Final: List of my Favorite Works

Google Images

Throughout the course, there were a lot of interesting musicians, artists, and historical figures but ten really stuck out to me. The following are my top ten favorite works.

  1. I think the artist that had the most impact on me would have to be Andy Warhol. He is the man throughout this course that I admired the most because he is New York. And his painting, Green Coca-Cola Bottles, especially interested me. This was part of his “Pop Art” movement and with these bottles, Warhol was trying to say a radical statement of equality. If Marylin Monroe drinks Coca Cola, if the president drinks Coca Cola, and if you drink Coca-Cola, there isn’t much difference between you three. In fact, YOU could even aspire to be the president! How about that!

  2. Google Images

    Another piece that I like, also from Warhol was his film Chelsea Girls. I liked the way it was all-inclusive and the way that Warhol tried to show sexuality in its entirety. He dealt with such topics as sex, drug use, same-sex relations, and the transgendered in ways that were not socially accepted by his conservative society at the time. It’s truly remarkable the strides he was able to make and I like to think that his shocking efforts at the time made it easier for others to come in after and fight for sexual equality. I only hope I will have half as much courage as Warhol in the things I do.


  3. Google Images

    When we went to the Morgan Museum, what struck me was the way the two older museums was connected by this new modern, glass area with high ceilings and steel trusts and beams. But what was most interesting about the new modern glass building was the way it worked with the older architecture of the morgan museum. It did not, unlike in most of New York City, outshine the old and I think that was a very important componeent of the design. The new glass building paid homage to the old while still looking towards the future. In fact, the glass seemed better suited to enhancing the beauty of Pierpont Morgan’s museum rather than anything else.


    Central Park

  4. Central Park is another example of blending two seemingly different things. In this case, Olmstead managed to blend the nature and the city. Not too long ago when I walked the park, I got lost somewhere in the middle of it and I stumbled upon a walkway that went either up to an elevated lookout onto a pond or down to an amphitheater where some woman was singing opera. It all seemed ethereal like I was transported to 16th century England. But hardly twenty minutes before I was at the corner of 68th and seventh, trying to weave my way through incoming lanes of traffic. I’d like to think that Olmstead knew that New Yorkers who walked throughout his park would not forget the hustle and bustle of the city they just came from but he did the best to quietly envelop them with the quiet of nature. Central Park allows me to forget about the city but Olmstead knew that his park couldn’t block the skyscrapers that teetered on the edges of the park. He knew that his park would be one that reckoned nature with the city and this is why I love Olmstead’s vision for Central Park.

  5. Google Images

    I felt a sort of glimmer of hope coming from the Jackson Pollocks “Fire”. In the way that fire can destroy, it also gives life. Like the way a phoenix is reborn from the ashes of fire, I felt like Pollock was trying to say something similar about the American society during the Great Depression. That through all this pain, all this anguish, all this death, it gets better. That America can be reborn from the ashes, shown by the arms crawling out of the fire, from this place of pain come the new Americans. This really struck a chord with me because of the immense amount of hope it gave to me and the others who looked upon it before me.


  6.  Whitman I feel is a poet that encompasses New York in her fullest. In this brief excerpt from his poem Manhatta, I get the sense of universalitity, this cosmopolitation vibe from New York. This celebration of people–not people in singular but people in the plural sense of it. Whitman celebrates everyone and is proud that his city is free and is a city of zero slaves. He is also proud of the chaos of the city, the spirit of the city, the loud noises and the crowded streets. There will never be another New Yorker as in tune with his city.

    Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows,

    The parades, processions, bugles playing, flags flying, drums beating;

    A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men;

    The free city! no slaves! no owners of slaves!


  7. George Gershwin was another man who dared to critisize the social norms of his time. He grappled with social justice in a racial perspective. Gershwin’s jazz-inspired Rhapsody in Blue confused many critics. They were unsure where to place Gershwin’s novel composition. Some critics saw it as blasphemous to classical music, others saw it as pure genius but the public overwhelmingly loved “Rhapsody in Blue.” At this time, jazz was still derogatively referred to as “sex music” in elite circles. Jazz music was commonly associated with African Americans and ran antithetical to the narrow structures of classical music. Gershwin however, had years of experience as a song plugger and played all kinds of music and in doing so, he saw the beauty of jazz, he saw the beauty of classical music and realized that they were both beautiful in their own separate ways. Heres a clip of Gershwin’s famous song
  8. Maggie, Girl of the Streets really tore at my heartstrings. My pity went out to Maggie. Maggie who was one of the purest people I’ve ever seen was faced with cruelty after cruelty. In this course we’ve talked about social justice and what is “fair” and what is not and I feel that Maggie got the short end of the stick in every case.

