Pursuit of Provenance

In Graham Bowley’s recently published New York Times article titled, “Nations Called Lax in Returning Art Looted From Jews“, it is revealed that certain countries are responsible for not researching or identifying items that may  have been looted from Jews during World War II. Among the many countries doing so, Italy has been noticed to not show any effort at all in trying to do provenance research. Museums in Italy have chosen to not follow the practice of tracking the ownership of their items which results in them not having much accurate information on the object at all.

I find that the practice of not doing research on a piece in a museum is extremely irresponsible and ignorant. Especially so because the museum workers are aware of their ignorance and chose to refrain from research regardless. Many belongings were confiscated from Jews during the Holocaust and the moral and ethically correct thing to do would be to give proper credit on information regarding these items. The government in Italy has chosen to not take any action towards the restitution of cultural and religious properties from the 1930s and 1940s.

Much of the art stolen from Jews during the Holocaust is still missing to this day. Other countries that are doing well in terms of trying to identify the origins of certain art pieces include Austria, the Czech Republic, Germany and the Netherlands.Italy, Poland, Argentina, Spain and Russia show lackluster efforts in helping the Jewish community gain a sense of closure on this matter.

In 2011, United States officials seized a 16th-century painting by Girolamo Romano while it was on loan to a Florida museum. They argued that the Milan museum that owned it should have been aware of evidence that it had been stolen from a Jewish family.
Giuseppe-painting_2197241b
Here, the painting is shown being returned to the grateful grandchildren of the man who originally owned it.

The countries who are not thoroughly researching the history and the ownership of their pieces from this time period are acting ignorantly, irresponsibly, and unethically. Provenance research shouldn’t just be a matter of political concern and museum responsibility, but also as a practice of good ethics. These museums fail to realize that this is the right thing to do, especially because of how important it would be for the families of the owners of the stolen art pieces.

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