistake until you refuse to correct it. ” by Orlando Battista. So, I’m correcting mine. During Music and the Brain, Victor Wooten spoke about how a bassist he admired appeared to him in his dream and taught him how to play like him. This immediately reminded me of “The Devil’s Trill Sonata,” which was composed by Giuseppe Tartini.

The “Violin Sonata in G minor” became widely known as theDevil’s Trill Sonata” because Tartini claimed that the Devil appeared to him in a dream bargaining for his soul. Tartini made a deal that he would teach him the violin instead. At the end of the lesson, Tartini handed his violin to the Devil, who played with such skill and virtuosity, that Tartini was left amazed. When he woke up, he desperately tried to record down what he heard. The piece became well known, but Tartini was disappointed because he knew that the final product never amounted to what he witnessed.



The stories of Wooten and Tartini suggest a correlation between problem solving and dreams. A study here shows that most people have dreams relative to their problems, and often find its solution in them. It mentions Tartini’s piece as an example, as well as Stravinsky’s “Rite of Spring.”

Now, I heard Paganini to my left and proceeded to stick with that name when asking my question, but he does have some sort of relevance. Niccolò Paganini is one of the most famous violinists of all time, and rumor was that he played so well because he was in a pact with the Devil. One of his best known pieces is the “Caprice No. 24.”

On the other side of the musical spectrum lies the Charles Daniels Band. Their 1979 hit “The Devil Went Down to Georgia” tells a story of how a boy named Johnny is challenged by the Devil in playing the fiddle. If Johnny wins, he is rewarded a violin; if he loses, he forfeits his soul.

I guess we can all conclude that the Devil is a violin virtuoso.

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Cedar Lake Contemporary Ballet

When I read this article, I immediately thought of the Fall for Dance performance that we went to see.  The article describes the Cedar Lake Contemporary Ballet, under the direction of Italian choreographer Jacopo Godani, which consists of 15 very talented dancers.  In a recent exhibition at the Joyce, the dance crew performed two very contrasting pieces.  The way in which the first dance was described reminded me of the After Light Part One performance from Fall for Dance.  The Cedar Lake Contemporary Ballet group was divided, and only six dancers performed for the first dance.  The dance was comprised of very slow, minute movements.  As stated in the article, “every move is achieved through a muscular fusillade of ripples; the performers can’t reach out a hand without undulating their spines first, during, and after the gesture.”  As Professor Smaldone had mentioned in class regarding the After Light dance, that type of movement is extremely difficult.  The control needed to maintain a particular pose is so great, and while it may look as if “anyone could do it”, this type of dance is not easy at all.  The article also spoke about how the lighting added to “the atmosphere”.  After Light Part One was not my favorite dance of the night, but I did really enjoy the lighting, and thought it added a great deal to the performance.

The second dance performed by the Cedar Lake Contemporary Ballet was a complete turn-around from the first one.  It featured all of the 15 dancers, and was choreographed by Swedish choreographer Alexander Ekman.  This piece is titled Hubbub, and the name certainly reflects the dance.  The whole performance is basically one big commotion on stage.  The stage is cluttered from beginning to end, with both dancers and objects such as papers, a typewriter, and movable tables.  A voice can be heard speaking above the music, introducing each of the dancers as “participants”.  At one point, all the dancer speak loudly at one time, creating a sort of  gibberish.  This piece kind of reminds me of the first performance from Fall for Dance.  While not quite as busy with the talking and such, it was certainly not lacking movement.  The music, costumes, and quick, synchronized dance steps created a sense of business and purpose.  Compared with the After Light dance, the first performance could be considered a bit of a “hubbub”.

I just really thought this article was interesting because it applied so directly to my experience with Fall for Dance.  With each new article or blog post I read, I find that I am able to apply the things read more and more with personal experiences, which is really cool!

Click here for the article!

