Prof. Laura Kolb | Fall 2019 | Baruch College

Author: deandradesees

Headphones!

Dear All,

For those who were asking and/or might be needing headphones, it’s best to bring your own, but there will be some simple ones available if there’s a last minute emergency. It would be much better if you could bring your over-the-ear ones, since they are better at canceling surrounding noise, even if they’re not very fancy. Remember that there will be a lot of people moving in and out of spaces, and noise will be impossible to avoid.  

I should also note that as a sanitary measure,  alcohol swabs will also be available.

I’m very excited to see your projects in their final form!’

All the best,

denisse

More project examples +

Dear Students –

Hope you all a great time at the opera!!

 
It was great to come to class on Tuesday and have a chance to talk about STEAM, and hear your initial (and great) ideas about your public-facing projects!
 
There are a few pieces of information that I wanted to share with you:
 
1, Open studios at Pratt Institute, where several of my students will be showing their work, is this Saturday. It’s free and you may find a lot of inspiration for your projects. More info here.
 
2.  Here are some images from the works (mostly books!)  produced by students last year. *I can only keep these pictures available for a week, please don’t share them.
 
3. I’m also including the work created by students in a non-STEAM affiliated course that I thought would be very useful, particularly because the focus is mapping! See here.  * I can only keep these pictures available for a week, please don’t share them.
 
4.  If you’re using printed photos in your project, Macaulay could print them for you.  Scheduling is dictated by the days allocated to poster printing for Seminar 3. Please contact Dr. Nadler at christina.itf@gmail.com to make sure she can reserve you a slot.
 
I had it on one of my slides, but forgot to say that when registering for your slot to participate in STEAM, you must do so as a group. Please DO NOT register individually.  Note also that re Registration will open Nov. 18; the sooner you register, the more likely you will get your preferred schedule.
 
Look forward to seeing you Tuesday.
 
denisse
 
 

Instagram Street Photography

 Here’s what’s involved:

  1. Complete the readings for 9/24. These are short but important! Pay particular attention to Cartier-Bresson’s theoretical definitions of a strong photograph–our class Instagram account takes its name from his writing–and to Jardin’s practical tips for taking photos in an urban environment today.
  2. Start taking photos! Use your phone, or a digital camera so that your pictures can be uploaded to Instagram easily.
  3. Spend a few days taking frequent photos as a way of framing your experiences of the city. Consider what subject matter you’re drawn to: are you taking portraits? Photos of people aware (or unaware) that they’re being snapped? Or are you more drawn to images of storefronts, or urban vegetation, or signage? Do you like to take pictures in the subway, or are you drawn to open-air spaces, like parks? Do your images highlight contrasts—a trash mound waiting for pickup in front of a row of upscale buildings, say—or are they suggestive of narrative scenarios: a kid’s birthday party in the park; a person feeding a duck; a group of tourists looking at public art? Do you like to be up close to your subject matter, highlighting texture, shadows, light? Or do you step back, to create a composition made up of multiple elements? NOTE: You don’t have to set out with a pre-conceived notion of what kind of photographer you are. But, as you work, notice the kinds of pictures you’re creating.
  4. After a few days, choose some photographs you’d like to share with the class. Be selective—choose your best work (whatever your criteria for that might be). Post your chosen photos to the class Instagram account: www.instagram.com/nycdecisivemoment/. (The password will be emailed to you). After you have a sense of yourself as street photographer, you may start posting as soon as you know you’ve taken a great photo, or you may save up a bunch of photos in order to select the strongest ones later.
  5. Make sure to include a photo credit for yourself: traditionally, a camera emoji followed by a colon and your name, or your own Instagram handle if you have one. E.g. ?: Miwon Kwon. Use hashtags and tag your location, to say something clever about your picture, and to invite a wider audience. And feel free to caption or title your photo.
  6. By Sunday, 9/29 you should have posted 5-7 pictures to the class Instagram. By Sunday, 10/6, you should have posted between 10 and 15, total. Remember to post to the class account, but to identify the photos as your own.
  7. In class on October 15, you will give a brief oral presentation—a spoken “artist’s statement”—in which you describe your photographic practices: your subject matter, style, and methods. In your presentation, you will discuss your practices as a photographer, and you will illustrate this discussion with images. You must cover the following three areas:
    1. VISION. What is your goal, as a photographer? What motivates you to take pictures? What subjects do you seek out, and what do you want your spectators to notice, or take away? Illustrate this part of your presentation with an image or two that best captures your photographic artistry.
    2. PROCESS. How do you work? Do you take hundreds of photos, and select just one? Do you crop? Use filters? Do you go on long rambling photo walks, or do you go to a specific spot to take pictures? Illustrate this part of your presentation with images that demonstrate your process–including at least one image that did not make it to the class IG page.
    3. INFLUENCES. Please discuss at least two influences: one reading (Jardin, Barthes, Cartier-Bresson) and one photographer or photograph. What in the reading inspired you, or challenged you? What photograph or body of work shaped the way you see–and the way you take pictures?

