16
Nov 13

Rory Gilmore’s Reading List

With so much time on her hands (and so much money) Rory focuses on one of her favorite hobbies throughout the show’s installment: reading. Through her accessibility and availability to read such various, complex, and mentally stimulating works, one can say that the knowledge and insights gained from reading literature has helped shaped Rory into an intellectual reader and writer of her own.

Interestingly, Rory has read a few of Virginia Woolf’s works, or works alluding to Woolf– those titles are indicated with bold, below!

Here is a list of all the works she is seen reading throughout Gilmore Girls¹:

1.) 1984 by George Orwell
2.) The Adventures of Huckleberry Finn by Mark Twain
3.) Alice in Wonderland by Lewis Carroll
4.) The Amazing Adventures of Kavalier & Clay by Michael Chabon
5.) An American Tragedy by Theodore Dreiser
6.) Angela’s Ashes by Frank McCourt
7.) Anna Karenina by Leo Tolstoy
8.) Anne Frank: The Diary of a Young Girl by Anne Frank
9.) Archidamian War by Donald Kagan
10.) The Art of Fiction by Henry James
11.) The Art of War by Sun Tzu
12.) As I Lay Dying by William Faulkner
13.) Atonement by Ian McEwan
14.) Autobiography of a Face by Lucy Grealy
15.) The Awakening by Kate Chopin
16.) Babe by Dick King-Smith
17.) Backlash: The Undeclared War Against American Women by Susan Faludi
18.) Balzac and the Little Chinese Seamstress by Dai Sijie
19.) Bel Canto by Ann Patchett
20.) The Bell Jar by Sylvia Plath
21.) Beloved by Toni Morrison
22.) Beowulf: A New Verse Translation by Seamus Heaney
23.) The Bhagava Gita
24.) The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy
25.) Bitch in Praise of Difficult Women by Elizabeth Wurtzel
26.) A Bolt from the Blue and Other Essays by Mary McCarthy
27.) Brave New World by Aldous Huxley
28.) Brick Lane by Monica Ali
29.) Bridgadoon by Alan Jay Lerner
30.) Candide by Voltaire
31.) The Canterbury Tales by Chaucer
32.) Carrie by Stephen King
33.) Catch-22 by Joseph Heller
34.) The Catcher in the Rye by J. D. Salinger
35.) Charlotte’s Web by E. B. White
36.) The Children’s Hour by Lillian Hellman
37.) Christine by Stephen King
38.) A Christmas Carol by Charles Dickens
39.) A Clockwork Orange by Anthony Burgess
40.) The Code of the Woosters by P.G. Wodehouse
41.) The Collected Stories by Eudora Welty
42.) A Comedy of Errors by William Shakespeare
43.) Complete Novels by Dawn Powell
44.) The Complete Poems by Anne Sexton
45.) Complete Stories by Dorothy Parker
46.) A Confederacy of Dunces by John Kennedy Toole
47.) The Count of Monte Cristo by Alexandre Dumas
48.) Cousin Bette by Honore de Balzac
49.) Crime and Punishment by Fyodor Dostoevsky
50.) The Crimson Petal and the White by Michel Faber
51.) The Crucible by Arthur Miller
52.) Cujo by Stephen King
53.) The Curious Incident of the Dog in the Night-Time by Mark Haddon
54.) Daughter of Fortune by Isabel Allende
55.) David and Lisa by Dr Theodore Issac Rubin M.D
56.) David Copperfield by Charles Dickens
57.) The Da Vinci -Code by Dan Brown
58.) Dead Souls by Nikolai Gogol
59.) Demons by Fyodor Dostoyevsky
60.) Death of a Salesman by Arthur Miller
61.) Deenie by Judy Blume
62.) The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson
63.) The Dirt: Confessions of the World’s Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx
64.) The Divine Comedy by Dante
65.) The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells
66.) Don Quixote by Cervantes
67.) Driving Miss Daisy by Alfred Uhrv
68.) Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson
69.) Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe
70.) Eleanor Roosevelt by Blanche Wiesen Cook
71.) The Electric Kool-Aid Acid Test by Tom Wolfe
72.) Ella Minnow Pea: A Novel in Letters by Mark Dunn
73.) Eloise by Kay Thompson
74.) Emily the Strange by Roger Reger
75.) Emma by Jane Austen
76.) Empire Falls by Richard Russo
77.) Encyclopedia Brown: Boy Detective by Donald J. Sobol
78.) Ethan Frome by Edith Wharton
79.) Ethics by Spinoza
