Ramon Del Barrio review

Meeting Ramon Del Barrio was an honor and a wonderful experience. As an artist, he was very comfortable yet aware of himself and his movements. This translated into his personality and demeanor, which is very admirable in a group of clearly uncomfortable and awkward college kids. He tried to be as uninhibited as possible, which I greatly appreciated. A free lesson with a West Side Story choreographer was just another perk. Just some simple stretches and movements got the blood flowing and the energy rising. While some of the students looked annoyed and unhappy about dancing in front of the class, it was still a good (and definitely necessary) experience because we got the chance to goof around and just enjoy moving around instead of sitting at a desk writing notes. It was a very refreshing experience.

Talking to him was wonderful because he had very developed ideas about dance (despite believing deeply in free form and spontaneity in dance). It was interesting to hear his ideas on openness in form, which translates to mind. I have actually tried to take on his philosophies, starting with doing my work while sitting up straight and being ‘open’ instead of slouching and being ‘closed’. It does actually work, especially for writer’s block. I have also tried his notions on dancing when by yourself. This works even better than sitting up straight to loosen up or just to unwind. I know that whenever I need a little boost or just want to move, I put my iTunes on shuffle and dance in my room.

He also seemed truly sincere about his love for dance. He only mentioned to us that it wasn’t about the money once and didn’t bring it up again. It was admirable because one’s career should never be solely about the money and Del Barrio emulates this. His passion for dance and laid back attitude contribute greatly to his success in the dance world, and he really is a success story. Touring with and choreographing for West Side Story, performing and essentially personifying a new character in Guys and Dolls, and being a part of Sisterella, a work by the late Michael Jackson are just a few of his credits. It was a privelege to be in the presence of Ramon Del Barrio: choreographer, dancer and part-time philosopher.

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Juilliard Jazz!

Like most of our class, I experienced my first jazz performance this semester. The Music of Count Basie, performed by the Juilliard Jazz Orchestra on October 7th, was a startling introduction. Everything about the performance was lively; the music was loud, well-tuned, and heartfelt, the performers were smiling, and the conductor had full control of the orchestra.

The communal support on the stage was striking; every time a soloist played well, the rest of the performers smiled proudly. Some of the rear-most instrumentalists used colorful hats while they played, giving the performance a well-choreographed and cheerful feeling. The conductor, Brandon Lee, is the youngest member of the Julliard Jazz faculty, and yet he controlled the concert like a god. He was courteous to Frank West, clear to the audience, and personally connected to each student. The songs were pleasant, although I’m not sure how their order was chosen. Tickle Toe and Splanky made me giggle!

West’s multi-instrumental solos were inspiring; his music seemed to emerge from long-ago concerts, and he seemed to be putting all of his experience into one performance. The drummer was excellent, and I wish that the stage-setup had actually allowed me to see him while he played.

The only thing I disliked about the concert was the audience. Even I, an extremely inexperienced listener, know that it’s rude to clap during a concert. The constant applause was irritating. It masked a good deal of the music, and it prevented me from becoming immersed by the performance. However, I still managed to leave the concert with a new appreciation of jazz. Any orchestra that I’ll listen to in the future will have to work hard to compete with the talent I heard on the 7th.

A New Orchestra 11/14 at 8:00PM

Hello to all,

This new orchestra, Salome makes its debut this Sat. Nov. 14 at Steinway Hall.

The orchestra is made up of musicians from PrincetonJuilliard and other NY conservatories.

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The Salomé Chamber Ensemble’s Début Concert


Steinway Hall (109 West 57th Street between 6th and 7th Avenues)

Saturday November 14th, 2009 at 8PM

Works of Handel, Mendelssohn, and Dvorak

Free Admission (Suggested Donation $10)

Reception to Follow

The Salomé Chamber Ensemble is New York’s electrifying new conductorless ensemble.  For more information, visit us at www.salomechamber.com.

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Salome Chamber Ensemble

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Dreamgirls musical at the Apollo

$10 RUSH tickets for the musical DREAMGIRLS, currently in previews at the APOLLO. The available performances are at 2pm and at 8pm on Wednesday, November 11, 2009.

The RUSH TICKET window of availability begins 2 hours prior to show time. This means the 2pm matinee RUSH tickets become available beginning at 12 noon, and the 8pm RUSH tickets become available at 6pm.

http://www.youtube.com/watch?v=WXzQ9kQzRdw

Bargemusic tickets


For the few of you who requested tickets for the Barge concert:

There are 10 tickets reserved for Barge Music on November 18th. at 8:00PM.

The tickets will be held under “Macaulay Honors College”, just show your ID.  If you cannot go, make sure you let us know ASAP so someone else can get the ticket.