The letters of Wolfgang Amadeus Mozart, musical genius, to such recipients as friends, colleagues, prospective clients, and family exhibit occasions where one can interpret the composer’s character and ability to relate to others. From his letters, Mozart appears to embody the common idea of the struggling artist who is always lacking funds and time.
The work oriented and driven Mozart was portrayed in a letter addressed to Sebastian Winter, Royal Groom-of-the-Chambers. In this specific letter, Wolfgang thanks profusely for the Prince’s generosity, but also divulges his desire to provide his Highness with “certain orchestrated pieces,… If his Highness would be so gracious as to commission [him], year by year” (229). Mozart is also revealed to be very busy and consumed with his work, as well as a “starving” artist, when he writes to such friends as Anton Klein and Michael Puchberg. In his writing to Klein, Mozart apologizes for his late reply. He exclaims, “my hands are so full of affairs that I can find scarce a minute for myself” (227). When addressing his friend Puchberg, Mozart shows his business ambition and financial shortcomings when he asks Puchberg for money. He apologizes for this but assures he will repay this loan with interest. To confirm his honesty Mozart states, “whoever, lends to me is, secure enough by reason of my character and my salary” (239). He finds himself to be a trustworthy friend.
In his letters to his wife and friend Michael Puchberg, Mozart also reveals a caring and very grateful side. Mozart misses his wife dearly for when he looks upon her portrait he weeps for sorrow and joy. He also expresses concern in light of her health. He proclaims, “look after your precious health, which means so much to me” (240). He also shows unease for his wife’s respect and conduct. In his letters to Puchberg, Mozart also shows his regret and “torment” (243) in asking for more funds. Mozart explains his misfortune in being ill and thus must “beg so shamelessly” (244) for money. However, he professes his thankfulness and assures the good of his friend’s generosity will outweigh the bad.
Also apparent in his letters to his wife is Mozart’s joking and playful nature. When addressing his wife, he uses the pet name “little wife” (241) in his enthusiasm to finally be able to see her again after such a long period apart. He professes how he thinks of her often and admits to conversing with her portrait. When talking to his wife’s picture, Mozart uses such antics and phrases as “Good day, little rogue! pussy-wussy! saucy on! – good-for-nothing!-dainty morsel!” (241).
Mozart’s various letters reveal his character as an eventful businessman, thankful friend, and loving husband. Despite his struggle to obtain money and to find suitable work opportunities, Mozart remained a humble and thankful musical prodigy.