80.) Europe through the Back Door, 2003 by Rick Steves
81.) Eva Luna by Isabel Allende
82.) Everything Is Illuminated by Jonathan Safran Foer
83.) Extravagance by Gary Krist
84.) Fahrenheit 451 by Ray Bradbury
85.) Fahrenheit 9/11 by Michael Moore
86.) The Fall of the Athenian Empire by Donald Kagan
87.) Fat Land: How Americans Became the Fattest People in the World by Greg Critser
88.) Fear and Loathing in Las Vegas by Hunter S. Thompson
89.) The Fellowship of the Ring by J. R. R. Tolkien
90.) Fiddler on the Roof by Joseph Stein
91.) The Five People You Meet in Heaven by Mitch Albom
92.) Finnegan’s Wake by James Joyce
93.) Fletch by Gregory McDonald
94.) Flowers for Algernon by Daniel Keyes
95.) The Fortress of Solitude by Jonathan Lethem
96.) The Fountainhead by Ayn Rand
97.) Frankenstein by Mary Shelley
98.) Franny and Zooey by J. D. Salinger
99.) Freaky Friday by Mary Rodgers
100.) Galapagos by Kurt Vonnegut
101.) Gender Trouble by Judith Butler
102.) George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg
103.) Gidget by Fredrick Kohner
104.) Girl, Interrupted by Susanna Kaysen
105.) The Gnostic Gospels by Elaine Pagels
106.) The Godfather: Book 1 by Mario Puzo
107.) The God of Small Things by Arundhati Roy
108.) Goldilocks and the Three Bears by Alvin Granowsky
109.) Gone with the Wind by Margaret Mitchell
110.) The Good Soldier by Ford Maddox Ford
111.) The Gospel According to Judy Bloom
112.) The Graduate by Charles Webb
113.) The Grapes of Wrath by John Steinbeck
114.) The Great Gatsby by F. Scott Fitzgerald
115.) Great Expectations by Charles Dickens
116.) The Group by Mary McCarthy
117.) Hamlet by William Shakespeare
118.) Harry Potter and the Goblet of Fire by J. K. Rowling
119.) Harry Potter and the Sorcerer’s Stone by J. K. Rowling
120.) A Heartbreaking Work of Staggering Genius by Dave Eggers
121.) Heart of Darkness by Joseph Conrad
122.) Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry
123.) Henry IV, part I by William Shakespeare
124.) Henry IV, part II by William Shakespeare
125.) Henry V by William Shakespeare
126.) High Fidelity by Nick Hornby
127.) The History of the Decline and Fall of the Roman Empire by Edward Gibbon
128.) Holidays on Ice: Stories by David Sedaris
129.) The Holy Barbarians by Lawrence Lipton
130.) House of Sand and Fog by Andre Dubus III
131.) The House of the Spirits by Isabel Allende
132.) How to Breathe Underwater by Julie Orringer
133.) How the Grinch Stole Christmas by Dr. Seuss
134.) How the Light Gets in by M. J. Hyland
135.) Howl by Allen Ginsberg
136.) The Hunchback of Notre Dame by Victor Hugo
137.) The Iliad by Homer
138.) I’m with the Band by Pamela des Barres
139.) In Cold Blood by Truman Capote
140.) Inferno by Dante
141.) Inherit the Wind by Jerome Lawrence and Robert E. Lee
142.) Iron Weed by William J. Kennedy
143.) It Takes a Village by Hillary Clinton
144.) Jane Eyre by Charlotte Bronte
145.) The Joy Luck Club by Amy Tan
146.) Julius Caesar by William Shakespeare
147.) The Jumping Frog by Mark Twain
148.) The Jungle by Upton Sinclair
149.) Just a Couple of Days by Tony Vigorito
150.) The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander
151.) Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain
152.) The Kite Runner by Khaled Hosseini
153.) Lady Chatterleys’ Lover by D. H. Lawrence
154.) The Last Empire: Essays 1992-2000 by Gore Vidal
155.) Leaves of Grass by Walt Whitman
156.) The Legend of Bagger Vance by Steven Pressfield
157.) Less Than Zero by Bret Easton Ellis
158.) Letters to a Young Poet by Rainer Maria Rilke
159.) Lies and the Lying Liars Who Tell Them by Al Franken
160.) Life of Pi by Yann Martel
161.) Little Dorrit by Charles Dickens
162.) The Little Locksmith by Katharine Butler Hathaway
163.) The Little Match Girl by Hans Christian Andersen
164.) Little Women by Louisa May Alcott
165.) Living History by Hillary Rodham Clinton
166.) Lord of the Flies by William Golding
167.) The Lottery: And Other Stories by Shirley Jackson
168.) The Lovely Bones by Alice Sebold
