Bibliography

Bibliography

“About.” 100 Gates Project. 100 Gates Project, n.d. Web. Accessed 31 Oct. 2016.

“About.” San Gennaro. Sangennaro.org, n.d. Web. Accessed 31 Oct. 2016.

“Al Smith: American Politician.” Biography. Biography.com, 21 July 2006. Web. Accessed 31 Oct. 2016.

“The Bloomingdale Brothers.” History. Hisotry.com, 15 Mar. 2016. Web. Accessed 31 Oct. 2016.

“Canal Street.” The New Yorker. The New Yorker, n.d. Web. Accessed 31 Oct. 2016.

“The Collect Pond: New York’s First Source of Water was Filled in to Become “Five Points,” the Worst Slum in American History.” Keith New York. Keith New York, 9 Nov. 2012. Web. Accessed 31 Oct. 2016.

“Fiorello La Guardia.” Bio.com. A&E Networks Television, 12 Apr. 2014. Web. Accessed 31 Oct. 2016.

“Fiorello La Guardia: Mayor of New York City.” Encyclopaedia Britannica. Encyclopaedia Britannica, 8 Jan. 2010. Web. Accessed 31 Oct 2016.

“First Slum in America.” NYTimes. NYTimes, 30 Sept. 2001. Web. Accessed 31 Oct. 2016.

“The Five Points, New York’s Most Notorious Neighborhood: Lower East Side Slum Became World Famous.” About. About.com, n.d. Accessed 31 Oct. 2016.

“Jack Kirby.” Encyclopaedia Britannica. Encyclopaedia Britannica, 9 Dec 2010. Web. Accessed 31 Oct. 2016.

“Lady Gaga: BIography.” Biography. Biography.com, 6 Oct. 2016. Web. Accessed 31 Oct. 2016.

“Robert De Niro: Biography. Biography. Biography.com, 24 Aug. 2016. Web. Accessed 31 Oct. 2016.

George Gershwin: Pioneer

Will Zeng

15 October 2016

Professor Hoffman

IDC 1001H

Synopsis

George Gershwin is one of the preeminent composers of the 20th century. He is known both for his popular musical and theatrical compositions.

Brief History

Gershwin was born as Jacob Gershowitz on September 26th, 1898 in Brooklyn, New York. His parents were Russian-Jewish immigrants. He was one of four siblings.

Gershwin was given a piano at the age of 11 and was a natural prodigy. He dropped out of school at the age of 15 to pursue his talents. Gershwin began his career as a song plugger in NYC’s Tin Pan Alley. The Tin Pan Alley was a nickname given to 28th street between sixth and Broadway where many songwriters and music publishers were located in the late 19th century all up to the mid 20th. A song plugger was a singer or pianist who played pieces of music in areas like department stores back before quality recorded music was developed. It was a very demanding and high-stress job. He spent three years doing this, playing a variety of music to demanding customers, Gershwin became very experienced and dexterous with the piano.

Gershwin soon began writing his own music. His first song was titled “When you want ‘em, you can’t get ‘em.” The piece was innovative for its time but only earned Gershwin $5. Over the next four years, from 1920 to 1924, Gershwin went on to produce music for notable Broadway musicals such as “La, La Lucile.” In these four years, Gershwin wrote 45 songs and produced one 25-minute opera called “Blue Monday.” In 1923, when Gershwin was just 25, his jazz-inspired “Rhapsody in Blue” premiered in the Aeolian concert hall during a concert called “An Experiment in Music.” Rhapsody in Blue was a risky experiment. Gershwin followed up with hits like “Piano Concerto in F” and “An American in Paris.” Some critics of that time were unsure where to place Gershwin’s novel compositions. After all, he pioneered the fusion of the up and coming genre of jazz with the established genre of classical music. Those critics hated Gershwin’s work yet the people loved it.

Later in 1930, Gershwin produced many opera and theatre productions, many of which dealt with the social issues of the time. His most remembered opera, “Porgy and Bess,” opened in 1935 only to mild success. It’s now one of the classic operas.

Gershwin died after a failed surgery to remove a brain tumor. He was 38 years old.

Gershwin: An Analysis with a Focus On Rhapsody in Blue

So why was Gershwin such a pioneer or more precisely why did let himself be associated with jazz, at a time when it was derogatively referred to as “sex music.” Upper-class men and women sneered at Jazz music because it was commonly associated with African American and Jazz flouted all established rules of classical music.

Through my research, I could not find an article that answered my question. However, I wish to propose my own theory based on my research. Gershwin’s career as a song plugger introduced him to a diverse set of music. And because of this, he saw the beauty of Jazz and saw what it represented, but also Gershwin had a foot in classical music and understood what that also represented. He realized that though classical music and Jazz have their differences, they also have their similarities and fit together like puzzle pieces to create a beautiful work of art. And that was what Gershwin’s Rhapsody in Blue is.

A discussion on Gershwin, of course, isn’t complete without a full breakdown of his most well-known composition “Rhapsody in Blue.” As a child, my most fond memory of this song was in Disney’s Fantasia 2000. In this, “Rhapsody in Blue plays in the background of the Great Depression. It’s amazing how well it jives with this era even though Gershwin composed it in 1925. Perhaps because Gershwin came from humble origins. He was raised in Brooklyn New York and build himself up with his own hard work and talent. “Rhapsody in Blue almost speaks about the trials a trepidation of trying not only to survive in 20th century New York but also to thrive in it. The characters in Fantasia’s Rhapsody in Blue live a hard life but strive and truly believe that they can achieve happiness and that is the American dream.

Gershwin primarily focuses on portraying New York in its entirety. But how, you might ask, how does someone portray character with music? It is difficult but it can be done through the emotion poured into the music score and this is a testament to how much of a genius Gershwin was. First, as I said previously, Gershwin embraced Jazz in all its form, even though it was looked down upon because it was seen as “Black” and vulgar music. Gershwin, however, understood the cosmopolitan and global nature of New York, how she accepted all peoples into her arms. Fantasia also did this justice. It showed the lives of an African-American construction worker striving to become a Jazz musician, a businessman down on his luck without even enough money to pay for coffee, and the life of an endearing upper class girl, almost as if to exclaim that both these people, the poor Black worker, the poor businessman, and the wealthy little girl all contributed to what New York is. Not just one of them but all, he suggests that all lives are important and perhaps equal. Gershwin’s sentiment was lightyears before his time.

 

 

Bibliography

“George Gershwin: American Composer.” Encyclopedia Britannica, n.d., https://www.britannica .com/biography/George-Gershwin. Accessed 15 Oct 2016.

“George Gershwin Biography.” Biography,14 May 2014, http://www.biography.com/people/ george-gershwin-9309643#untimely-death. Accessed 15 Oct. 2016.

“GEORGE GERSHWIN, COMPOSER, IS DEAD; Master of Jazz Succumbs in Hollywood at 38 After Operation for Brain Tumor.” NYTimes, 12 July 1937, http://query.nytimes.com/gst/ abstract.html?res=9805E6D61F3AE23ABC4A52DFB166838C629EDE&legacy=true. Accessed 15 Oct. 2016.

“George Gershwin Remembered: About the Composer.” PBS, 2 June 2006, http://www.pbs.org/ wnet/americanmasters/george-gershwin-about-the-composer/65/. Accessed 15 Oct. 2016.

“Tin Pan Alley: 1880-1953.” Songwriters Hall of Fame, n.d., http://www.songwritershalloffame. org/exhibits/eras/C1002. Accessed 15 Oct 2016.

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Gangs of New York: Film Review Assignment

Will Zeng

14 September 2016

Professor Hoffman

Arts In NYC

Film Review Assignment

Task: The review should briefly summarize the plot, give brief information about the production and reception of the film, and discuss the course themes that film deals with.  Cite sources appropriately.

1.

The protagonist is Amsterdam Vallon, the son of priest Vallon. The movie opens with a preparation of war between the natives and the immigrants. The priest Vallon heads the Dead Rabbits, an Irish-American gang, and fights against a nativist mob led by William Cutting. The Priest is killed on Paradise Square by Cutting, while Amsterdam watches on. Young Amsterdam is sent off to boarding school on Blackwell (Roosevelt) Island. 16 years later, Amsterdam returns to the Five Points and befriends his father’s killer, Bill Cutting (Bill the Butcher). Amsterdam gains the Butcher’s trust and later saves his life, all the while plotting his revenge for his father. Amsterdam attacks Cutting but is allowed to live in shame. Amsterdam raises an army from the large Irish immigrant population in NYC. The Dead Rabbits are reformed and fight against Cutting’s gang of natives. The fight coincides on the weeks of the Draft Riot and military warships fire on the amassed gangs before they could fight. A large number of both gangs are killed and the gangs disperse. Amsterdam manages to kill Cutting.

