Course Info
HNRS125 Fall 2011
The Arts in New York City
Mondays 9:15 am - 12:05 pmContact
Professor M. Healey
Email: meghanhealey@hotmail.com
Office Hour: M/F 12:15-1:30
Colwin Hall 410-411Tsai-Shiou Hsieh (ITF)
Email: tsaishiou@gmail.com
Office Hours: Mon. 1-5
Honors Hall Lounge
Virtual Office Hours: Thurs. 10-12
g-chat (tsaishiou@gmail.com) or Skype (tsaishiou723)-
Authors
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Recent Posts
Recent Comments
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Header
In case anyone is wondering…
The subtle effect I used on the current header is the “Van Gough” effect under “artistic filter” in GIMP.
The description states it’s a “special effects that nobody understands.”
IMPORTANT INFORMATION ABOUT BAM!!!!! READ ME!
I need to clarify that the dance performance we are attending is at the HARVEY THEATER at BAM. BAM has two locations, the Harvey Theater is on the corner of Rockwell and Ashland Places and Fulton Street.
PLEASE TAKE THE TIME TO GO TO THE BAM WEBSITE AND VIEW THE MAP OF BAM THAT SHOWS THE LOCATION OF SUBWAYS AND THE EXACT LOCATION OF THE THEATER.
This is the link:
http://www.bam.org/view.aspx?pid=245
UPDATE- IMPORTANT IF YOU THINK YOU WANT TO DRIVE TO THE EVENT:
Tomorrow is the tree lighting seminar at Rockefeller Center. Unfortunately this also coincides with a visit by President Obama, which means that traffic in Midtown Manhattan will be at apocalyptic levels tomorrow from 3PM to 11PM. There are traffic warnings on the news suggesting that you avoid driving in the city tomorrow and take public transportation. Parts of the FDR drive will be closed for the President’s motorcade throughout the afternoon, so please consider this in your travel plans.
Opera is tomorrow, morning class session is cancelled due to illness
Everyone-
This is a reminder that the opera is tomorrow night at 7:30pm. You need to be at Lincoln Center no later than 7:00 to get your ticket and go in with us. We will meet in front of the opera house, which is in the main plaza of Lincoln Center at the back. There are other theaters there, so be sure you go to the Opera House, not to one ofthe others. The performance tomorrow is sold out, so you must be there on time, or you will not get in.
While away this weekend on a family trip I became very ill, and as a result I must cancel our class session tomorrow morning.
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Obviously this does not affect the scheduled performance which will absolutely go on.
Tomorrow night I will be there to meet you and hand out your tickets no matter what. It is possible that I will not be well enough to stay for the whole performance, but Tsai Shiou will also be with us tomorrow, so she will remain with you if I have to leave.
I would appreciate it if you would use the unexpected free time tomorrow morning to work on your Multimedia Project with your groups. There are very few opportunities for you to have uninterrupted work and planning time, and if you waste it, you’ll regret it later. The website rejected the formatting of the script, so I will work out a way to email it to all of you tonight.
I will see all of you at 7:00 tomorrow.
Meghan
Multimedia Project Guidelines
HONORS 125 FALL 2011 HEALEY
MULTIMEDIA FINAL PROJECT ASSIGNMENT AND GUIDELINES
In this project you will be the artist, and decide what role/roles you think your piece should attempt- Social Critic? Preserving your culture? Political Voice? You will use the play text material to create an original film. You will work in groups of four, and you will be evaluated for your work as a group and as an individual for your specific role within the group.
PART I: FILM/THEATER COMPONENT
Using the play text as your script, you must create a short film of the source material. Each of the group members should take on one of the assigned roles:
- Director– Acts as director of the film, works with the designer to choose a palette and artistic scheme for the film, works with the Dramaturg to turn the source material into a screenplay, chooses the shots with the Cinematographer.
- Production Designer– Chooses locations for the film, leads the group in putting together costumes and props, leads the group in transforming whatever space or spaces you choose for your film, works with Director to choose an aesthetic for the piece, helps cinematographer to choose shots at the location, does visual research to supplement the Dramaturg.
- Cinematographer– The person who will be responsible for shooting the footage (meaning they will control the camera during the shoot, this is a good role if you do not want to perform in the film), this person will lead the editing of the film, works with the director to transform the storyboard of the film into life, works with the designer to create the film’s aesthetic, works with the Dramaturg to create the script.
