1. Consider two parts of the opening scene: crossing the border & arriving in New York. How do the different components of the scene define the theme(s) & overall mood of the film?

Arts in NYC Forums In America 1. Consider two parts of the opening scene: crossing the border & arriving in New York. How do the different components of the scene define the theme(s) & overall mood of the film?

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  • #1075
    Kelly
    Keymaster

    Consider two parts of the opening scene: crossing the border & arriving in New York. How do the different components of the scene define the theme(s) & overall mood of the film?

    #1113
    Chalmers Mathew
    Participant

    The film’s start at the crossing of the Canada/US border and the initial arrival at New York CIty creates a lasting impact on the movie’s theme and mood. For instance, at the border, the nervousness of the family is palpable as they move to a new part of their lives so far from what they know. The viewer is also given a look at the internal conflict of the parents Johnny and Sarah. Johnny’s initial lapse in memory that he has lost his son still plagues him and, when he is reminded of that loss, he expresses a resigned sigh and forlorn look. Sarah’s memory of their loss is also felt and her forced smile to the other border agent is visibly offset after. From this, the movie’s mood grows ever somber with every passing second. Additionally, upon entering New York, the family sets their sights upon the illuminated visage of New York City. There, the family gazes in wonder and amazement at everything they see, from the dazzling lights of Times Square’s billboards and the somewhat disinterested denizens going about their day to day. As the family transitions to where they have to live, they realize the dolor that they have come to inhabit. A damaged, rank, drab building to house the many shunned peoples of NYC that is in dire need of changes. Here, the movie shows the building and family as intertwined. Throughout the film, the family and the building are both broke, broken, and in dire need of some hope. This opening introduction to New York gives the film a theme that loss leaves deep grooves in the soul of a person and people should endeavor to resolve those deepset scars.

    #1125
    Chris
    Participant

    Chaz brings up some excellent points in his analysis of the opening scene. It’s worth noting that as Irish immigrants, they enter New York in search of opportunities. Beneath the veil of glamor, our characters find the decaying regions of New York.

    I think the contrast between the glamorous city and decrepit tenement houses demonstrates a theme of hope and despair that is continually elaborated upon throughout the film. Through Johnny’s emotional breakdowns, Sarah’s financial worries, and the atmosphere of grief upon the Sullivan family, it becomes nearly impossible to find hope.

    However, the kindness of Mateo enables the characters to discover hope and to move forward in their lives. The setting of the baby shower greatly contrasts the initial scene, portraying optimism, and a celebratory atmosphere; this is much different than the anxious mood during the intro scene. I think the film argues the importance of rejecting superficiality. The grandiose rumors surrounding New York lifestyles are ultimately betrayed by the reality of life in New York. However, genuine relationships and interactions with other New Yorkers redeem New York, providing hope in a hopeless situation.

    The introduction scene sets the stage for a continual decline of hope throughout the novel, until its climax, where a small ray of hope illuminates the Sullivan family’s darkest hour.

    #1126
    Leonidas Kalpaxis
    Participant

    Both of the above responses make about the opening scene with relation to the themes of the movie, that of the lasting effects of a terrible loss and the struggle to continue in the face of the resulting sadness, as well as dealing with a loss of hope. One important theme is the continuing impacts of Frankie’s death on the family. Johnny, for example, instinctively answers “three” to the border patrol officer’s question about how many children he has. It is obvious that Frankie’s death was relatively recent, and the family has still not been able to fully recover from the effects of their son’s absence. As the family initially enters the city, they pass under the river through a tunnel to Manhattan – the city is this glowing beacon of hope that is physically and figuratively separated from the rest of the world. Even the daughters consider their move to Manhattan a sort of vacation at first. Quickly though, the entire family’s optimism is tested. Their apartment building is run down, and their apartment bare bones; this forces them to work hard, work together, and also scrounge for every penny. We see numerous examples of the Sullivan family supporting each other as much as they can in the times following their challenging arrival. Firstly, Sarah settles for a job at an ice cream parlor, giving up her wish to be a teacher for a time so that Johnny can audition. At the same time, Johnny spends a great deal of effort finding an air conditioner, lugging it across the street and up into their apartment, in addition to buy a plug adapter just to get a few moments of cool air. And indeed only a few moments of respite are gained, since the air conditioner quickly fizzles out. This scene in particular stood out to me. It might at first seem futile, the family’s whole effort to save bottles, lift such a heavy unit up so many stairs, just to have the dream end abruptly. However, I would argue that this perseverance is a central theme to the movie, and of the American Dream overall. The quest towards a better life is rife with struggles, and it is only through unified efforts, well exhibited by the Sullivan family that there is a chance at achieving ones lofty aspirations.

