In the play version of the Barber of Seville, the audience came to appreciate the struggle for love that Rosine and the Count face. Figaro’s role became fate’s role. He initiated every action that occurred next. He was the driving force behind all of the consequences. Figaro WAS fate.

The play emphasizes the romance between the couple and how inevitable their love was. Nothing could separate these lovers apart, least of all Bartholo. The comedic factor in this story was how ridiculously impossible the love between the Count and Rosine was. Their marriage was so sudden.

In the opera version of Barber of Seville, Figaro is the star. He is still the driving force behind the consequences and now he is also the main character. The opera showcases what Figaro really contributes to the story. Everyone always seeks out Figaro and demands something from him. Be it haircuts, shaves, wigs, or favors, Figaro can accomplish anything. The comedy in this opera is the frustration of being Figaro. Everyone is calling his name and requesting his assistance as a barber and as a courier. He is never left alone. I personally find it hilarious he’s “complaining” that everyone demands something from him and he needs to handle it “one at a time.”