Caretaker Study

I chose to represent my mom as my caretaker in both my realistic and abstract poses. My mom is definitely my role model; I hope to become half the amazing person that she is.  I wish to emulate her generosity, wisdom and self-sacrifice for others.  In the realistic pose, I chose to sit on the chair with my legs crossed, my right fist under my chin with my right elbow resting near my left hand on leg.  I meant to depict the contemplative nature of my mom that always gives way to helping and caring for others through compromise her own needs. I’d find her sitting as so on the sofa or on the bed. When I ask what she’s thinking about, she always tells me, “Nothing, nothing.” That she doesn’t want me to worry about the particular situation is also characteristic of her generous nature.  I find out about her thoughts through her actions. As she later talks about the situation, she teaches me the value of kindness, inspiring me to do the same. Of course I’ll never be as brave of a person that she has been, overcoming the most difficult obstacles to do what’s right, but I hope to follow the same path.

When the class tried to figure out the type of person I was portraying, I heard some interesting responses. I’d agree to some comments about the person being shy. Even though my mom may be shy at times, I intended to show her thoughtful side, which some people did point out.  I also heard some say that she is looking down to a child to try to explain something, but she isn’t able to utter anything, finding the situation hopeless. This response, of course, is very deviant from my mother’s personality for she’s always optimistic and tends to look at the cup being half full instead being half empty.

For my realistic pose, I displayed my mom’s devotion to religion and spirituality. She turns to the Islamic faith to get through most of her problems. In her regular prayer, I see her with her hands cupped together as she sits on her legs with both of her feet facing the right. I modified this pose to a more abstract one with classic prayer hands touching the bottom of her chin as she looks up to the ceiling towards God. I wanted to dramatize her spirituality for she looks to God for the ultimate solution, leaving earthly matters behind. The class definitely figured out this pose by pointing out the religious aspect as well as the fact that it was the same person. My mom’s altruistic nature may well be attributed to her tendency to perceiving the world through a religious and spiritual lens.

Caretaker Study

For the subject of both my realistic and abstract caretaker studies, I chose my sister, Mary. As the eldest of three children, she has frequently been given responsibility of my other sister and I. In my upbringing, she has taken the role of the mature big sister. She is the one who offers criticism and counsel at every turn in my life.

For the realistic pose of my sister, I sought to portray the expression she gives me when I do something wrong. When I disappoint her, she will put her hands on her hips, tilt her head, and raise her eyebrow , as if to say, “Really, Alvin?” She gives me this expression almost on a daily basis, so I believe to put it in her realistic pose would embody her perfectly. The class was pretty much spot on in guessing the pose was of a female scolding a child.

The abstract pose was also of my sister, but it represented another side of her. In the pose, I tilted my feet slightly inward, clasped my hands together with a finger over my mouth, and tilted my head downward. This pose was meant to be an abstraction of my sister’s sometimes shy and sheepish nature. Although she is very comfortable around me because we grew up in the same house, she tends to be somewhat timid around others. She will not say whats really on her mind around strangers. Rather, she’ll reserve those emotions for the family and close friends.

Pina Bausch – Blog A

Pina Bausch’s “…como el musguito en la piedra, ay si, si, si…” was anything but post-modern dance. It was a spectacular mix of lights, props, special effects, and countless mini-segments targeted to make the audience chuckle in amusement. Post-modern dance focuses on the expression of uninhibited, instinctual movement, without the help of costumes, lighting, props, or special effects. Pina Bausch’s dance uses all of these to add to the performance, making them the central feature of the show, rather than the other way around. The choreography of Bausch’s dance was centralized around the relationships and tensions between men and women, showing them in a comedic, romantic, and even exaggerated light. In contrast to post-modern dance, which is characterized by loose, natural movements, Bausch’s dance uses very choreographed, aesthetic movements that are pleasing to the eye.