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Greg Antonelli – Wootenology (A Made Up Science About Music And The Brain And Fantastic Bass Playing)

Yeah I made that word up. Victor Wooten is fantastic and the only way to describe his bass playing is with made up words (I tried to explain it to people on the ride home). But anyway, Tonight’s interview was more than I expected it to be. It was an interesting look on how the brain relates to music at different ages, levels of experience, etc. There was also a lot of interesting talk about the relationship between music and language. I personally use the same type of analogies when explaining music to my less musical friends. I agree with what Wooten said about how it’s important to immerse yourself in music rather than take it note by note. I find what he was saying about baggage and practicing minimizing nerves as a factor interesting. Music is an internal art form. If you are weighed down by emotions and problems, the art suffers. When it comes to performing, like Wooten said, it sounds better when you let go of all of that baggage and get over your performance jitters. I love when the emotional aspects of music come together with scientific studies. I found it really cool that Mr. Levitin went into the statistics about how parts of your brain shut down when your improving. This went hand in hand with Wooten’s idea of relaxed playing. I couldn’t understand all the neuroscience behind what Levitin was saying even if i tried, but when he simplified it and I could see it reflected in Wooten’s playing I started, at the simplest level, to get an understanding of how the brain works when it comes to music. I hope this gets commented on because I got into a discussion with some people on the train ride home about getting into music later in life. It was my understanding from the lecture that, while it’s easier to start in music from a younger age, it’s possible to learn an instrument proficiently if you know how to go about learning music. Any thoughts? While your commenting enjoy some wonderful Wooten here.

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Mr. Holland’s Opus

I’ve been thinking a lot about music education recently- the teachers who have helped me get to where I am, the methods that have worked and those that haven’t, the people who never “taught” me but from whom I’ve learned so much.

This thought path reminded me of the movie “Mr. Holland’s Opus” which I saw a couple years ago. It is an absolutely wonderful film about a frustrated composer who turns to education reluctantly, but ultimately falls in love with teaching as he inspires countless students throughout the years.

Regardless of whether one is considering music education or education in general, I think this movie is absolutely one which should be watched. It stresses the importance of loving what you do, and I think that is something we should all reflect upon as we begin to decide our futures.

One particular quote in the movie also very much relates to tonight’s “Music and the Brain” discussion: “Playing music is supposed to be fun. It’s about heart, it’s about feelings, moving people, and something beautiful, and it’s not about notes on a page. I can teach you notes on a page, I can’t teach you that other stuff.”

Enjoy the trailer below!

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Victor Wooten and Jason Mraz. Two very smart musicians.

Tonight at the presentation, Victor Wooten referred to this notion of silence a lot. What really makes a song is the silence. When he played Amazing Grace the first time, not a single person in that audience wasn’t moved. Playing it the second time like an upbeat pop song really made a clear demonstration of how much the silence affects the song.

You know how in class on Monday we were really into the idea that you cant have tension without relaxation, tragedy without comedy, highs without lows and silence without sound. All through class “Life is Wonderful” by Jason Mraz was playing in my head. The song is basically all about that.

I just plain love the lyrics to this song. Here it is for your listening enjoyment:

http://www.youtube.com/watch?v=i8wILgjsFqY

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Death by Desk

There’s nothing like a good piece of shock art, and Ben Turnbull’s 2009 exhibition “I Don’t Like Mondays” is shock art at its best. On each of a series of seven pockmarked, pen-scratched, and generally use-worn wooden school desks, Turnbull has skillfully carved deadly weapons, and in doing so delivered a powerful comment on the modern epidemic of schoolyard violence.

These tools of destruction – grenades, handguns, knives, and rifles galore – contrast poignantly with the exposed innocence of the sweetly worn school desks. Once imprinted with the images of these deadly weapons, the desks are transformed from relics of childhoods past into piercing reflections on the violence that goes on in so many inner-city schools today.

An elegant synthesis of hard-hitting imagery and accomplished artistry, Turnbull’s work is an altogether interesting comment on the dwindling role of innocence in today’s increasingly violent society.

Click here to see the rest of “I Don’t Like Mondays.”

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