After exploring the main hall of Carnegie Hall and almost gasping for air at the prospect of standing on the stage, I decided to go to the MOMA for the remainder of my break. My initial thought upon entering the MOMA was that of why I do not go more often. Beyond the artwork, the architecture of the building was even beautiful and interesting. During this trip, however, I was particularly excited because Monet’s Water Lilies were on exhibition. When I a young girl the first book I ever read was Lily in Monet’s Garden. Ever since, I have held Monet on a pedestal. In addition, I love impressionist artwork. Specifically, the unusual visual angles and lighting effects that characterize impressionist art create different representations of how the art appears. From close up the painting will appear blotchy, but from farther away it may illustrate beautiful lilies. I have always found the influence of location on perception to be captivating. The last time I saw a Monet, I was in Paris. The experience was satisfying to say the least. Not only was his art stunning, but I felt as though I were standing among an important historical moment. At the MOMA, the exhibition featured four large representations of his water lilies. The pieces were not his famous lilies, but they were still just as aesthetically pleasing. I sat down on the couch in the middle of the exhibition space and just stared. I was particularly captivated by the piece above. The implementation of the cool blue and green hues created a high color value. The addition of yellow and purple hues contrasted the cool colors providing a warmer color scheme. Furthermore, the high value of the colors created a serene and calming visual atmosphere. Although the water lilies were not clearly defined, the blending of the paint produced a unified illustration of the water and flowers. To only be sitting in Giverny gazing upon his pond. At least, I could momentarily enjoy this amidst the gridiron of New York.