Daily Archives: September 23, 2013

Alastair Macaulay NY Times Review

http://www.nytimes.com/2013/09/21/arts/dance/liz-gerring-dance-offers-mirrorlike-illusions-in-glacier.html?ref=dance   Alastair Macaulay follows Wendy Oliver’s chosen model — the Feldman model — of dance criticism to the T.   He first starts his write-up with general background of the piece.  He gives the time (Tuesday, the week of September 20, … Continue reading

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“Icy White Synapses in a Crackling Heat” – A Dance Review on “Glacier”

http://www.nytimes.com/2013/09/21/arts/dance/liz-gerring-dance-offers-mirrorlike-illusions-in-glacier.html?ref=dance&_r=0 Alastair Macaulay’s “Icy White Synapses in a Crackling Heat” is a dance review on the dance work, “Glacier” by Liza Gerring. Macaulay introduces the work by describing the motions of the dancers during the work and the mood it … Continue reading

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NY Times Dance Review

http://www.nytimes.com/2013/09/23/arts/dance/lyon-opera-ballet-presents-limbs-theorem.html?_r=0&adxnnl=1&ref=dance&adxnnlx=1379975918-eDxMH84oYHVTiga6dM8CXA I read “The Dawn of a World, Dreamlike Yet Chaotic” by Roslyn Sulcas, which was a review of William Forsythe’s “Limb’s Theorem.”  The review was published on The New York Times website, and related to Wendy Oliver’s reading in … Continue reading

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The Company He Keeps, Virtuosic to Endearing

http://www.nytimes.com/2013/09/19/arts/dance/roberto-bolle-performs-with-friends-at-city-center.html?_r=0&adxnnl=1&ref=dance&adxnnlx=1379978206-oWF2We2AWVF2AKJvym+aCA Brian Seibert, as a respectable critic, sought to carefully analyze and dissect the unique performance of Roberto Bolle and Friends. This “unremarkable” performance, as Seibert labeled it, was not just deemed as unpleasant, but rather monotonous. The critic, as … Continue reading

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Stanley’s Self Portrait

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