No Next Chelsea questions

Saltz says that “bad art tells you as much as much as good art does,” but how do you classify which art is bad? If you can get some meaning out of the artwork, couldn’t it be considered good art? And if the ratio of good art to bad art is fairly constant to other cities, why is Chelsea seen as having more bad art than the rest of the art cities such as Berlin and Los Angeles? Also, if the art scene expanded to other neighborhoods in New York, would Chelsea still hold its place as the art center of New York or could another neighborhood replace it as the art scene?

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