169.) The Love Story by Erich Segal
170.) Macbeth by William Shakespeare
171.) Madame Bovary by Gustave Flaubert
172.) The Manticore by Robertson Davies
173.) Marathon Man by William Goldman
174.) The Master and Margarita by Mikhail Bulgakov
175.) Memoirs of a Dutiful Daughter by Simone de Beauvoir
176.) Memoirs of General W. T. Sherman by William Tecumseh Sherman
177.) Me Talk Pretty One Day by David Sedaris
178.) The Meaning of Consuelo by Judith Ortiz Cofer
179.) Mencken’s Chrestomathy by H. R. Mencken
180.) The Merry Wives of Windsro by William Shakespeare
181.) The Metamorphosis by Franz Kafka
182.) Middlesex by Jeffrey Eugenides
183.) The Miracle Worker by William Gibson
184.) Moby Dick by Herman Melville
185.) The Mojo Collection: The Ultimate Music Companion by Jim Irvin
186.) Moliere: A Biography by Hobart Chatfield Taylor
187.) A Monetary History of the United States by Milton Friedman
188.) Monsieur Proust by Celeste Albaret
189.) A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars
190.) A Moveable Feast by Ernest Hemingway
191.) Mrs. Dalloway by Virginia Woolf
192.) Mutiny on the Bounty by Charles Nordhoff and James Norman Hall
193.) My Lai 4: A Report on the Massacre and It’s Aftermath by Seymour M. Hersh
194.) My Life as Author and Editor by H. R. Mencken
195.) My Life in Orange: Growing Up with the Guru by Tim Guest
196.) Myra Waldo’s Travel and Motoring Guide to Europe, 1978 by Myra Waldo
197.) My Sister’s Keeper by Jodi Picoult
198.) The Naked and the Dead by Norman Mailer
199.) The Name of the Rose by Umberto Eco
200.) The Namesake by Jhumpa Lahiri
201.) The Nanny Diaries by Emma McLaughlin
202.) Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen
203.) New Poems of Emily Dickinson by Emily Dickinson
204.) The New Way Things Work by David Macaulay
205.) Nickel and Dimed by Barbara Ehrenreich
206.) Night by Elie Wiesel
207.) Northanger Abbey by Jane Austen
208.) The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan
209.) Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell
210.) Notes of a Dirty Old Man by Charles Bukowski
211.) Of Mice and Men by John Steinbeck
212.) Old School by Tobias Wolff
213.) On the Road by Jack Kerouac
214.) One Flew Over the Cuckoo’s Nest by Ken Kesey
215.) One Hundred Years of Solitude by Gabriel Garcia Marquez
216.) The Opposite of Fate: Memories of a Writing Life by Amy Tan
217.) Oracle Night by Paul Auster
218.) Oryx and Crake by Margaret Atwood
219.) Othello by Shakespeare
220.) Our Mutual Friend by Charles Dickens
221.) The Outbreak of the Peloponnesian War by Donald Kagan
222.) Out of Africa by Isac Dineson
223.) The Outsiders by S. E. Hinton
224.) A Passage to India by E.M. Forster
225.) The Peace of Nicias and the Sicilian Expedition by Donald Kagan
226.) The Perks of Being a Wallflower by Stephen Chbosky
227.) Peyton Place by Grace Metalious
228.) The Picture of Dorian Gray by Oscar Wilde
229.) Pigs at the Trough by Arianna Huffington
230.) Pinocchio by Carlo Collodi
231.) Please Kill Me: The Uncensored Oral History of Punk Legs McNeil and Gillian McCain
232.) The Polysyllabic Spree by Nick Hornby
233.) The Portable Dorothy Parker by Dorothy Parker
234.) The Portable Nietzche by Fredrich Nietzche
235.) The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O’Neill by Ron Suskind
236.) Pride and Prejudice by Jane Austen
237.) Property by Valerie Martin
238.) Pushkin: A Biography by T. J. Binyon
239.) Pygmalion by George Bernard Shaw
240.) Quattrocento by James Mckean
241.) A Quiet Storm by Rachel Howzell Hall
242.) Rapunzel by Grimm Brothers
243.) The Raven by Edgar Allan Poe
244.) The Razor’s Edge by W. Somerset Maugham
245.) Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi
246.) Rebecca by Daphne du Maurier
247.) Rebecca of Sunnybrook Farm by Kate Douglas Wiggin
248.) The Red Tent by Anita Diamant
249.) Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman
250.) The Return of the King by J. R. R. Tolkien
251.) R Is for Ricochet by Sue Grafton
252.) Rita Hayworth by Stephen King