    #1130
    alexander
    Participant

    I wholeheartedly agree with Chris and the duality of hope and despair which is demonstrated in the film. While the family crosses the border, they’re still experiencing the despair of their recent loss. The scene is very tense: the dialogue is drawn out and infused with awkward gaps of silence. It is evident that Johnny is still grieving the death of Frankie, unable to process his loss and mixing up the number of children on board. We, the audience, are placed dab smack in the middle of this tense scene. The framing is tight and intimate. Many times we are subject to the perspective of the back seat, with a slight bobbing of the camera, much as if we were in the car alongside them. In the other shots, we’re placed shoulder to shoulder, never far enough to distance ourselves from the anguish. It creates a sort of intimacy with the moment, one where we’re just as nervous as Christy- praying that immigration would let us into the country. In direct opposition to the melancholy entrance is our introduction to the City. As the frame slowly distances away from the car and pans upward to reveal the shimmering skyscrapers, serene against the night sky. The structures act as lighthouses, granting the Sullivan family guidance for attaining hope. From the ground floor of the city, the family is starstruck by Times Square. Back to back shots of various billboards, signs, new Yorkers, and traffic. It’s a sensory overload of lights, emotions, colors. Berated by various perspectives and camera angles we’re swept up in the emotion, the joy of it all, the hope in the streets of New York City. As we’re cut from the Manhattan traffic so too is the family cut from their experience as tourists. The moment they enter the decrepit building they’ve been granted the title of New Yorkers. Their apartment complex in Hell’s kitchen is home to other despairing souls and struggling characters of New York. This is the setting of the film, the often-grimy reality of the city. Within this is the crux of it all: the grime, poverty, suffering and love, pride, and a community built to strengthen one another.
    365 words

    #1137
    Cristian Statescu
    Participant

    I completely agree with what Chaz said about the introduction to this movie. The beginning of the movie immediately shows that the family is struggling emotionally due to the death of Frankie, and it is shown by the mistake of Johnny saying they had 3 kids at the time instead of just 2, along with the facial expressions of the entire Sullivan family. Right after the border scene, the director of the movie chose to make a very clear contrast between the façade that New York put up at the time (bright lights, all fun and games, etc.) with the grim reality of what the Sullivan family will have to live through. As Chaz said, they were set up inside of a building filled with what many would consider outcasts. For example, the cashier in the store which Johnny went to to get the plug for their AC mentioned said that the building in which Johnny lived in was the “druggie building” and that he wouldn’t give him a plug for a couple of cents less. Throughout this entire movie, addressing what Chaz pointed out as being the theme, the family goes through many struggles, but do not make it out of said struggles by themselves. They do it with the help of Mateo and other individuals as well. This goes to show that the movie does cover the theme of learning to let go of the past (as the movie ends off on this note), but it also mentions that through struggle and letting go, we all need some form of help from others, and that without said help and companionship, we would have a much harder time letting go of our past and living in the present. And the movie makes this clear later on, evident by the fact that as the Sullivan family makes more friends and relationships with others throughout the movie, their lives ultimately get better and they begin to see live in a more positive manner (especially when it comes to what Mateo showed them about life).

    #1138
    Cristian Statescu
    Participant

    343 words

    #1142
    theleondracraig
    Participant

    The opening scene begins with the family being interrogated by the border patrol. “What are your purposes of visit into the United States,” the patrol asks both the parents. The tense feeling, nervousness, and anxiety of the unknown can be felt in this scene. They are said to be the visiting on holiday which I thought was a funny way of saying vacation. The patrol is depicted as being human when they ask about the daughters. This opening scene sets the tone and allows the audience to realize the process it takes to go through the border. I really liked it when the little girl was describing how to get into the city. As a New Yorker the tunnel being underwater, the radio getting staticky, the enclosed space, and the narrow lanes gave me many flashbacks of when I would go to the city. That feeling is almost unforgettable and when they arrived in times square it felt as if I was there with them. The flashing lights, crowded streets, and stores on top of stores. Their sheer excitement and happiness really spoke to me and actually gave me goosebumps. The first time I was ever in the city was when I was 8 years old. I have lived in New York my whole life but never really got to go into manhattan until then. It’s an exciting feeling to see the big buildings and see how small you are in comparison. The city that never sleeps is filled with energy and is always moving which made this scene so realistic and attention-grabbing. Arriving in the New York scene sets the foundation for the rest of the movie. The audience knows the purpose of the visit to the United States and now knows the location of where they went. Questions like “what are they doing in New York” or “What’s in store for this family”. The possibilities are endless and they can honestly make a new name for themselves in this new place which is truly beautiful. They get to leave behind the troubles of the past and focus on making a new life in a whole new city. I always found that so amazing because people can do whatever they want when they get to New York. All the immigrants that traveled here on Ellis Island to escape persecution or abuse, all were able to create a new life for themselves. This city is filled with so much diversity and opportunities that the movie calls for the audience to continue watching to see what is going to happen.

    word count :429

    #1158
    Liam Lynch
    Participant

    @Leondra I really liked your point about the tunnel scene, as while I did relate to it while watching, I didn’t really think about it consciously and didn’t think about it from the perspective that everyone who has come to New York knows the experience. It’s one of those shared experiences that also feels extremely personal, and it brings you back to the time in which it occurred. This is a good concept in regards to the nature of the whole movie itself: the experience of the family coming to New York is both very personal for them, but also one that many people have gone through over the course of times.

    • This reply was modified 3 years, 9 months ago by Liam Lynch.
    #1166
    Katherine Hunt
    Participant

    Chaz, I like how you said that the nervousness of the family was “palpable”. I thought the exact thing when the movie began. All of the characters then began to open up more and more, despite the fact that the glamour of New York soon begins to dissipate and the reality of the family’s situation sets in. I found the most drastic personality change to happen to Christy. From the beginning of the film, it appeared that she was almost mute. She obviously didn’t wan’t to leave home, but I was unsure if she would ever break out of the shell of nervousness and anger she had built for herself. She ended up being the most outgoing member of her family along with Ariel. If Christy had not opened up, she definitely would not have gone trick-or-treating with Ariel which was the catalyst for her, and soon her entire family becoming so close with Mateo

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