The Arts in New York City » Lino Demasi http://macaulay.cuny.edu/seminars/saldana07 Art Is Where You Find It Sun, 23 Dec 2007 16:25:06 +0000 en hourly 1 http://wordpress.org/?v=3.2.1 2006-2007 lhorridge@gmail.com (The Arts in New York City) lhorridge@gmail.com (The Arts in New York City) 1440 http://macaulay.cuny.edu/seminars/saldana07/wp-content/plugins/podpress/images/ravendrap.jpg The Arts in New York City http://macaulay.cuny.edu/seminars/saldana07 144 144 http://web.honorscollege.cuny.edu/seminars/saldana07/?feed=podcast Art Is Where You Find It The Arts in New York City The Arts in New York City lhorridge@gmail.com no no Lino Demasi’s Final Podcast http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-final-podcast/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-final-podcast/#comments Sun, 23 Dec 2007 15:59:41 +0000 admin http://web.honorscollege.cuny.edu/seminars/saldana07/?p=514 ]]> http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-final-podcast/feed/ 2 0:00:01 PODCASTS lhorridge@gmail.com no no question http://macaulay.cuny.edu/seminars/saldana07/2007/12/question-5/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/question-5/#comments Wed, 19 Dec 2007 01:18:09 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=500 is it ok if i am making a song on garageband for my piece?

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NYC Taxi Flower Power http://macaulay.cuny.edu/seminars/saldana07/2007/12/nyc-taxi-flower-power/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/nyc-taxi-flower-power/#comments Tue, 11 Dec 2007 22:55:40 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=474 I’m pretty sure that everyone has noticed them at least once. They’re plastered all over the hoods, trunks and roofs of our yellow cabs. No, I am not talking about taxi fare stickers. I am talking about the colorful flowers that adorn our beloved New York City Taxis. At first a look, these images seem a bit odd and out of place because of their yellow background, yet they are eye-catching. I was curious to see why these images were appearing on the cabs and I found out that this project, entitled “Garden in Transit”, was intended to provide creative therapy for seriously ill and disabled children. So I wondered to myself, how is this art? Granted, the art was the paintings themselves, but there was an additional element involved. It came to me while I was crossing the street at a red light. It was one of those rare times I actually wasn’t daydreaming, and actually paying attention to my surroundings. I turned my head and saw a good two rows of taxis waiting at the light, all with the flowers emblazoned on their bodies. It seemed as if I was looking at a field of flowers. I realized that, when seen in bunches, the images of the flowers create a sense of a garden on a mobile canvas. I think these are great pieces of art, they are able to stand-alone and at the same time they are able compliment each other when put next to each other. Who would of thought that NYC taxis were patrons of the arts?

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Lino Demasi’s Podcast Review http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-podcast-review/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-podcast-review/#comments Thu, 06 Dec 2007 20:13:34 +0000 admin http://web.honorscollege.cuny.edu/seminars/saldana07/?p=457 ]]> http://macaulay.cuny.edu/seminars/saldana07/2007/12/lino-demasis-podcast-review/feed/ 1 0:00:01 lhorridge@gmail.com no no Museum of the Moving Image http://macaulay.cuny.edu/seminars/saldana07/2007/11/museum-of-the-moving-image/ http://macaulay.cuny.edu/seminars/saldana07/2007/11/museum-of-the-moving-image/#comments Tue, 13 Nov 2007 23:27:28 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=415 After having my fill of paintings in museums such as the MoMA, the Guggenheim and the Met, I felt it was time for me to see some more pictures, but… in motion. Movies and TV programs are the everyday means of displaying the arts of motion pictures. But how does it all work? To answer this question one must venture into the heart of Queens and head to the Museum of the Moving Image located in Astoria. Residing across the street from the famed Kauffman Studios, the Museum of the Moving Image’s goal is to advance the appreciation of the art, history, technique and technology involved in film, television, and digital media. The museum offers some great exhibits such as “Behind the Screen” in which I got to see the various aspects of movie making like the production and marketing of the movies. I was also happy to find that the museum had its own theater. I managed to sit in on one of the shows, which was a classic episode of Captain America. What I found the most interesting, being a sports fan, was the replica of a sports broadcasting station. In it, there are several screens all showing different images of a sporting event. The exhibit simulates how a producer must decide on which screens to show, for how long he must show them and when he must show them. This place was great and, if you like movies and TV you will love the Museum of the Moving Image.