253.) Robert’s Rules of Order by Henry Robert
254.) Roman Holiday by Edith Wharton
255.) Romeo and Juliet by William Shakespeare
256.) A Room of One’s Own by Virginia Woolf
257.) A Room with a View by E. M. Forster
258.) Rosemary’s Baby by Ira Levin
259.) The Rough Guide to Europe, 2003 Edition
260.) Sacred Time by Ursula Hegi
261.) Sanctuary by William Faulkner
262.) Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford
263.) Say Goodbye to Daisy Miller by Henry James
264.) The Scarecrow of Oz by Frank L. Baum
265.) The Scarlet Letter by Nathaniel Hawthorne
266.) Seabiscuit: An American Legend by Laura Hillenbrand
267.) The Second Sex by Simone de Beauvoir
268.) The Secret Life of Bees by Sue Monk Kidd
269.) Secrets of the Flesh: A Life of Colette by Judith Thurman
270.) Selected Hotels of Europe
271.) Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell
272.) Sense and Sensibility by Jane Austen
273.) A Separate Peace by John Knowles
274.) Several Biographies of Winston Churchill
275.) Sexus by Henry Miller
276.) The Shadow of the Wind by Carlos Ruiz Zafon
277.) Shane by Jack Shaefer
278.) The Shining by Stephen King
279.) Siddhartha by Hermann Hesse
280.) S Is for Silence by Sue Grafton
281.) Slaughter-house Five by Kurt Vonnegut
282.) Small Island by Andrea Levy
283.) Snows of Kilimanjaro by Ernest Hemingway
284.) Snow White and Rose Red by Grimm Brothers
285.) Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore
286.) The Song of Names by Norman Lebrecht
287.) Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos
288.) The Song Reader by Lisa Tucker
289.) Songbook by Nick Hornby
290.) The Sonnets by William Shakespeare
291.) Sonnets from the Portuegese by Elizabeth Barrett Browning
292.) Sophie’s Choice by William Styron
293.) The Sound and the Fury by William Faulkner
294.) Speak, Memory by Vladimir Nabokov
295.) Stiff: The Curious Lives of Human Cadavers by Mary Roach
296.) The Story of My Life by Helen Keller
297.) A Streetcar Named Desiree by Tennessee Williams
298.) Stuart Little by E. B. White
299.) Sun Also Rises by Ernest Hemingway
300.) Swann’s Way by Marcel Proust
301.) Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett
302.) Sybil by Flora Rheta Schreiber
303.) A Tale of Two Cities by Charles Dickens
304.) Tender Is The Night by F. Scott Fitzgerald
305.) Term of Endearment by Larry McMurtry
306.) Time and Again by Jack Finney
307.) The Time Traveler’s Wife by Audrey Niffenegger
308.) To Have and Have Not by Ernest Hemingway
309.) To Kill a Mockingbird by Harper Lee
310.) The Tragedy of Richard III by William Shakespeare
311.) A Tree Grows in Brooklyn by Betty Smith
312.) The Trial by Franz Kafka
313.) The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson
314.) Truth & Beauty: A Friendship by Ann Patchett
315.) Tuesdays with Morrie by Mitch Albom
316.) Ulysses by James Joyce
317.) The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath
318.) Uncle Tom’s Cabin by Harriet Beecher Stowe
319.) Unless by Carol Shields
320.) Valley of the Dolls by Jacqueline Susann
321.) The Vanishing Newspaper by Philip Meyers
322.) Vanity Fair by William Makepeace Thackeray
323.) Velvet Underground’s The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard
324.) The Virgin Suicides by Jeffrey Eugenides
325.) Waiting for Godot by Samuel Beckett
326.) Walden by Henry David Thoreau
327.) Walt Disney’s Bambi by Felix Salten
328.) War and Peace by Leo Tolstoy
329.) We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker
330.) What Colour is Your Parachute? 2005 by Richard Nelson Bolles
331.) What Happened to Baby Jane by Henry Farrell
332.) When the Emperor Was Divine by Julie Otsuka
333.) Who Moved My Cheese? Spencer Johnson
334.) Who’s Afraid of Virginia Woolf by Edward Albee
335.) Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire
336.) The Wizard of Oz by Frank L. Baum
337.) Wuthering Heights by Emily Bronte
338.) The Yearling by Marjorie Kinnan Rawlings
339.) The Year of Magical Thinking by Joan Didion


