Two Boys proved itself to be a terrific example of how modern technology can meet a classic art form, such as opera, and create a masterpiece.

The strongest trait that Two Boys exhibited was its ability to excel in every conceivable category.  Coupling a compelling story that pulls the viewer in, with outstanding acting, singing, and groundbreaking special effects proved that what is traditionally viewed by many as an old, elitist art form can be appreciated and accessible to anybody.

The story, consisting of a crime investigation that unfolds on the internet with its fair share of twists and turns, keeps the audience interested and watching, even if they aren’t a typical opera goer. The story proves to be interesting through the very end and even shocks the viewer with a dramatic final turn.

The cast as a whole, from Paul Appleby to Alice Coote put on a great performance with both their acting and singing. The choreography contributes to the mysterious yet adventurous emotions the opera conveys to the viewer.

Where Two Boys hits the ball out of the park, however, is set design. Consisting of simply three tall moving screens and a projector, the set continually transforms throughout the play in ingenious ways that contribute to the storytelling. The projecting adds several layers of depth showing the modern technology can truly compliment art forms such as opera and possible re-invigorate them for a new, younger audience.

While it has a few stumbles in awkward undertones and half baked themes, overall Two Boys is a consistently solid opera that proves to be entertaining for a new, expanded audience.