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Comments on: Cold Turkey http://macaulay.cuny.edu/seminars/bernstein07/?p=395 The Arts in New York City / Macaulay Honors College / CUNY / Professor Roslyn Bernstein / Baruch College / Fall 2007 Mon, 05 Nov 2012 20:57:05 +0000 http://wordpress.org/?v=2.2.2 By: Jessica C http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-78 Jessica C Thu, 20 Dec 2007 17:37:48 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-78 hey mohammad, your pictures were really nitty gritty and very good at capturing the sort of desolation that I usually imagine lonely smokers experiences. great use of sepia toning too! Jessica hey mohammad,

your pictures were really nitty gritty and very good at capturing the sort of desolation that I usually imagine lonely smokers experiences. great use of sepia toning too!

Jessica

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By: Mohammad http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-77 Mohammad Thu, 20 Dec 2007 05:42:12 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-77 Thanks for all the constructive criticism guys! To answer Noureen's question: Most of my shots were not just one-shot miracles; I had to take multiple shots until I bit on to something. The use of sepia, black and white, or color was mainly a trial and error process at first. However, I find that the hue and saturation of a picture totally depends on the circumstances regarding that picture’s subjects and backgrounds. For instance, the vivid photo of a man in a black and white hoodie with red bricks behind him would just not look as striking in black and white. I needed to show that contrast of color in each brick. Other pictures, like the one in which a musician sits leaning on a window shutter in deep contemplation, happen to be stronger in black and white. The moon-light/camera flash glare on the shutter is reflected better, not to mention that the dark colors create a mysterious atmosphere. I guess what I am trying to say is that the decision to use color/sepia/black and white is determined case by case. As a photographer, you’re the one in charge – so do what you feel is best! Thanks for all the constructive criticism guys!

To answer Noureen’s question:

Most of my shots were not just one-shot miracles; I had to take multiple shots until I bit on to something. The use of sepia, black and white, or color was mainly a trial and error process at first. However, I find that the hue and saturation of a picture totally depends on the circumstances regarding that picture’s subjects and backgrounds. For instance, the vivid photo of a man in a black and white hoodie with red bricks behind him would just not look as striking in black and white. I needed to show that contrast of color in each brick. Other pictures, like the one in which a musician sits leaning on a window shutter in deep contemplation, happen to be stronger in black and white. The moon-light/camera flash glare on the shutter is reflected better, not to mention that the dark colors create a mysterious atmosphere.

I guess what I am trying to say is that the decision to use color/sepia/black and white is determined case by case. As a photographer, you’re the one in charge – so do what you feel is best!

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By: Noureen http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-49 Noureen Wed, 19 Dec 2007 06:27:39 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-49 I think it is pretty much agreed that the choice of using sepia added a powerful and more focused perspective on your topic of discussion. It was amazing how your were able to get some really close shots of the people in your photographs. I do have a questioning concerning you usage of sepia and black-and-white; why didn't you simply use one, and being the fact that you didn't, why didn't you make all of your photos in that form instead of leaving some in their natural colors. Good technical work and planning Mohammad. I felt as if I was going through a profession photography journal when you were presenting your slideshow. I think it is pretty much agreed that the choice of using sepia added a powerful and more focused perspective on your topic of discussion. It was amazing how your were able to get some really close shots of the people in your photographs. I do have a questioning concerning you usage of sepia and black-and-white; why didn’t you simply use one, and being the fact that you didn’t, why didn’t you make all of your photos in that form instead of leaving some in their natural colors. Good technical work and planning Mohammad. I felt as if I was going through a profession photography journal when you were presenting your slideshow.

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By: Rodolfo http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-38 Rodolfo Wed, 19 Dec 2007 02:35:44 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-38 The pictures you took were amazing Mo! I really enjoyed seeing your slideshow. The sepia tones only made the images more powerful. The photographs look as if they were taken by a professional photographer. They were also very dark and truly showed smoking in a unique light. Great Work! The pictures you took were amazing Mo! I really enjoyed seeing your slideshow. The sepia tones only made the images more powerful. The photographs look as if they were taken by a professional photographer. They were also very dark and truly showed smoking in a unique light. Great Work!

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By: Angelo http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-28 Angelo Tue, 18 Dec 2007 19:29:04 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-28 I have to say that you took some incredible pictures! Not only are they candid, but the lighting and color effect (black and white / sepia) really added character and a subtle, but powerful emotional conotation to each photo. Each seemed to tell a story, one that speaks of a particular attitude that you can say reflects off of smoke - dark, convoluted, and mysterious. I really liked your work! I have to say that you took some incredible pictures! Not only are they candid, but the lighting and color effect (black and white / sepia) really added character and a subtle, but powerful emotional conotation to each photo. Each seemed to tell a story, one that speaks of a particular attitude that you can say reflects off of smoke - dark, convoluted, and mysterious. I really liked your work!

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By: Jenny http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-16 Jenny Sat, 15 Dec 2007 09:34:27 +0000 http://macaulay.cuny.edu/seminars/bernstein07/?p=395#comment-16 Its great to hear how you warmed up to street photography. Even though you never really invaded people's space, you seem to capture a true essence of them. I distinctly remembered your street photography presentation because it had some of the most powerful images I saw. Even with a theme like smoke, you were able to work with all different ideas and went to great lengths to get great photos. I think you have a strong gift for street photography and you should definitely continue taking photos! Its great to hear how you warmed up to street photography. Even though you never really invaded people’s space, you seem to capture a true essence of them. I distinctly remembered your street photography presentation because it had some of the most powerful images I saw. Even with a theme like smoke, you were able to work with all different ideas and went to great lengths to get great photos. I think you have a strong gift for street photography and you should definitely continue taking photos!

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