Of course, there were visible similarities between the performance and those of post-modern dance. They might sound like arbitrary observations, but there were moments of eccentricity in the Pina Bausch piece that are analogous to the raw, equally unique moments of post-modern dance (especially with regards to contact improvisation). One such moment includes the scene in which a woman walks across the stage with a potted tree strapped to her back. She sits on the other side of the stage, sits down, and then another female dancer walks on stage with a glass of water, helps the woman carrying the tree drink it, and leaves. Not long after, the woman the tree gets up and walks off the stage the same way she came. Again, this similarity is quite arbitrary, but to the untrained mind, these eccentricities are quite prominent. The focal point of this scene in the Pina Bausch, however, is the tree that the woman carries, not the woman herself, and this is the stark difference between Pina Bausch and post-modern choreographers is most visible.

For my caretaker study, I decided to emulate my dad both realistically and abstractly. My dad’s a funny person who loves to talk. Whenever he meets someone new, he tends to talk nonstop. He loves being social. All of my friends who have met him think that he’s the funniest/coolest dad out there, but I personally think he’s weird [in a good way]. He can be annoyingly suffocating, strict, and overbearing, but I think that overall, I’m a pretty lucky guy to have him as a dad.

For my realistic pose, I decided to do a pose that he does when he’s just sitting and listening to music or when he’s sitting anywhere and just people watches. When he does this, he just sits and looks ahead with one leg atop the other. He has a slight smile every time I see him do this pose; I don’t know why.

For my abstract pose, I decided to highlight his indecisiveness. To do so, I took off part of my sweatshirt and one of shoes, and I tried to look confused. My dad always needs confirmation on a place to eat or on something to do before actually doing it. For example, if we want to eat out for dinner and he’s in the driver’s seat, he’ll keep asking what we want to eat (and we’ll tell him), but he ends up choosing some other place. He doesn’t know what he wants most of the time. This doesn’t mean he can’t make up a decision, though. He works as a Senior Vice President at Citigroup, so he has to make decisions; but as a regular dad, he’s pretty indecisive.

Pina Bausch – Blog A

Pina Bausch’s “…como el musguito en la piedra. ay si, si, si..”is a very loose portrayal of post-modern dance. By definition, post-modernism is all about the human body. It uses mundane and everyday movements as statements that everyone can be a dancer. Music and costumes aren’t always used and complex technique isn’t emphasized in order to keep the audience focused solely on the dancers. Dances following this ideal can don’t necessarily have a deeper meaning, using movements as mere movements, not as hidden statements about society’s ills. Thus, post-modern dance is both revolutionary and simple, neglecting the bells and whistles of dance while still maintaining the integrity of choreography that celebrates the human body.

Pina Bausch’s piece didn’t quite follow the criteria described above. This dance was an exploration of male-female relations; even though it didn’t make its statement absolutely obvious, it made the audience think. Bausch’s choreography was quite technical at times, yet the dancers made it flow beautifully and put their emotions in it. Moreover, music, lighting and props played a major role in this piece, which isn’t typical to post-modernism. The lighting set the mood, different props such as tables and chairs were brought upon the stage, while the magnificent Spanish music kept the audience captivated and moved. The most obvious aspect of this dance, though, was the dancers’ costuming. The women wore colorful long gowns, while the men wore grey or black suits. Most dancers wore shoes, which is another departure from post-modern dance. The collective impression this ensemble made, then, was rather striking.  As if this wasn’t impressive enough, the stage broke apart from under the dancers at certain parts of the performance, symbolizing the fragility of some relationships and keeping the audience on the edges of their seats.

However, Bausch did incorporate some aspects of post-modernism in her choreography. She incorporated short, whimsical scenes in between dance segments in order to make the performance more segmented and less traditional. Additionally, mundane movements such as eating and talking were part of the choreography, which represents the post-modernist celebration of the human body in its simplicity.

Overall, then, the post-modernism of “…como el musguito en la piedra. ay si, si, si..” is debatable. The piece contrasted the ideologies of this movement by using bells and whistles and making a societal statement, but it stayed true to the genre by celebrating mundane movements and the human body.