 

2.

Everything in the movie, other than a rampaging elephant, was real. The director, Scorsese painstakingly created a mile of set made to mirror the Points. For example, there was “’a mile of sets—stores, saloons, houses, the town square, even the harbor, docks, and ships—all of them fully functional, with no facades. Visitors marveled at how stepping onto the set was like stepping back in time (Snider).’” George Lucas of the Star Wars fame marveled that that level of production would never be seen again in this modern age of CGI. Scorsese took great pains to make this movie as authentic-looking as possible.

 

An authentic-looking movie doesn’t mean it’s authentic however. One of the main problems critics had with the movie was how it wasn’t entirely accurate. The movie is based off the book The Gangs of New York: An Informal History of the Underworld, written by Herbert Asbury in 1928, which wasn’t historically accurate. Like many writings written during that time about the Points, it made the Points seem much worse than it actually was. For example, the book claims that there was one tenement where there was murder in the Points every day, yet “at that he was writing about, there was barely a murder a month in all of New York City” (qtd. Chamberlain). Furthermore, the movie depicted three scenes where dirt and skulls were just strewn about in the tenements, but historical evidence says that just isn’t true. These were hard working men and women. A modern historian on the Five Points gives Scorsese some credit: “’The overall theme of the movie Scorsese gets exactly right: When the Irish first came to America they were persecuted and they literally did have to fight for their fair share of what America had to offer (qtd. Chamberlain).’” Moreover, others have pointed out that Scorsese wasn’t making a documentary; he was rather making entertainment and could take a few liberties here and there.

 

3.

There are three main themes reflected in this movie: social justice, immigration, and morals & Norms.

Social Justice in that the disparity between the rich and the poor was stark for all of American history. None starker than this period during the NY Draft Riots. You had these wealthy families, the Astors, the Schermerhorns living uptown in their fancy mansions in luxury, away from the filth of Lower Manhattan, the immigrants streaming off the boats with nothing more than the clothes on their backs. There was a huge difference in wealth. Then Lincoln issued the Enrollment Act of 1863, ordering all able-bodied men to register for the draft but any man who had $300 dollars to spare could opt and pay for a substitute. The city’s immigrants responded and exploded in outrage. As Amsterdam remarks in the movie, it might as well have been one million dollars because nobody had that much money except for the Schermerhorns and Astors of the city. The draft riots contributed to the perception that the Civil War was a “rich man’s war, fought by poor men.” This class antagonism led to a week of terror and riot (Chamberlain).

Immigration obviously plays a huge role in this movie. In fact, the underlying conflict throughout this movie was that of a conflict between the native born and the immigrants. I think Bill Cutting summed the nativist sentiment well: “I don’t see no Americans. I see trespassers, Irish harps. Do a job for a nickel what a nigger does for a dime and a white man used to get a quarter for. What have they done?” (IMDb). The massive influx of immigrants made labor cheap and competitive.

What reallystruckk me as an example of moral and norms touched upon in the movie was the graphic scene where Walter ‘Monk’ McGinn, who was recently elected as sheriff of New York City was murdered by Bill Cutting. Cutting attempted to drive McGinn into a fight but McGinn, now an elected official, could no longer oblige, so he asked to settle things with words. Just as McGinn turned around to show Cutting to his rooms, the Butcher threw a meat cleaver straight into McGinn’s back, throwing him into shock and then smashed his head with his own club. McGinn tried to be the moral person in this scenario and talk civilly but this was neither the man nor the time for that. The Butcher was a ruthless man who did not follow morals or norms. But what more, after Cutting viciously murdered an elected official, the crowds watching in the streets applauded, after gasping and expressing shock. They applauded the murder, possibly signifying that the norms of that era were drastically different from that of today.

 

Works Cited:

Chamberlain, Ted. “Gangs of New York”: Fact vs. Fiction. National Geographic, 24 Mar. 2003,             news.nationalgeographic.com/news/2003/03/0320_030320_oscars_gangs.html. Accessed  17 Sept. 2016.

Snider, Eric. 14 Epic Facts About ‘Gangs of New York.’ Mental Floss, 24 Apr. 2016,  mentalfloss.com/article/78970/14-epic-facts-about-gangs-new-york. Accessed 17 Sept. 2016.

“Quotes for Bill ‘The Butcher’ Cutting.” IMDb. IMDb.com, n.d. Web. 17 Sept. 2016.