Juilliard Jazz!

Like most of our class, I experienced my first jazz performance this semester. The Music of Count Basie, performed by the Juilliard Jazz Orchestra on October 7th, was a startling introduction. Everything about the performance was lively; the music was loud, well-tuned, and heartfelt, the performers were smiling, and the conductor had full control of the orchestra.

The communal support on the stage was striking; every time a soloist played well, the rest of the performers smiled proudly. Some of the rear-most instrumentalists used colorful hats while they played, giving the performance a well-choreographed and cheerful feeling. The conductor, Brandon Lee, is the youngest member of the Julliard Jazz faculty, and yet he controlled the concert like a god. He was courteous to Frank West, clear to the audience, and personally connected to each student. The songs were pleasant, although I’m not sure how their order was chosen. Tickle Toe and Splanky made me giggle!

West’s multi-instrumental solos were inspiring; his music seemed to emerge from long-ago concerts, and he seemed to be putting all of his experience into one performance. The drummer was excellent, and I wish that the stage-setup had actually allowed me to see him while he played.

The only thing I disliked about the concert was the audience. Even I, an extremely inexperienced listener, know that it’s rude to clap during a concert. The constant applause was irritating. It masked a good deal of the music, and it prevented me from becoming immersed by the performance. However, I still managed to leave the concert with a new appreciation of jazz. Any orchestra that I’ll listen to in the future will have to work hard to compete with the talent I heard on the 7th.

A New Orchestra 11/14 at 8:00PM

Hello to all,

This new orchestra, Salome makes its debut this Sat. Nov. 14 at Steinway Hall.

The orchestra is made up of musicians from PrincetonJuilliard and other NY conservatories.

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The Salomé Chamber Ensemble’s Début Concert


Steinway Hall (109 West 57th Street between 6th and 7th Avenues)

Saturday November 14th, 2009 at 8PM

Works of Handel, Mendelssohn, and Dvorak

Free Admission (Suggested Donation $10)

Reception to Follow

The Salomé Chamber Ensemble is New York’s electrifying new conductorless ensemble.  For more information, visit us at www.salomechamber.com.

Friends of Salome

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Our mailing address is:

Salome Chamber Ensemble

20 west 64th street
Apartment 29V

New York, New York 10023

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Copyright (C) 2009 Salome Chamber Ensemble All rights reserved.

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Dreamgirls musical at the Apollo

$10 RUSH tickets for the musical DREAMGIRLS, currently in previews at the APOLLO. The available performances are at 2pm and at 8pm on Wednesday, November 11, 2009.

The RUSH TICKET window of availability begins 2 hours prior to show time. This means the 2pm matinee RUSH tickets become available beginning at 12 noon, and the 8pm RUSH tickets become available at 6pm.

http://www.youtube.com/watch?v=WXzQ9kQzRdw

Bargemusic tickets


For the few of you who requested tickets for the Barge concert:

There are 10 tickets reserved for Barge Music on November 18th. at 8:00PM.

The tickets will be held under “Macaulay Honors College”, just show your ID.  If you cannot go, make sure you let us know ASAP so someone else can get the ticket.

Reviews of Events

If you have still to cover an event, you should check the listings under the category of “Events” on our class website.  There are still some Opera tickets offers and other great events.  If you need to do a review of Meet the Artist, then you could use one that took place during class time:  Dante Adela and Del-Barrio class and talk for example.

This Sunday

Hey Guys,

Ill be playing at this Open House. I already sent you all an email from blackboard, if you didnt get it comment this event post. Anyone and everyone is welcome to come.

York College Big Band @ Open House

Host:
Type:
Network:
Global
Date:
Sunday, November 8, 2009
Time:
12:00pm – 4:00pm
Location:
York College
Street:
94-20 Guy R Brewer Blvd
City/Town:
Jamaica, NY

Truth

When viewing a work of art, or listening to one, can we see truth? Can we feel it?

If we examine an individuals understanding of the word truth, we can be surprised as how different another person can perceive it as. It is a word that probably has a connotation far more disconnected from what it is capable of. The truth can destroy; it’s really not all it’s made out to be. In simple words I can allude to a situation many of us have been in. Although we may see truth as something that has the fixed association to “good” and “just”, let’s face it, it is unbearable to hear. For some reason the truth is something that many of us cannot bear to hear. The reason? Illusion vs. reality. This struggle been the dominating factor in countless plays, plot lines, and works of art. There is always a conflict between these two forces, and in the end understanding the two existing ubiquitously is far more difficult than accepting one at a time. A reality can be the illusion of one person, and just as well be the vice-versa of another. It is rather paradoxical as we go even deeper into examining the verity of an illusion or the verity of a reality. Feeling “truth” in a work is even a harder concept to understand. It is a notion that fascinates me and perturbs the mind. I always wonder whether the artist feels the same way about a work years later. How “true” can the work feel days, months and years later. At any one moment we may feel more strongly about something than years in the future. Truth is also affected by how much he/she knows at the given moment of their creating their work of art. Whether it be in form of music or visuals, an artist expressing him/herself can easily shift their way of thinking with time. In the end I wonder how true truth is.