In the 1970s the artist Gordon Matta-Clark (1943-1978) entered condemned buildings in the Bronx and, using a chainsaw, cut out parts of the architectural support. Matta-Clark considered the transitory, fugitive acts of (illegally) entering and cutting as the work of art so he documented his process with photographs that were then exhibited in galleries:
Gordon Matta-Clark, Threshole, 1972-73. Image Source: http://www.tate.org.uk/research/publications/tate-papers/07/towards-anarchitecture-gordon-matta-clark-and-le-corbusierGordon Matta Clark, Bronx Floors (1972-73). MOMA. Image source: https://www.moma.org/collection/works/81396
His work doesn’t aim to create “beautiful” art but explore the politics of place and space. In her book about Matta-Clark, Object to be Destroyed, Pamela M. Lee describes the relationship between artist, artistic practice, and space:
Matta-Clark reflected critically on the temporality of the build environment, a materialist recoding of an “architecture of time.” For the presence of his work within both the urban and suburban sphere emanded that it be encountered as a socialized thing; and its imminent demolition ensured that it not be elevated to the rank of transcendent art objects.
