Story Map: “Just Kids: Patti Smith’s New York”

Here is the Story Map that was shown in class on Tuesday, October 17. I had a lot of fun putting this together: Story Map is pretty easy to use and it really helped me visualize the events described in Just Kids. Story Map definitely will come in handy in your other MHC seminars so try it out or make an appointment for ITF office hours and we can learn together!

Schedule of Class Readings, Activities and Events

Schedule of Class Readings, Activities and Events

This page will be updated by Prof. Natov. 

Link: Fall 2017 Brooklyn College Academic Calendar

Calendar

8/29 Introduction. Art Is… 

8/31 Art Is… 

9/5 Art Is… 

9/7 Lecture on Rauschenberg | “Robert Rauschenberg: Among Friends” website

9/12  

9/14 Trip to MOMA for guided tour of Rauschenberg exhibit, “Robert Rauschenberg: Among Friends.”

9/18 Night at the Museum at the Brooklyn Museum 

9/19 Collaboration and Collage: A Chorus of Stones 

9/26 A Chorus of Stones; assign dance groups for student groups to research and present to class on 10/3 

9/28 Watch  Pina the film of Pina Bausch 

10/3 Pina discussion; brief student presentations about the dance groups performing at Fall for Dance at the City Center 

6:30 pm: meet at Prof. Natov’s office, Boylan 3416, then ride train together for Fall for Dance performance 

10/5 Discussion and review of “Fall for Dance.” Papers on experience, public/private 

10/10 Collaboration and Collage: A Chorus of Stones and making collages in collaboration. 

10/12 Discussion of A Chorus of Stones with respect to the stories and, especially, “Exile.”    

10/17 Discussion of “The World is Sound”; begin discussing Community Arts projects; introduction to Just Kids and New York in the sixties and seventies.    

10/18 Trip to Rubin Museum to see the exhibit: “The World Is Sound.” | Rubin Museum, 150 W. 17th St. in Manhattan | “The World Is Sound” exhibition website 

10/19  Review of the trip to the Rubin Museum and Just Kids presentations. 

10/24 12:30 pm-2:00 pm: Open Mic reading in Woody Tanger Auditorium, near the back of the first floor of library | Class on poetry and review of open mic; readiness for Torch Song theater trip | Torch Song website

10/25 Attend Torch Song as a class

10/26  Review of Torch Song 

10/31  Just Kids presentations. 

11/2  Just Kids discussion. 

11/7   Preparation for Opera. Finish Just Kids discussion. 

11/9   Opera lecture, Woody Tanger Auditorium. 

11/14  

11/16 Turandot performance at Met Opera | Met Opera’s Turnadot page

11/28 

11/30

12/2-12/3 STEAM Festival at Macaulay College Central, W. 67th Street in Manhattan 

12/5 Community Arts presentations 

12/7 Community Arts presentations 

12/12 Community Arts presentations 

 

 

Welcome to the Arts in New York City!

This course explores the arts and cultural events in New York City. Each of the units– theater, opera, literature, dance, and visual arts–is based on a performance or exhibition. We will observe the way stories are told through opera, theater, poetry, dance, and visual art. Our activities will include engagement with art forms, including interpretation, analysis, and creative work. We will focus on the ways in which the work of art fulfills and departs from tradition and expectation. We will explore the ways that art reflects the culture and politics of the times and the experimental nature of identity and creativity. The class will consider questions about the creation, enjoyment, and social function of art from the perspectives of maker, spectator, and critic. This course will also consider the aesthetics of collaboration and collage.

Course info for MCHC 1001, Section T3AH, Fall 2017

Header image: Robert Rauschenberg, Monogram, 1955-59. Photo taken by Alexis Carrozza.

Welcome to The Arts in New York City!

This course explores the arts and cultural events in New York City. Each of the units– theater, opera, literature, dance, and visual arts–is based on a performance or exhibition. We will observe the way stories are told through opera, theater, poetry, dance, and visual art. Our activities will include engagement with art forms, including interpretation, analysis, and creative work. We will focus on the ways in which the work of art fulfills and departs from tradition and expectation. We will explore the ways that art reflects the culture and politics of the times and the experimental nature of identity and creativity. The class will consider questions about the creation, enjoyment, and social function of art from the perspectives of maker, spectator, and critic. This course will also consider the aesthetics of collaboration and collage.

Course info for MCHC 1001, Section T3AH, Fall 2017

Header image: Robert Rauschenberg with John Cage, Automobile Tire Print, 1953.