12
Nov 13

Virginia Woolf as Rory Gilmore

If Virginia Woolf was associated with any TV character, it would be Rory Gilmore from Gilmore Girls.

Rory Gilmore is a very intelligent, well-mannered, beautiful girl who was valedictorian of her high school and later went on to study journalism at Yale. She was able to attend the highly prestigious and competitive private institution, Chilton, through the money of her rich grandparents. Her access to money brought her easy access to knowledge, and she grew up spending almost all of her time reading and reading, and writing and writing. Throughout the seasons of the show, she would often be seen carrying a book with her almost everywhere (many times, feminist prose), studying in her own room/study with luxury furniture provided by her grandparents, and even having enough free time to fall in love a few times and win some intellectual awards.

grandparents grad

Simply because of her access to money and a room of her own, Rory is seen as the perfect everything– perfect daughter, granddaughter, student, girlfriend, neighbor, friend, scholar, etc. She has the time and money to do whatever she desires– from exploring her surroundings and gaining inspiration, to exercising her writing and communication skills, to having intellectual conversations on famous writers and poets. This supports Woolf’s indication that with these two things, women can experience great freedom in their lives.

reading


10
Nov 13

Virginia Woolf Has a Room of Her Own

Portrait of British writer Virginia Woolf, 1900s

Virginia Woolf was raised by “free-thinking parents” who were very educated and prominent figures in their time. Woolf’s parents’ were “extremely well connected, both socially and artistically”¹.  Their richness and lavishness allowed them to have a beautifully enriching library, which Woolf utilized very well ever since she was a child. She grew up in an environment that allowed her to enjoy and practice the art of writing and reading, and she grew up surrounded by many intellectuals and innovative thinkers/writers.

Although she had brothers and other male family members who were educated at Cambridge, she had her family library to learn enough from. This inequality, however, became the basis for many of her works– in which she discusses the problem of gender inequality in a society without trying to outright insult people too much.

A Room of One’s Own is an essay Woolf wrote and published in 1929. She informs the reader that in order for a woman to be able to write fiction, she must have money and her own writing space/room to freely write and brainstorm. Only by being financially “free” (rich), will she be able to enjoy the freedom of writing– a woman in poverty is too consumed with worries about basic necessities for herself and her family, to have the time and audacity to think of writing.

Woolf seems to be the perfect example of ‘the woman writer’– because she is, in fact, a women with financial freedom who can afford a room of her own. Her personal successes in the writing industry leaks into the foundation of her essay. The role of interruptions in the reflective process–as displayed by the Beadle who walks the narrator off the grass (341)–creates a need for a personal room for creative work. Woolf and her husband, Leonard, bought a house in 1919, in which she had a small writing room constructed in a “garden”. In her own writing lodge, she would write many of her famous works, including Mrs. Dalloway and Between the Acts².

When the narrator wants to go to the library to do research on Charles Lamb, she is told that she must be accompanied by a Fellow of the college, or have a letter of introduction (342). This explains why money is needed–for one’s own access to knowledge (e.g. one’s own library). Her family’s library provided her with many resources and access to knowledge and insight, freely and easily.


05
Nov 13

Mr. Samsa vs. Mr. Wormwood

These two fictional characters represent a lot of “bad dads”– let’s take a look at what characteristics make them a horrible father.

1. Being Verbally Abusive:

Matilda: Mr. Wormwood shares his life philosophy with Matilda

 

2. Being Neglective and Unsupportive of their Child’s Interests:

Matilda: Her dad doesn’t want her to read and go to school

The Metamorphosis: Mr. Samsa, and the rest of Gregor’s family, let Gregor take on the usually-parental responsibility of providing financial support to pay off the family’s debt. Gregor works a job he doesn’t even like, without complaints, really, even when his fmaily members are completely capable of working. When he is late for work, they first ask him why he hasn’t left yet (based on their dependency on Gregor), instead of asking if he is feeling ill or hurt.

 

3. Uses Physical Actions to Show Disgust:

Matilda: (script from the film)

HW: Dinner time is family time. What is this trash you’re reading?
M: It’s not trash, Daddy, it’s lovely. it’s called “Moby Dick”, by Herman Melville.
HR: Moby *what*? [snatching the book from matilda and tears the pages out of the cover]…This is filth! Trash…!
M: It’s not mine! it’s a library book!
HW: I’m fed up with all this reading! You’re a Wormwood, you start acting like one! Now sit up and look at the TV.

