MoMA Review
From the first piece we saw at MoMA, “One Year” by George Maciunas, I knew that in order to enjoy this trip I had to abandon my previous notions of what art is. The Fluxus movement is contradictory in nature… an art form that promotes anti-art ideals. Their goal is to expand our definition of what art is and one must keep an open mind when taking in a piece such as this, which seems like just a collection of things piled up on a wall. Even though it is anti-art, I do see elements of traditional art in it. I can tell that each item is carefully thought out and placed, and as a whole makes a pattern of bright colors in an unexpected medium.
Once we got to the main exhibition of Abstract Expressionist Art, I found that the paintings I could appreciate most were the ones that were grounded in reality, and had elements of a face or a body that I could point out. Sometimes I couldn’t pick anything out upon first look, but was able to identify some things after reading the title and background information next to it. This made the experience feel like a scavenger hunt, it was fun to try to guess and find what the artist was trying to portray when he painted. I appreciate this about abstract art because in this way the realistic pieces are too easy, there’s more to this than just drawing what’s in front of you.
One painting I particularly enjoyed was by Adolph Gottlieb, entitled “Man Looking at Woman” (1949) I liked this painting because it uses simple colors, just greyscale with a bit of yellow and maybe a dull pink. There are squiggles and lines which i’m unsure of the significance of, if there is any. These surround the focus of the piece which, as the title would allude, is a man looking at a woman. They are drawn in an interesting way though; the whole piece gives the viewer an air of hieroglyphics. It must be difficult for someone in 1949, which are fairly recent times, to try to capture an art form that dates back to 4000BC but I think he is very successful in reaching his goal.
Another theme that I found in many paintings that texture. It was quite interesting how thick the paint is layered on some of these pieces, and how different colors are used each layer which serves to give a unique look to the painting. Many of them I found were painted using “oil and sand on canvas,” such as “Western Air” by Robert Motherwell. I took a close up of this painting to show what stuck out in my mind, which was the gritty and messy feeling of the painting which could probably only be achieved using the rough sand.
Overall, I had a great experience visiting MoMA. However, as much as I open my mind to what art is, I don’t think I’ll ever gain an appreciation for pieces like this one: