The Questionable Destination of Countless Works of Art
This is a painting titled “The Courtyard of the Old Residency, München”. Its a painting that has a style that doesn’t quite make a lasting impression, but maybe knowing that the artist behind this work was Adolf Hilter will.
When thinking Adolf Hilter the first word that comes to mind isn’t art, at least not for most people, and because of this we aren’t aware of the major role that art played in his life. The time of the second world war was a undoubtedly a time of chaos, especially in the art world. Though the exact number is unknown the nazis looted hundred of thousands of works of art ranging from Vincent Van Gogh to MichelAngelo.
Technology being leaps and bounds ahead of what it was 50 years ago, it has become a much less daunting task to try and track down the rightful “heirs” to works of art. Organizations like the Mondex Corporation work to ensure that the stolen works are distributed where they belong, usually being the distant relatives of those from whom the works of art were originally stolen. Mondex noticed that hundreds of works belonging to the Kainers had been listed in an international database of art lost in the years during World War II, their next step was to try and track down any relatives that were left.
Tracing the family genealogically, the tracks had a peculiar end. Rather than leading the company to a person they led to an organization that was established by the Swiss Bank Corporation to help educate children, preferably of Jewish heritage. The tangled mess with a mysterious end that is the chain of custody of these works of arts is the reason why the Kainer “Heirs Sue Bank Over Sale of Nazi-Looted Art“.
There is no denying that the Nazi looting of art was both immoral and illegal but the past cannot be changed. Currently the families whose art was stolen are undergoing a restitution process, during which works of art that have been classified as looted are being redistributed to their “rightful” owners. The action of restitution poses a much larger question, where does art belong?
Keeping private works of art is reasonable, but there should be a process by which art somehow becomes available to the public. The best process would be through emulating the way the patent system works in the United States. Patent laws restrict the intellectual property from being stolen for 14 or 20 years, depending on the style of the patent. After the year restriction ends the patent is no longer in play. The reason why this system works is because it allows for private profit but after some time it allows for the advancement of technology by making the technology public. In a similar sense the possession of art should be made to benefit the private individual but then work its way to the public to better the advancement and awareness of the arts.