- Dramaturg– This person does research on the background information for the script, works with the Designer to choose visual research, works with the Director to help shape the script, is the primary force in shaping the script into a screenplay.
COMPONENTS OF THE ASSIGNMENT:
- 1. CHOOSE YOUR GROUP
- Choosing your group is an important part of the assignment. The best groups will not just be friends joining together, you should try to be in a group with individuals who balance each others strengths and weaknesses.
- Once your group is chosen, assign roles within the group. If more than one person wants a role, try compromise or discussion, and if that fails try taking a vote. If you cannot come to an agreement then I will help you to decide.
- 2. READ YOUR SOURCE MATERIAL
You have been given a 10-minute play called inhabited* by Michael John Garcés. You may not change the dialogue as it is written in the play, but you should brainstorm with your team about how to interpret the material and turn it into a screenplay.
*PLEASE NOTE: This is an unpublished work, which we are using for free with the permission of the author. You are not to share this script with people outside this class, and we do not have permission to perform it OUTSIDE of class without paying royalties to the author. Please respect these principles of intellectual property and use the script only for the purposes of the project.
- 3. SCRIPT and STORYBOARD
- Your script and your storyboard are the first part of your project, and they are DUE ON 11/28. These are group components, so you need to work on them together, and you need to divide up the work equally. The script should be reformulated as a screenplay, and then it should be laid out visually as a storyboard.
i. STORYBOARDS
- Your storyboard is almost like a comic book or graphic novel, laying out the shots and the story visually so that you can all look at and agree to your plan of action. You don’t need to lay out every single moment of the film, just the major action.
- Your storyboard can be hand drawn, created through photography, animated, or created on photoshop. Examine the skills of those in your group to determine the best method. Make sure that you all participate in creating the storyboard, in one way or another. For example, someone who likes to draw could draw the plates, someone else could photoshop them, someone else could take location photos to add to the storyboard, and another person can make sure that they follow the script.
- You will be asked to specify each person’s role in the creation of the storyboard.
- You may find that your finished film is different than your storyboard, and this is okay. Part of the creative process is discovering that what you thought would work doesn’t and adjusting to that process.
- 4. CASTING AND SHOOTING YOUR FILM
- You will receive feedback on your storyboard, and then you can start shooting your film.
- Make sure that you work out your shooting schedule and scout your locations in advance. You do not need to wait for storyboard feedback to cast and arrange your location or to start shooting the film.
- You can cast other people in your film who are not group members. At least 2 group members must appear in some way in the film.
- You are allowed to have an animated film, or to use puppets to create the film if you choose.
- There must be some sort of music in your film. It does not have to be a soundtrack.
- You can have the same people play multiple roles, or you can find other people to be in the film. Make sure you think about this when choosing your project and brainstorming your concept.
- You are not being judged on the acting ability of your performers, I will be mostly interested in the overall quality of the ideas and the originality and clarity of the expression.
- Make sure that if you need Tsai Shiou to assist you in learning how to edit the footage on your Mac that you make a meeting with her ahead of time. Please don’t ALL start asking her the week before finals or she will not be able to help you. Working with her and experimenting with iMovie or other programs can be done well in advance.
- You can also choose to shoot your movie in one continuous shot, if that is the easiest method based on the skills in your group. IF you do this, you’ll have to be creative and think of other ways to create movement and interest in your film.
- 5. FINISHING YOUR FILM
- The finished films will be presented on the date and time of our final exam in our usual classroom
- We need at least one group member to have a copy of the film on their Mac, as well as the cable that connects your Mac to the smartpodium so that we can view your film. Again, check with Tsai Shiou to make sure you have the right set up or to test your film in advance.
- I would be happy to watch early cuts of the film and give feedback on the film. This should be a good incentive to get it done early.
- Your film will be given one grade for the whole group.
- Make sure your film is done at least a week in advance so you have time to look it over and tweak it.
- f. If you do not have a copy of your film at the exam you will receive a 0 grade.
PART II: DOCUMENTING YOUR FILM
- Each group member should document the filmmaking process through photos. Take behind the scenes photos of your shoot, and the work you did creating the film. This is the second component of the project and will be graded individually. Please burn these photos to a CD or flashdrive expressly for this purpose. It will be handed in at the final exam.
