NAWA Blog

My trip to the NAWA exhibit was unlike any other museum exhibit I have previously attended. I was taken aback by the exterior and interior appearance of the building the NAWA exhibit was held in. All of the exhibits I have attended in the past were modernized, well-painted, and displayed in a spacious room. The NAWA exhibit, however, was in a small, cramped, one floor room. Another difference between the NAWA and many other exhibits I noticed was the popularity of the exhibit. Many times in the past I would experience having to get in between a large crowd of people to view a work of art. At the NAWA I was the only one in the exhibit and to my surprise the individual working at the NAWA stated she was shocked someone actually came to the exhibit since not many do.

Despite all this, as I walking around the exhibit I found the works of art displayed interesting. Each work of art stood out in its own way whether it was an oil painting, photograph, random objects put together, or pencil. The first work of art that drew my attention was What is Seeing by Jill L. Kline, a wall mounted sculpture consisting of buttons differing in size, shape, design, and color to form the design of an eye. I found the use of buttons an interesting object to use for the piece and felt it worked for the artist. As my eyes went further up the wall I noticed the piece right above also used a three-dimensional object for the collage displayed. Puzzled While Flying High by Toby Klein consisted of a puzzle almost put entirely together with the exception of a few missing throughout the puzzle board and scattered around the puzzle board or on white background behind the puzzle board. As mentioned in class prior in regards to why certain things like a white canvas is considered art came to my mind while viewing this piece. In my mind this was just an uncompleted puzzle board. I would never consider it art yet it was in this exhibit and priced for $1,600. The same thought came to mind when viewing Hybrid Harmony by Claudia Flynn which was an assemblage of a toy doll’s head put on the body of fake deer. As I was almost done going through the exhibit I noticed on the wall many of the paintings were of still objects, such as flowers in a vase (Mother’s Favorites by Barbara Kitty Williams). Although aesthetically painted my mind again went to the class discussion of whether exactly painting something like a bowl of fruit or flowers in front of you is considered art. In this case I do consider it art based on the artist’s specifics to detail within the piece and use of contrast with the colors.

My trip to the NAWA wasn’t exciting, but I would describe it as more relaxed. In my opinion I felt I wasn’t in an exhibit at all, but instead viewing un-famous street art that you see people selling on the streets for some quick cash. Overall, the majority of the works of art displayed were interesting to view as well as try to comprehend the reasoning behind the use of specific three-dimensional objects for the work of art created.

NAWA Journey

The journey to the Sylvia and Pho Gallery exhibit of the National Association of Women Artists didn’t start out that well. It was still summer, but the weather was at its lowest peak that week. It was cold and raining, yet the train was humid. As I made my way into Manhattan, I made the mistake of getting off at Times Square where the headquarters of NAWA was instead of getting off at E 8th street for the actual exhibit.

The day finally got better when I finally arrived at the right location. At first, I was hesitating if I was actually at the right location because small lobby and unstable elevator. My confusion was cleared up once I reached the 4th floor where the exhibit was. I was immediately introduced by one of the fellow artists, Sue Kutosh. She directed me to her graphite drawing of woman who looked very similar to the artist herself. It was an interesting art piece because it looked as though she carved out a sheet of metal for the background. After examining her work, she helped me around the museum because I was so confused on where the descriptions were! Usually the descriptions tags or the information about the artist is right next to the artwork, but at this exhibit, if you wanted to know more about the artwork there was a binder near the entrance.

CH1 By Sue Kutosh

The Zelda Fitzgerald’s Tumultuous Journey by Barbara Fontaine-White painting was actually the first piece that caught my eye because I understood the background of this painting. I learned about Zelda Fitzgerald from a show called Z: The Beginning of Everything and how she had a tough life. Apparently, Zelda was behind a lot of her husband’s famous work, but she never received any credit nor was asked for permission by her husband to use her words. She began to feel as though her husband’s career was always more important than her own. Her marriage was a chaos of alcoholism, affairs, and emotional abuse to the point that she was sent to a psychiatric facility. Zelda Fitzgerald became a forgotten significant woman in history that needs to be remembered and praised. This is why the artist decided to create this art piece.

Zelda Fitzgerald’s Tumultuous Journey by Barbara Fontaine-White

The next artwork that caught my eyes was a drawing called Sandy by Janet Tsakis. It was so relatable because when I looked at it, I could exactly recall the many times I was in the same position as the subject! Based on my experience it seemed to me that the subject was young and stressed. I was fascinated about the realness of the the image especially since it was drawn by colored pencils! You can see the shine in the hair!

Sandy by Janet Tsakis

In the next image, I didn’t really understand the it, but it did remind me of Frida Kahlo’s piece, The Two Hearts, because of the technique of how the heart was drawn in this image and how it’s connected to the theme. Also, the use of nature (the implied position of the flowers) in an unnatural way also reminds of Frida Kahlo’s techniques.

Flowers from my Heart by Tokoha Matsuda

 

Sadly, I had to rush the experience because I had to go all the way back to Staten Island to class, but it was interesting experience to go see art in a untraditional place instead of a museum.

Ralph Waldo Emerson. “Every artist was first an amateur” – 128th NAWA Exhibit

NAWA was a great experience overall. My brother and I really enjoyed the variety of artwork on display. There were some pieces that truly amazed me, but others that were extremely unusual. My brother, Sam, perceived most of the pieces much differently than I did and that was usually the case whenever we compared our responses. This relates to a point that John Berger made in “Ways of Seeing,” when he discusses how every human perceives art differently. Our perception of what an artist is trying to evoke (or convey) is shaped by our emotions, experiences and how we react to the atmosphere. Something even like music playing in the background or someone describing what the piece really means can change how you see art entirely -although thankfully the exhibit had nothing of the sort.-

My personal favorite was Flowers from my Heart, by Tokoha Matsuda.  Take a second to breathe it in.

I wrote an interpretation of what I believed was the message on Instagram.

This is the interpretation I had: The subject is a naked woman. Her beautiful pure heart is manifested by fading red flowers that stem from her core. What was once a source of life has begun to wilt away. Was she foolish? Her back is exposed, her head cupped in her hand. Perhaps the images of the man she trusted flood her mind. Perhaps he only used her. Like a bee who thieves nectar from a flower, he too stole something valuable from her… without any care for her desires (and he’s already on his way to the next delicate flower). Helpless and confused, she becomes stagnant. Can you relate to her anguish? Only time can mend her heart. Even then, she will never be the same.

Of course another persons interpretation could be entirely different, that is why I saved my own interpretation until after the artwork was presented.

I took several more pictures of works that were appealing to me. The first picture is by Merrill S. French, W 47th Street.

The last two pictures are of a ceramic sculpture by Natalie Koren Kropf, Together. The two pieces are holding each other up, if one is removed, they will fall and break without each other. They hold each other up, much like a couple or family members.