  9. When I look at the Empire Stae building, all I see is its magnificence but in thsi course I learned that it was an intial failure and if such a wonderful, groundbreaking building can be seen as a failure when it first came out then that gives me hope that every mistake I make, may prove to be more valuable than I origionally thought.
  10. I’ve known Jacob Riis for a long time. In fact, ever since elementary school I’ve admired him. Partly becuase my elementary school was named in his honor and partly because of the things he did, I felt a real affinity for this man and during this course I was able to rediscover my love for him. He is truely a mangnificent man, not without his flaws of course, but an interesting and influential man nonetheless.

 

 

 

 

Historical Fiction (As I Waited)

Will Zeng

Prof. Hoffman

5 Dec. 2016

IDC 1000H

Historical Fiction Project

Away I Waited

Saw the recruiters again. Nine twenty-seven. Third time this week. They always moved in groups of three. They first appeared near the subways and like rats, the slowly crawled out of the sewers, handing out flyers, shouting patriotic propaganda, and beaming guilt at any passersby. They had carved out a niche for themselves on the concrete crags out on 23rd and 6th. That was where I saw them every day as I commuted from deep Queens to class.

But they soon weren’t satisfied with their spot and as the war dragged on for longer than Ike promised and all the volunteers abroad were either disillusioned or lying in ditches, or perhaps both, the recruiter’s smiles melted away at the seams exposing the red within. Had it finally dawned on them that their guilt shaming might be morally wrong? Nope. Because as days passed, months, and years, and their superiors and their superiors breathing down their necks, they moved into the schools.

“A proud institution of higher learning” I read off a brochure somewhere once, of higher learning rather than war. That was partly true, just partly. LBJ couldn’t touch us with his draft but he didn’t need to. Despite our professor’s best efforts, despite the hours my friends, my family, and practically half of New York City spent out on the streets protesting the draft, it not only went through but the recruiters were also granted clearance to move in. They set up camp in the hallways that once served idealistic young men and women with stars in their eyes. They erased those stars and hung a banner covering the entirety of the front hallway, slithering past the corner, wrapping around the hollow pipes, and engulfing the entire hallway in a deep crimson. It divided the college into two halves: One that shouted the virtues of the United States government and the other that didn’t.

Reflected in the recruiter’s eyes and their skinny smiles was a kind of ravenous hunger, like starved wildebeests, eyes that follow you in the night and down a dark corridor. Theirs were the eyes of death and they were looking straight at us. We wearily listened to their inflated stories about the heroic deeds of our soldiers, how they defied all odds, how they pulled best friends, enemies, four-star generals from the back of burning trains into over-loaded Jeeps, and how they freed grateful civilians from a tyrannical communist regime. But somehow it worked. I wanted it to work. Their stories somehow enticed the best of us. It enticed the innocent, the soon-to-be-guilty, the lovers of peace and friendship and faith. The recruiters weren’t completely human and neither was I, not for a long time.

 

I knew a woman once, and she was hopeful once. I’ve only heard this story through the recollections of others but what I knew was that she was on the same plane as my parents when they immigrated to America. Partly, because they couldn’t afford otherwise, partly because they wanted to see the sights, they boarded a plane that went the long way round. From Minsk to Warsaw and a small detour to Slovakia, then on to Beijing, skipping over Vancouver to touch Seattle and finally to New York City, the metropolis of dreams.

She shared my parent’s fondness of the American Dream, and, I guess, that’s what drew them together but that was also what broke them. She was hopeful once. She loved hot dogs, baseball, and even the stifling noise of the city. She carried a pink duffel bag that she got from a week-old Sears Roebuck catalogue pilfered from a neighbor, a Revlon RC720 hairbrush covered with strands of flaxen hair, a neatly folded picture of her family back east, and in one of her many pockets was a letter from her son, dated 1939. Mrs. Sybyil often rose with the sun and was at her desk before even the first lanes of morning traffic. She often imagined lifting the wisps of smoke that curled and twisted from the exhausts of the cars in front of her, dancing in the morning rays a dance only they knew, and she was reminded of the sunny days back in Slovakia.