PART III: BLOG! OF COURSE!
- Create either a verbal or a video blog where you discuss your feelings about the filmmaking process. This is ONE blog, not a series, and it should sum up what you liked and didn’t like about your experience. What did the film mean to you? What was the most difficult task? What was your favorite moment in the process? You can post this on your blog under the heading “FINAL PROJECT BLOG” This must be posted before the start of the exam.
GRADING GUIDELINES:
FILM- 50 pts.
STORYBOARD- 20 PTS.
PARTICIPATION IN YOUR GROUP- 15 PTS.
DOCUMENTING YOUR FILM- 10 PTS.
FINAL BLOG- 5 PTS.
Your multimedia project is 20% of your FINAL grade in this course
NEW YORK NEIGHBORHOODS BLOG ASSIGNMENT
NEW YORK NEIGHBORHOODS BLOG
For this blog, we are going out to the streets. You and your partners will explore your assigned neighborhood together, and then each of you will create a blog about your experience. Your blog should include photo or video images of your discoveries. Each group must do the following:
- Find and document an existing artwork in your assigned neighborhood (this can be a work of street art, formal art, architecture, a street performance, something that qualifies as art. You can think a outside the box, but you will have to justify why this work of art is “art.”)
- Interview three people from the neighborhood about where to find art in this neighborhood. (Not each other. Other people who are not in our class)
- Try to explore the neighborhood and capture it’s spirit in video or photos.
Your assigned groups are:
GREENWICH VILLAGE (EAST AND/OR WEST)
- Eric Evangelou
- Emily Jennings
- Kayde Cox
- Kathleen Felisca
LOWER EAST SIDE
- Zohar Bachiry
- Ebrahim Afshinnekoo
- Sylvia Zaki
- Nicola Kornbluth
CHINATOWN
- Vishal Vig
- Jodi Wong
- Rui Yan Ma
- Rawan Shafi
LITTLE ITALY
- Tyler Bianco
- Alyssa Lopez
- Ashley Palma
- Aamir Qureshi
SOHO/TRIBECA
- Aisha Ali
- Mehreen Ahmed
- Natasha Chait
- Reinard Bukalan
Please spend some time researching your neighborhoods before the assignment is due so you have a plan. You may also need some time to work out when you are all able to go together.
GUIDELINES:
- As I said before, you cannot interview people in your group. Please use common sense and approach normal or friendly looking people (shop owners or street performers might be great choices) not aggressive, oddly behaved, violent, or otherwise dangerous people. In the work I did with students interviewing commuters for the puppet play project, we found that people are very receptive on weekends or during the day, especially if you say you are college kids working on a project. It’s not a contest to see who can get the weirdest interview.
- You must all go together. I know that will take some scheduling, that’s why I’m handing out this assignment now.
- You cannot switch groups. You are not being joined together forever and ever, you just have to do this assignment together. If you don’t like someone in your group, just be mature about it and do your assignment, it will be over before you know it.
- Be prepared to spend 2-3 hours exploring your neighborhood. You could also look up a well known restaurant or coffee house in your neighborhood, and enjoy a meal there. That might be a good place to find interviewees.
- Really think about how art influences community, and how communities influence that kind of art that is created for them.
- This blog is worth twice as much as a regular blog.
Snapshot Day!
Today (10/11) is the Snapshot Day- remember to take a photo (or a few of them) if you haven’t!
Video Blog
Please, everyone, do NOT upload your video directly here.
To post your Vlog please upload your video to YouTube, then copy the video URL and paste in a new post. Yes, just the URL, then the video will be automatically embedded in your post. Don’t want it to be public? You can set the privacy level in YouTube as “Unlisted” to avoid it showing up in search results or in your profile…etc.
A few reminders for posting
Hi all,
Please remember a few things when you’re writing the weekly blog assignment and uploading your photojournal.
1. Include a TITLE (more…)
UPDATE ON THE BALD SOPRANO
Our tickets to Bald Soprano on the 17th are not confirmed, and we may go on the 18th instead, but I got a call today that we were able to get free tickets for this weekend. Professor Feiner and I are trying to determine which class to bring on which night. I need everyone who cannot attend on Saturday night for religious reasons to email me ASAP (meghanhealey@hotmail.com) so we can make sure that you are in the Sunday group. I will email everyone once I have the final details. Thanks!