The Stage Confined to a Screen
Within the NY Times Arts article “Catching Broadway on Camera” by Lorne Manly, it states that with the closing of its live performance, Of Mice and Men is looking to capture the performance on film. This was not the initial plan when the Broadway show was being produced, yet through difficult decisions and forbidding deadlines, a filmed version of the Broadway play will be hitting 1,400 theaters in november. The intention for taking the play and altering it to movie format is driven by a few factors. Capital seems to be one of the biggest incentives for the conversion of play to film. There is a clear incentive to filming live performances , making Broadway plays accessible to a much larger demographic, whether it be due to socio-economic reasons or geographical, now theoretically anyone can enjoy a Broadway performance.
In spite of the performance’s increased accessibility, it almost completely robs Broadway of its appeal. For centuries people enjoyed plays for one distinct reason, it being a live performance. There is something about sinking into the red cushioned auditorium chair and getting lost in a live performance that makes Broadway such a luxury. These filmed performances can be compared to a lesser quality movie, which will ultimately be unable to compete with high budget blockbusters.
Allowing for Broadway plays to be transferred to films is also a walk on dangerous terrain. As we’ve seen in the last 2 decades the Theater industry has decreased immensely, and with the addition of these performance films, there is room for adverse effect. Many Broadway goers may have less of an incentive to go and see the live show if they know they can wait for it to be released on film. With our currently crippled economy, many broadway goers may opt out on spending money on tickets, and may choose to save money and see the performance in theaters.
These filmed Broadway performances, may be the future of theater, for better, or for worse.