Caretaker Study

For my caretaker study, I chose to do my mom as my realistic pose. My mom is someone who I am entirely grateful for. She is someone who is caring and someone who is willing to do anything for her children. For the realistic pose, I chose a pose that my mom does every time she talks on the phone with her friends or relatives. Whether she’s sitting or standing, she would aways have an arm across her chest while talking into her cellphone. I found it amusing that most people said that the pose was for someone in their twenties because when you first look at it, it does seem like its for a younger person. My mom is someone who loves talking with others, although she does hide things when she talks which the arm across her chest can symbolize.

For my abstract pose, I decided to do one of my sixteen year old sister. My sister plays a big role in my life and she is someone who I can tell everything to. She is someone who tends hides who she truly is when she is with people she is just meeting. She can be shy, but once you get to know her, she can be very energetic and lively. As someone guessed, the front facing of the feet is her trying to get out of her shell, but cannot fully, as represented by the hiding behind the arms.

Caretaker Studies

 

I chose to use my dad as the subject of my caretaker studies for several reasons. My father has always been a very prominent figure in my life. Although he was very strict when I was younger, a lot of my personality and interests take after his. My dad is sometimes blunt and unreasonable, but he has never ceased to support me in all that I do.

I chose the first pose to be my dad’s realistic pose because it was something he used to do after he broke his collar bone earlier in the year. He would sit on the couch relaxed and watching TV, but his right hand would be massaging his collar bone, and even after it had already healed, he kept touching it out of habit. Although he doesn’t do it as often, there are still times that I find my dad in this same pose, hence I chose it to represent him in this study. I think this pose represents my dad’s calmer, more relaxed side. He is very opinionated and unafraid to speak his mind, but he also knows how to wind down and hold back when he knows it’s not the right time to speak out.

The second, abstract pose represents my dad’s strictness. For a long time, up until about my junior year of high school, my dad kept a very short leash on my social life. And during that time of my life, there were many times I felt very suffocated. I wanted to speak my mind and reason that he was not being fair, but could never find the courage to do so until I reached the third year of high school. This no longer really applies now that I am in college, but the way my father raised me has had a very large, if not the largest impact on who I am today.

Blog A- Pina Bausch

Pina Bausch and her choreography for “… como el musguito en la piedra, ay si, si, si …” (Like moss on a stone) was truly intriguing. The dancers moved with fluidity and their movements looked nearly effortless. The Spanish music as well as the projection of settings during the second half helped bring out liveliness of the piece. The musicality, the costuming and the lighting all stitched the show together. The moments of comedy inserted into the show helped relieve some tension.

Pina Bausch’s choreography has some elements of Post Modern Dance, but I would not consider it Post Modern dance. Post Modern Dance is a 20th century dance movement that focuses on the natural movement of the body. In Pina Bausch’s choreography, this can be clearly seen. The dancers move with fluidity that every movement seems easy and effortless. Usually Post Modern Dances are minimalistic and this can be seen in the setting of this piece (a white stage), however Bausch’s choreography also differs greatly from the elements of Post Modern Dance. In Post Modern Dance, everything is minimalistic (the costumes, the setting, the dance, the music), however in Bausch’s choreography this was not the case. Musicality played a big role in this piece and I believe that the piece was performed for the audience and not for the dancers. Bausch’s use of music and costumes as part of the overall picture of the dance makes me believe that Bausch’s choreography is not that of Post Modern Dance.