Posting to the Site – How To, Tips

Posting to the Site – How To, Tips

tips for formatting a post

Writing for a general web audience, even if that audience consists of our class, differs a bit from writing a paper. Some guidelines stay consistent regardless of the platform or assignment such as citing sources and using specific examples to provide context and enrich your writing for your reader. However there are other not-so-intuitive changes that you might have to make to properly format your ideas for the web. For example, did you know that your name appears as your login name unless you change the settings in your profile? The author of your posts may have been appearing as firstname2016 rather than FirstName Last Name.

Keep reading for some simple tips that address everything from making sure your name appears next to your post to creating a supportive and creative community.

  1. Add your real name to your posts. When I write a post, my author name appears as “Alexis Carrozza” rather than my login name “alexiscarrozza.” It is much easier for Prof. Natov to see who’s been posting to the site when people’s names appear next to their posts – and you definitely want her to know that you’ve posted. To change your settings: Upper left corner > hover mouse over “Howdy, [Your Name]” > Edit My Profile > Input in fields First Name, Last Name, Nickname > Choose from the menu “Display Name Publicly As” > Update Profile
  2. Give your post a title. A title simply needs to indicate the subject of your post and a simple title is a million times more helpful than a “catchy” (or “clickbait-y”) title. A good title will tell the reader what the post is about and your angle. A post titled “High Line Photos: Art Is Symbolic/Art Is Not Symbolic” effectively indicates a) the place and assignment; b) the subject (what art is) and c) the method of analysis, comparing and contrasting in order to consider what art is.
  3. Have a copy of your work; save early and often. Don’t lose your post while drafting it. It’s always a good idea to have a copy of your work and use the posts for this class as a way to explore the different options to backup your work and post to the site.
    • Open a Google Doc, write your post, then copy and paste it into the body of the post. The benefit of this tactic is that Google Docs automatically saves your work every few seconds.
    • Write your post in a text document like Microsoft Word and copy/paste it into the post body. You still need to remember to save these posts!
    • Write your post in an email and save the draft. This is a good strategy for people who write on their smartphones but don’t want to use any extra apps. You may want to activate the “post by email” option described here on the class eportfolio site.
    • Write your post from the Dashboard and click “Save Draft” every few minutes.
  4. Cite your sources and link to extra info if/when needed. Crediting sources is very important in general and especially when working without an editor!
  5. If you want, add an image and don’t forget to credit the source. If you reference or describe an image, link to the picture source and try to give credit in the photo description or body of your post. Again, a great guide by the Visual Communications Guy: Can I Use That Picture?
  6. Use specific examples in your post. When an author doesn’t use specific examples, it’s hard to understand their ideas. If you talk about a moment in your life as a “turning point,” then explain the cause/effect of that moment: what was normal about your life until that moment? What changed after you experienced that moment? For more help on this topic, check the menu bar item “writing about art” for several posts with guidelines, tips, and examples.
  7. Your audience is us, and we are respectful and supportive. Writing for an audience is hard, even if that audience only consists of your classmates and professor! This course site is only viewable to MHC’s eportfolio network and will most likely only be visited by course users such as you, your classmates, and your professor. These people constitute your audience, and your audience wants to learn more about you and your ideas. As a community, being supportive and respectful is the best way to help people overcome any shyness or self-consciousness their work.
  8. Recognize the value of someone’s contributions and then express that value. People love really specific compliments! Receiving a compliment like “Your details about the dancer’s movements help me understand the work in a different way. For example ….” is really awesome and also reinforces good habits such as using specific examples!
  9. Don’t nitpick. Your/you’re, their/there — these are most likely typos or simple mistakes! However, if you see an error referring to specific topics such as “Maplethorpe” vs. “Mapplethorpe,” then consider emailing the author directly or even saying something (nicely) the next time you see them. Either option fosters a supportive community than a well-intentioned comment like “It’s spelled Mapplethorpe :)”
  10. Don’t play devil’s advocate. If you disagree with an opinion, remember that you’re disagreeing with a real person that you will see for the rest of the semester. Keep any comments short and to-the-point: “I tend to disagree about ____ but your overall point about _____ is well-taken.”
  11. If you strongly disagree and find yourself writing a really long comment, then write your own post. Link back to the post that you disagree with and then write your perspective. Remember to be respectful and that you’re disagreeing with ideas rather than people.

handout: how to post to the eportfolio site

Download (PDF, Unknown)