Discuss how you feel one can apply the concepts presented by Berger in looking at the Modern Art exhibition at MOMA?
John Berger mentions many different approaches or methods to consider when looking at art, even if at a Modern Art exhibition at MoMA. He mentions, “we can see, we are aware that we can also be seen” (Berger 9). This helps to emphasize the concept of perspective in all art. When looking at a photograph, Berger suggests trying to understand how the photographer wanted to capture an image and what he/she saw as well as what is being displayed to us in a photograph. The intention of the artist should be accompanied by the art in front of us. An artwork can consist of a person staring at us from an artwork and trying to perceive the image from the person in the artwork can help us understand its role in a piece. What did the artist want to convey with this person in the image? While looking at some of the artwork at MoMA, the paintings and sculptures should be examined not merely by what is on display but also the purpose of the pieces.
Another point that Berger emphasizes is that reproductions of paintings do not parallel the real works of art. He states, “all reproductions more or less distort, and that therefore the original painting is still in a sense unique” (20). The reproductions do not show each stroke or groove in an artwork. Many paintings, such as Starry Night, embody texture in the work, which cannot be captured in a two-dimensional photograph or reproduction. Also, the experience of looking at the painting in the museum in person, up-close conjures up a whole different set of ideas, feelings, and thoughts that a mere reproduction cannot evoke.
The concept of perspective and understanding that a reproduction is not merely enough helps us reevaluate our experiences at MoMA. The perspective from us looking into the painting should only be one of many perspectives considered when trying to understand art. A reproduction does not give justice to a painting and looking at any painting at MoMA should consist of observing and appreciating all the details an artist put into their work that cannot be seen from anywhere else.