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FOTO: Modernity in Central Europe, 1918 – 1945 http://macaulay.cuny.edu/seminars/saldana07/2007/10/foto-modernity-in-central-europe-1918-%e2%80%93-1945/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/foto-modernity-in-central-europe-1918-%e2%80%93-1945/#comments Wed, 31 Oct 2007 02:49:52 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=364 In all these years, I had never been to the Guggenheim Museum in New York City. I was surprised to find out that it was conveniently located on Fifth Avenue and 89th Street in Manhattan. Recently the Guggenheim had been going through a renovation process that has made it a bit unattractive from the outside due to all the scaffolding. Those thoughts were quickly erased once I entered the museum and was wowed by a spiraling walkway – laden with various paintings – that leads all the way to the top of the museum. On my visit, I viewed the FOTO: Modernity in Central Europe, 1918 – 1945 exhibit that had begun October 12th. Personally, I love photography and I thought that this would be a very interesting exhibit to attend. The exhibit did not disappoint. It displayed through the modern art of photography (at the time) that the emerging artists of Central Europe during the First and Second World War were able to provide a social commentary through various images and styles captured by their shutters.

The exhibit showed that in the 1920s and 1930s, photography became very popular across Central Europe. It sparked the imagination of hundreds of artists, provided a creative outlet for thousands, and became a symbol of modernity for millions through its use in magazines, newspapers, advertisements, and books. The exhibit was divided into different sections: The Cut-and-Paste World: Recovering from War, Laboratories and Classrooms, Modern Living, New Women — New Men, The Spread of Surrealism, Activist Documents, Land Without a Name, and The Cut-and-Paste World: War Returns. Entering into the exhibit, the first thing that I thought to myself is: “Why did the curator organize all these pieces of work into one exhibit?” The answer was easier to find in this exhibit than in the others that I have been to. The reason was that all the pieces of art were created through the same medium, photography, and that they all shared a common idea: providing a social commentary of Central Europe during the 20’s and 30’s through different styles of photography.

Each section of the exhibit provided a different commentary as well as a different style. The Cut-and-Paste World: Recovering from War was all about photomontage, the technique that involved cutting images from various sources, usually newspapers, and editing them to create a whole work. These images displayed the dreadful mechanization and destruction of bodies during World War I. Laboratories and Classrooms displayed the techniques of texture, translucency, and tonal gradations that were experimented in the laboratories and taught in the classrooms all the while facing fierce opposition from the Nazi regime who tried to stop its progression. Modern Living displayed urban lifestyles and new constructions, which were taken from varying angles and/or close-ups. New Women – New Men was not highly noted as much for its techniques, but for its artists. Women, showing their progression in society and upsetting their conventional roles, took many of the photos taken in this selection. The Spread of Surrealism was the one that piqued my interest the most. The pictures, aside from their meaning, were a relief to the eyes with their vivid colors and imaginative and distorted images. Surrealism, in its fantasy-based nature, offered a means to turn one’s back on the norm of so much art and culture in the region. Activist Documents carried photographs that called for uprising against current conditions. The photographs depict the physical and mental toll of labor as well as capturing the full spectrum of a worker’s life. Land Without a Name contained a series of pictures that captured landscapes throughout Central Europe that has not been “named”; not named meaning that they were not under any political controls and therefore did not have a proper name. The last section in the exhibit was The Cut-and-Paste World: War Returns. This section depicted the renewed life of the photomontage in order to show the horrific events and provide a commentary on the terrible effects of the Second World War.

For someone who enjoys photography, this exhibit proves to be a very interesting view. The works of art set aside for this exhibit are very unique in that they reflect the artistic achievements of a part of the world that at the time was not fully aware of the art of photography. Yet, with the growing hostilities of the times, they were able to use this form of art and were able to display the everyday occurrences in a very creative manner. For a first trip to the Guggenheim, this proved to be a very enjoyable experience and I greatly look forward to attending another exhibit there.

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Filharmonica Della Scala at Carnegie Hall http://macaulay.cuny.edu/seminars/saldana07/2007/10/filharmonica-della-scala-at-carnegie-hall/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/filharmonica-della-scala-at-carnegie-hall/#comments Wed, 17 Oct 2007 02:11:47 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=315 1013072043f.jpgFor this week’s art event I attended the Filarmonica Della Scala at Carnegie Hall on Saturday, October 13. The Filharmonica Della Scala is the resident orchestra of Milan’s celebrated opera house, an orchestra established 25 years ago this year, and as a celebration took part in a North American tour, the first time it has ever done so. I happened to receive these tickets from a friend at the UN who had heard about my search for a cultural event. I accepted these tickets hesitantly; I had never before been to an orchestra performance and was not too sure if I would like it. But lately I have been in the mood to try out new things, so I took the tickets, dressed up in suit and tie and made my way for the historic Carnegie Hall. From the moment I walked up to Carnegie Hall I knew that I was presence of high class people, dressed very elegantly and pre-gaming the upcoming performance. I made my way inside the Stern auditorium and I was seated in the orchestra seats next to the ambassador to Portugal. The program for the night consisted three works by Wagner: Lohengrin, Prelude Act 3; the operas Die Wesendonk Lieder and Die Walkure, Act One: Scene 3. The program also featured two works by the Italian, Respighi which were the Fountains of Rome and the Pines of Rome. The conductor for the orchestra was Riccardo Chailly and the tenor was Ben Heppner. The first act, which consisted of works by Wagner, displayed a variety of the instruments sounding out high emotion as well as calm tunes. The two operas were sung in German and, without the help of Anna-Maja, I was unable to understand anything. Fortunately, I was able to pick up some of what was going on just by the action of the music. The second act displayed the sounds of Italy’s Respighi. The first piece, Fountains of Rome, was a beautiful piece that represented a major characteristic of Rome: its fountains. If one listened closely, it was if you could actually hear the tinkling of the water. The Pines of Rome was also about one of Rome’s other well-known characteristic of pine trees. In the piece, the music shows the transition from day into night with the representation of clock tower bells, the sound of tree-inhabiting birds and the change in the tempo of the music. For an encore the Orchestra played Rossini’s William Tell Overture and ended the night with a tribute to jazz, a really catchy fusion of sounds picked up during the ages. Overall, this was a very enlightening and enjoyable experience and I wouldn’t be surprised if I were to attend other types of these events.