Caretaker Studies

The first pose, contrary to what most people thought, was of my mother. She would always wake me up early in the morning, screaming into a phone with anger and annoyance. To be honest, the only reason why I’m able to wake up in the mornings on the weekends is because of my mother screaming into the phone. She’s a very busy person – sometimes I hardly see her in the mornings, afternoons, and nights. She runs errands for my father, and then she has to take care of problems of numerous condos and apartments. In short, my mother is a landlady. My father on the other hand, is an architect. So while my father creates these buildings, my mother rents them out. Since my father is overseas most of the time, my mother has to deal with the tenants. She has to deal with them almost everyday, and most of the time it is through the phone. My raised hand signals her angry hand gestures, as if saying “what is the problem?” or “what do you mean?” or “I have done everything you asked for already, why are you still unsatisfied?”. My opened mouth signifies the way my mother screams into the phone occasionally, and the way my leg is propped up shows her old habits of propping up her leg. Her phone rings at least five times a day – even when she was on vacation, leaving her cell phone with my sister, it rang nonstop. My sister had to be a substitute for my mother, and I could almost see my mother in my sister as she also talks into the phone and makes the odd hand gestures.

My second pose though, is of my sister. The comments people had were correct – my raised hand and tilted head signifies asking for help. However, the pose meant more of giving help than receiving. Curled fingers are more natural than a flat hand, so giving help was more natural to my sister than receiving. My stretched hand represented how she would always be there to help me, or anyone even, whenever they needed help. She grew up with having to take care of two younger sisters, and knew of her responsibilities as the oldest child. She always tried to do the right thing and was very proper, which is the reason why I stood up straight with my feet planted firmly on the ground, side by side. Even though she knew she had a lot of responsibilities she asked for help whenever she needed it. She didn’t try to take on the world without wanting anyone else to help her, and she knew her limits. Although we don’t see each other as much as we did when I was younger, I know that she’ll always be there to help me, and that I’ll always be there to help her now.

Caretaker Studies

Both my realistic and abstract poses represented the same person in my life. My dad. He’s actually my step-father, but he’s the only father I’ve known since I was three years old, so I don’t think of him any differently than anyone else thinks of their dad. Sometimes I think I’m more like him than I am my mom.

The first pose with the hand in pocket and the other behind the head is one I see almost every day that I encounter when my dad becomes lost in his thoughts. He is a very reserved, thoughtful person and speaks slowly and in few words when he does choose to speak, giving each word he says more weight. My dad is a mathematician so his mind is constantly finding new problems to dissect, though rarely does he seem to consider minute “everyday problems.” He spends hours alone reading about semantics, computer language, and new ideas in quantum physics… things that only his mind can filter through like a machine, but with human thoughts. When he stands like this, to me he has a very wise and weathered look. His body is loose, his stance relaxed, but his hand scratching his head reminds us that there is a lot going on behind his non-revealing neutral gaze. When he is stressed, he contains a lot of his thoughts within his head. So it’s never quite clear if he is just contemplating life, puzzled by some new mathematical problem, or actually feeling tense or worried. When he scrunches up his face in a squint, you know that he is deep in thought, and most likely, he won’t tell you about it. To others, my dad may seem mysterious and distant, but when I encounter him poised like this, I might ask him what he’s thinking or bothering him, or maybe just leave him be.

The second pose with the slight squat and rounded arms is also meant to represent my dad. I was actually inspired by tai chi, because my dad has been practicing the martial art as a form of exercise and meditation for over 10 years. Tai chi emphasizes the flow of energy, or “chi”, throughout the body. The knees are always slightly bent and the arms convey a combination of fluid and sharp movements. The pose I performed was meant to show stability, calm, and self-contained energy. My feet were solidly planted with the weight equally dispersed from toe to toe, my knees bent, my core straight and strong with my weight centered. I tried to reach a state of perfect balance, for my dad’s presence feels this way–calm, certain, and secure. The reason I rounded my arms was not an embrace, as the class thought, but a shape meant to show fullness and continuity, and well as self-reliance. The arms center his being and show that his thoughts (as I said before) are kept in his own space. And though he is a solitary, self-reliant person, I wanted to create a rounded shape to represent this, to evoke the energy of tai chi, rather than an arms-crossed, closed-off stance. I think there is a large difference between solitary and being closed, and in this case my dad is the former. His company and his words bring me a sense of balance and composure — that is what I wanted to recreate.