Snapshot Day

 

In taking my photo for Snapshot Day, I had a difficult time thinking of what would best suit the tone of my everyday life. It had to be a shot I saw often, yet something that fully represented how I saw the city. I entitled my photo “Side by Side.” One of my favorite places to spend time when I’m sick of studying is down by the water on FDR Drive at the Waterside Apartments where there is a huge sitting area, park and a beautiful view of the water. As I sit here, I often think that the city is such a diverse place in that everyone and everything seems to coexist simultaneously; city and island; water and land; bridge, tunnel and buildings; west and east; uptown and downtown. The city has its own dichotomy and its own rhythm. To capture only one of these elements is to betray my experience in the city; I live downtown but I go to school uptown. I work on the East side, yet I attend arts performances on the West. The city is far from a place of isolation or a place where you get stuck in a bubble. More or less, I’ve been everywhere, exhausting my unlimited MetroCard. This snapshot, to me, was an encapsulation of my life in the city as well as the true history of a city like New York, where cultures blend together and where many lives coexist.

In taking this photo I kept the Rule of Thirds in mind; the picture is divided into water, land, and sky to represent the elements that all play an equal part in the city’s habitat. I also kept the lighting in mind; one of the most important elements of my photograph was the clouds–they seemed to be looming dark and grey over the city and lightening up to white, fluffy clouds towards the water. This changing climate, as well as the cloud streak that curves downward, seemed to run parallel to the slope of the buildings into the bridge. This slope of the buildings draws the eye across the picture from left to right, city to island. The bridge emphasizes how the all the elements of the city are connected into one unifying word: Manhattan.

Snapshot Day- Through The Looking Glass

I entitled my photograph, “Through the Looking Glass”. October 11th, or Snapshot Day wasn’t a great day for me with the stress of my classes amounting and endless list of tasks augmenting. My sister and I were eating lunch together and I was half listening to everything she was saying since I was so frustrated and worried about all the things I had to get done. When I looked up and saw this view from the 7th Floor Bridge at Hunter College. The view was beautiful with the sun hitting parts of the buildings, creating shadow and depth to the city view. I had a feeling of tranquility and realization. The view reminded me that I was in the middle of in New York City and there are amazing opportunities, people, and experiences to be taken advantage of. Like Alice, when I look at this view I get transported into a new world (less literal for me) that comes with visions for my future and memories I wish to have in the city and that became my saving grace. I had to get through what I had to do in order to achieve my visions and cross through this looking glass.

The concepts of the rule of thirds, diagonals, and lighting played a crucial part in my photograph. I wanted to capture the view as I saw it with the light coming in, which represents my realization to the situation.  I didn’t want to just take a picture of the city but rather show my viewing of the city through this glass. I used the rule of thirds to emphasize the glass with the bottom of the glass being on the bottom horizontal line. The diagonals of the shadows show the passage of time and the depth and multitude of things that the city is composed of.

Even though my phone didn’t take a great quality picture, I will remember the thought behind the photo. Every time I’ll on sit on the 7th floor bridge, I will remember why I’m here and appreciate my surrounding and dream of what is behind this looking glass.

Snapshot Day!


On October 11, so-called “snapshot day” I was on my way out of the subway on 23rd street when this image struck me. Maybe not in a deep, emotive sense, but in an awe of the visual conception before me. When last week, we examined the work of other photographers, I was drawn towards the work of Brassai, particularly Backstage at the Folies-Bergere. What held my gaze was his use of a unique perspective, sloping planes and diagonals leading the viewer into the photograph, and dynamic contrast between light and dark. All of these elements seemed to coalesce as I mounted the first stair of the subway exit.

As someone who grew up in the suburbs, what is striking as you step out into the street is that everything always seems to be going “up.” In Manhattan, the towering skyscrapers stand over you and rows upon rows of mounting windows ascend toward the sky. It is impossible to escape the presence of these domineering structures of concrete and glass. So for me, capturing the grandiosity of the rising buildings serves to convey my bewildered yet awed perception of New York, immense and soaring above me.

One other thing that stood out to me in that moment of inspiration was the lone woman reaching the top of the stairs. In the city, it seems unusual not to be packed into a crowded bus or rustling past dozens of strangers on the sidewalk. This was her single instant of solitude before entering the hurry shuffling down 23rd street. I felt like I was capturing a unique moment of respite from Manhattan and all its chaos. The buildings looming over her serve as a reminder that she is only but one of many to be under their shelter, seemingly small and insignificant.

My favorite part of this photo is how the composition came together so naturally. Lines and diagonals play a strong role in the movement of this photo, bringing you “up,” as I wished to convey. The railings guide the viewer up towards the lone stranger and the vertical orientation of the bricks and rising building pull the image upward to really create the sensation of that limitless height. The contrast from the dark stairway to the bright open sky also bring you up from the depths, while the woman’s bright red coat grabs you. I’m really happy with how my photo came out.

Snapshot Day, Instructions

  • Take photos on October 11, 2012.
  • Upload your photos to this site and categorize under Snapshot Day, with an explanatory essay of your shot.
  • Each student will choose only one photo and upload it to the Macaulay-wide online gallery at macaulay.cuny.edu/gallery/Snapshot-2012Please upload your photo before November 1.
  • Physical exhibit will take place at Macaulay Honors College, 35 W. 67th St., on Sunday, December 2.
  • If you’re interested in being one of the student curators for that exhibit, please contact Assoc. Dean Joseph Ugoretz (joseph.ugoretz@mhc.cuny.edu)

Instructions for uploading to the Macaulay gallery are here:

http://eportfolios.macaulay.cuny.edu/faculty/2011/10/05/snapshot-2012-directions/

You can comment on your classmate’s photos on this site; you can comment and rate others’ photos on the main site.