The Metamorphosis: “[Mr. Samsa] had filled his pockets form the fruit bowl on the sideboard, and was hurling one apple after another, barely pausing to take aim. These little red apples rolled around on the floor as through electrified…One thrown a moment later, however, secured to pierce it. Gregor tried to drag himself away, as though the bewildering and scarcely credible pain might pass if he changed position; but he felt as though nailed to the spot…” (Norton World Literature, Volume F, 230-231)


01
Nov 13

Worst Dad Award

An examination of Franz and Hermann Kafka’s relationship similarly expressed in the fictional relationship between Gregor and Mr. Samsa suggests that a strained father-child relationship is often the result of the parent not understanding/supporting his or her child’s dreams/passions. In Matilda, Harry Wormwood’s attitude and treatment towards his daughter wins him the Worst Dad Award. Just as Hermann Kafka (who first worked as a traveling sales representative, then became his own boss of a goods and clothing retail business) wanted his son to participate in the family business, Mr. Wormwood is a cars salesman who wants his children to follow the same path. Just as Hermann sneers at Franz’ passion for writing and literature, Mr. Wormwood disapproves of Matilda’s interest in reading and learning. In fact, Mr. Wormwood once tears up Matilda’s library book and forces her to watch television with the rest of the family instead.

In this clip, Mr. Wormwood takes his favorite son and the often referred to “mistake” (Matilda) to his auto dealership. He shares his business model (aka cheating, cheating, cheating) with his kids. After hearing Matilda challenge his ethics, he verbally lashes out at her saying, “I’m smart, you’re dumb; I’m big, you’re little; I’m right, you’re wrong; and there’s nothing you can do about it.”

Throughout the film, Mr. Wormwood is neglectful, unsupportive, and verbally abusive towards Matilda. These same characteristics are expressed by Mr. Samsa in The Metamorphosis, who parallels Hermann Kafka’s tyrannical, domineering presence in real life. Fortunately, Matilda responds differently than Gregor (and Franz). She remains headstrong, passionate, and keeps practicing her individuality with confidence and boldness. Her love for reading and learning gives her the ultimate courage and comfort.

This suggests to us, as readers and viewers, that although the situation may be the same (e.g. being in an abusive relationship with a parent), how you respond is a choice that still belongs to us (e.g. the child).


30
Oct 13

Hermann Kafka as Mr. Samsa

Franz Kafka’s struggling relationship with his father, Hermann, left him so emotionally scarred that Kafka coped with this mental agony by expressing this pain through his dreamy, fantasied works. Born as the oldest child and only son, he lived under his father’s dominating, oppressive, and ill-tempered shadow. Kafka’s father often expressed his disapproval of Kafka’s passion for writing, and pressured his son to take over the family business. Labeling Kafka as a failure, Herrman was known to verbally and physically abuse his son.

Kafka’s personal relationship with his father leaks into The Metamorphosis via Gregor and Mr. Samsa’s relationship. As soon as we meet Gregor Samsa’s father, we realize how short tempered and violent he is. When Gregor comes out of the room fully transformed into a beetle, his father first “clenches his fist with a pugnacious expression,” (217) then “seizes” a cane and began “stamping his feet, and brandishing stick and newspaper” (219). He starts “emitting hissing sounds like a savage”(219) and kicks Gregor in the back, without any feelings of sympathetic devastation. Using vicious words such as seize, stamp, hissing, and savage, Kafka is, in a way, describing Mr. Samsa as a terrifying animal. Although ironic (since Mr. Samsa is the human, and Gregor is the beetle), it accurately portrays cruel and dishonorable qualities of the character.

Another moment when Mr. Samsa is violent with Gregor is when he throws apples at his beetle son, and manages to hit Gregor in the back. After this encounter, Gregor’s physical and mental condition significantly decreases until he ultimately dies a sad death. Gregor’s health gradually decreases throughout the book but his condition gets overlooked by other members of his family. This may correlate to Kafka’s emotional fitness—a slow and secluded mental deterioration that was such a personal and lonely battle.

Throughout this whole life, Kafka struggled to have a healthy relationship with his tyrannical father. Using literature as a coping mechanism, Kafka often leaked his inner fears from his miserable childhood into his imaginary characters. He attempted to lessen the pain of his terrifying relationship with his father by writing himself in characters who lived in dream-like worlds or states.