In her little crinkled photograph, they stood next to a poplar tree and a path leading to the banks of a lazy river, just a man, his wife and their little boy wrapped around his neck. They were beaming at a photographer and as he took the picture, the lazy river reflected the beams of brilliant white sunshine and whitewashed the sides of the photograph. Or perhaps it was waterlogged. She allowed herself to think about that time, she remembered that not too long after that photograph was taken, the Hungarians came, then the Germans, and then the Soviets came and in all that mess, she kept quiet. Not because she misunderstood the gravity of her situation but because she was the sort of person who’d rather stare forward at the beautiful horizon rising in the distance than at the fires behind that lapped at the cold arms behind her.

The American dream, she used to say, wasn’t without sacrifice. She came here with nothing and spent her first years in America volunteering at local pounds, homeless shelters, she almost had this uncanny knowledge of what you were feeling before you felt it. Her main job was a counselor for addicts, many of whom where former marines, seals, or army men. These were some of the most broken men in society, men who had seen the worst and all they wanted was to cut the cord, little by little.

The last I saw of her was in the fall of ‘65, when she visited my parents. She did not put up any fancy booths nor decorate the walls with blood, but her words rang loudly all the same. She declared that she was going to be a medic on the front lines, deployed as an auxiliary squadron in Saigon. I didn’t understand her reasons why then and I still don’t understand but the reasons why she went can’t be articulated. It’s a feeling you get when your dreams are crushed by brute reality and all she could do is to keep up hope. She told me that there will be a day where the war will end and as long as the sun shines bright and the rivers course through the valleys, life will always return to normal but today is not that day. Today she joins her husband and son. Perhaps she wanted to see the poplar tree again, perhaps she lost faith in us, perhaps she was convinced by blather of the recruiters, or had she finally found something she wanted to fight for. She had bright eyes and a brilliant smile; I couldn’t imagine how the teeth might look in a spider hole in Vietnam.

The day was warm, seasonably warm for the first time that month. Even though I expected it, my heart fluttered and my hands shook. There was no draft letter in my hand, but one in my throat and plenty of indication there would be.

How to break it to my parents? How do I tell them I wouldn’t be spending Christmas with them this year, or next year, depending on how the war goes? How do I tell them that I will have blood on my hands? The American dream isn’t without sacrifice, and even if they might not want our dream, even if there is nothing to fight for, America needs sacrifices. We need veterans to admire, we need those galvanizing and historic stories, we need enemies and martyrs, we need to create the tanks, the AK47s, provide financing for the war. We are slaves of our economic and social gods as much as the Aztecs were to theirs and we both spill blood to appease them.

I could feel it in my stomach—the dread and the pain wrenching through my belly and at least I could feel the pain wrenching my belly but I could not fathom the pain my parents felt. It’s one thing to commit to your resolve but it’s another to be forced to accept another’s. My parents knew, my sisters knew, everyone knew. Even the recruiters seemed to know as the vacated our halls and left it unsettlingly quiet. No one at school seemed to have anything to talk to me about and it was as if a somber cloud settled onto us, a cloud that would soon whisk me off to Vietnam.

Yet I couldn’t blame the recruiters, even with all the pain and the resentment I was feeling, they were not the ones who shoved me to war. It was a series of circumstances that included a woman, her son, and my personal responsibility to my country. It’s not sacrifice if you go into it willingly and with a smile. At least that’s what I think she believed. If you welcome it with open arms, then it can only be a present.

I volunteered for the war on July 7th 1969.

Life went on seemingly unchanged and yet the little things, the way people spoke to me, the way they looked at me with barely concealed pity, the way I saw at myself in the mirror sometimes, the little things I couldn’t control. She said to me that there isn’t anything worth more than life. The sun she said, gave us all life and it was not our right to lose that gift or take anyone else’s. Yet she went to war. Perhaps the recruiters were right: there is that thrill, that exhilaration in war is what we crave. There is a morbid fascination that we have with war but that was not the reason why. There were others whose life depended on my decisions and relied on my M-16 rifle. I looked up.

There was a leaf, the first of many to come, blossoming on the topmost branches of the tree, I remembered telling someone that I would climb, climb higher and higher and hide between the leaves and gnarled branches while playing hide and seek, never getting caught, never coming down until the sun set. The leaf trembled as the wind tried its best to wrest it away but the leaf hung on to its home. I pulled the leaf off.

I did it a favor.

It was going to fall off anyway.

Better sooner than later. And I followed the leaf to war.