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The Old Guard http://macaulay.cuny.edu/seminars/saldana07/2007/10/the-old-guard/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/the-old-guard/#comments Wed, 10 Oct 2007 20:58:13 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=243 1img_1482.JPG

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RockCorps Concert at Radio City http://macaulay.cuny.edu/seminars/saldana07/2007/10/rockcorps-concert-at-radio-city/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/rockcorps-concert-at-radio-city/#comments Wed, 10 Oct 2007 04:44:47 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=193 1006071937b.jpg

Everyone enjoys going to a concert…right? After all, it is always better when you get to see your favorite artists perform live in a big-time venue like Radio City Music Hall. Unfortunately, this was not the case for me at the Boost Mobile RockCorps concert on October 6th at Radio City in New York City. The RockCorps concert, contrary to the name, was not a rock concert at all; it was a rap concert. I have never had much tolerance for rap, mostly because of the obscene antics and the x-rated lyrics that the artists feel necessary to put in to their songs to enhance their work. Yet, this proved to be the perfect opportunity for me to put aside my bias, explore, and try to create a new perspective on this musical genre.

The mission statement was self-explanatory: you GOT 2 GIVE 2 GET. Under this tagline Boost Mobile and Rock Corps partnered to spread a national youth movement: Boost Mobile RockCorps. The movement encourages volunteerism in young people and was created to effect social change. In this program, every volunteer who gives 4 hours of service, receives a ticket to a concert featuring the hottest artists. I was introduced to this program by a couple of friends who were looking to score tickets to a concert they had heard over the radio. I, however, was looking for an opportunity to get some community service time under my belt, and with the added incentive of going to a concert, I was quickly drawn in. After all, the program was called RockCorps, and being a rock fan I was psyched to sign up. When I arrived to Astoria Park in Astoria, Queens I was hit with the hard beats from a truck blasting rap music and the hard truth that the concert was in fact not a rock concert but a rap concert; rap was a genre that I was clueless about. Nevertheless, I went to work and after my four hours of service I picked up my ticket and left.

So yesterday, after caving into the pressure from my friends to attend this event, I went to the concert. It turns out that my anticipations for this event were all on target. I tried to put aside my bias against rap and hip-hop music and tried to take the suggestion that I should listen to the lyrics of the songs and try to get the full meaning of the message these artists were trying to convey. I listened hard, but half the time I wasn’t able to make out what they were saying, sometimes they felt the need to speak so fast that they couldn’t be understood. When I could actually understand, all I could make out were expletives and phrases that pertained to use of drugs and sexual behavior. These artists did have a story to tell in their lyrics, but the way that they conveyed it in their music was very unappealing and uninteresting to me. I am no saint, I feel that my ears can tolerate expletives and sometimes I feel that an expletive belongs in a song enhance its meaning, but the over usage of these words just brought disgust to my ears. At one point one of the artists gestured with his middle finger to the crowd and asked that they all do the same in unison, a totally unnecessary gesture that was done in poor taste. To my surprise and relief, two rock bands had actually made it into the show, but unfortunately they weren’t good and were used as human intermissions as the crowd headed toward the concession stands. Overall I found the show to be a bit tasteless, boring, at times crude and not deserving to be performed at Radio City despite the efforts of host Nick Cannon, nickelodeon child star – now, a big time hip-hop representative. I would like to say that there was one moment during that entire show that I greatly appreciated. It was after the performer Busta Rhymes finished his act and apologized to all his fans about his use of expletives and word selection and thanked all of us for our hard work and how that night was dedicated to people like us who were working every day to make the world a better place. Even though I give this event a bad review for the musical aspect of it, I would like to give it a good review for its overall scope: to promote charitable acts of community service and make the world we live in a better place.

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for tomorrow http://macaulay.cuny.edu/seminars/saldana07/2007/10/for-tomorrow/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/for-tomorrow/#comments Tue, 09 Oct 2007 23:07:52 +0000 Lino http://web.honorscollege.cuny.edu/seminars/saldana07/?p=169 do we have to bring digital cameras and laptops?

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