NOTE: Your presentation will be brief–5 minutes only! (We have to stick strictly to the time limit to make sure everyone has a chance to present). Keep your notes to about a page, and choose 4-6 photos to illustrate. Stick to the three points outlined above, and limit the number of photos you use to illustrate each. And, above all, practice your presentation–and time yourself practicing it!!

I will make sure the projector is up and running before class, but please let me know if you have any special technology needs. I recommend using powerpoint for this assignment. You may email me your presentation in advance for easy classroom access.

How to post to this site

 

Dear Students,

Here is a tutorial on how to create a post, which you will be doing for all assignments.

Two important things to remember:

1. After entering your text, select the category with the title of the assignment; for example, “Blog Post 1” for your first blog post assignment.  Categories are located on the bottom right corner of the site.

2. After you’re done writing, remember to hit “Publish”, which should be located on the top right of the site. Look for the green button.

PLEASE make sure to follow these steps so we can view your post on the site.

Happy posting!

denisse

Dear Students:

Welcome to The Arts in NYC site! This will be the portal for all course-related communication, including syllabus, field-trips, and assignments.  Please make sure to check it regularly to make sure you stay informed.

For more information on the course, please follow this link.

Have a great semester!

Prof. Kolb and denisse andrade (ITF)

 

ABOUT THIS COURSE

This seminar encourages Macaulay students to dive into the arts in New York City. During the semester, students visit museums, galleries, and works of public art; attend performances of theater and opera; and read poetry and novels that re-create the city on the page. Throughout, our focus will be on both (1) the vibrant art that is made and showcased in New York City and (2) works of art and literature that have taken New York City as their subject matter. How has the city encouraged and facilitated the showcasing and viewing of art—and how has it, in turn, been made into works of art? In addition to experiencing art forms as spectators, students will become makers: working on street photography and producing poetic and prose depictions of the city in response to other artists’ and writers work. Visits to exhibits, performances, and artist encounters continue throughout the semester. In this particular seminar, we will study: the spaces of art (gallery, museum, public space); photography (with a focus on street photography); writing the city; opera; theater; painting/collage; and political art.

In the course, students will:

  • Explain the role of the arts in the lives of New York’s diverse citizens
  • Identify the key features of the different artistic forms studied in the class
  • Construct clearly written and well-reasoned analyses of these art forms for multiple audiences
  • Analyze artistic forms both for their formal qualities and as artifacts about New York
  • Formulate their own individual aesthetic values after having studied the city’s wide range of artistic expressions.

 

ASSIGNMENTS & GRADING

There are three kinds of weekly assignments for this course. Some weeks, you will do all three; some weeks only two (see course schedule for a week-by-week breakdown)

  • Reading: Our class discussions will be based in large part around readings that you must complete before class. Be sure to obtain course books and download course readings from the website in time to complete the reading each week.
  • Excursions: Our class discussions will also be based on our experiences viewing art, attending performances, and listening to music in culturally significant contexts. Some weeks, an excursion will replace class time. More often, excursions supplement class time. Excursions are mandatory. If a conflict arises, speak to Prof. Kolb immediately to work out a solution.
  • Writing &c. Every week you will be asked to produce writing (or artwork) for the course blog. Each writing assignment differs: some ask you to interpret an artwork that you have found in a museum or gallery; some ask you to analyze a paragraph in a theoretical text; some ask you to imitate a particular writer’s style and process in crafting your own creative work. The goal, each week, is to think while writing: to come to a deeper understanding of the art work under discussion by either analyzing or imitating it. Details on each assignment (including deadline) can be found under the “Assignments” link on our website.

In addition to the weekly assignments, you will work in groups on a final project. This project will be presented at the STEAM festival in December. After the STEAM festival, you will write a reflective essay on the project you have created, and on the course as a whole.

The grading breakdown is as follows:

Participation in class and on excursions:      20%

Weekly writing &c.                                                     40%

STEAM project                                                             20%

Final (reflective essay + syllabus project)     20%