Funny Street Photo

So am I waiting for this walk signal or…

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What is Photography?

Rodchenko’s letter to Kushner was a very interesting read. I especially liked his point on how the first time he saw the Eiffel Tower from afar, he didn’t like it at all. However, when he passed up to it closely while traveling on a bus, he was struck by the “lines of iron receding upward right and left”. This is a pretty strong argument for unconventional photography. Unlike the painter and the conventional photographer, the unconventional photographer has a duty to portray the world through various perspectives and lenses.
Rodchenko’s criticism of conventional photography is especially strong when he compares it to the standard reproduction that we see in “postcards ad nauseam”. He claims that photographing “non-posed” scenes is a much “higher form of photography”. The challenging nature of capturing such scenes, Rodchenko’s expresses quite lucidly on page 4 and 5. His argument for a new form of photography is quite convincing and very fascinating indeed.

Berenice Abbot’s commentary on America’s importance in the novel field of photography felt wholehearted. The reader can sense the pride she has for her country in helping advance photography, but her tone quickly changes to criticism as she complains of the commercialization of photography, comparing it to “photography [being] torn from its moorings, the whole essence of which is realism. The disdain with which she describes “cash” entering the field instills in the reader a sense of her anger. Abbot seems to be hinting that she wants a purification of photography; an art she claims has been poisoned by advertising.
Ken Light stresses the need for documentary photography; a way for an audience thousands of miles away to “experience” an event more closely than would seem possible. This is my favorite type of photography, as I am an avid fan of history, and I am very much in accord with the adage, “a picture is worth a thousand words.”
Finally, Larry Sultan’s short piece was especially moving. The simplicity with which he writes and photographs emulates the unconventional “perfect” form of photography that all four writers are debating.

TERMS:

Negative: The developed film that contains a reversed tone image of the original scene.

Definition: The clarity of detail in a photograph.

Diffuse Lighting: Lighting that is low or moderate in contrast, such as on an overcast day.

Graininess: The sand-like or granular appearance of a negative, print, or slide. Graininess becomes more pronounced with faster film and the degree of enlargement.

Vignetting: A fall-off in brightness at the edges of an image, slide, or print. Can be caused by poor lens design, using a lens hood not matched to the lens, or attaching too many filters to the front of the lens.

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Just Another Day in Washington Square Parl

I Don’t Know What He’s Doing

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A Change in Perspective

In the section titled “What It Means to Photograph,” there were two stories that “changed my perspective” on photography.  The first one that I found interesting was Alexander Rodchenko’s letter to Boris Kushner, which discusses the endless possibilities of perspective.  In his letter, Rodchenko feels the need to address why he is being attacked for photographing from various viewpoints.  According to him, “(Photography) should surely undertake to show the world from all vantage points, and to develop people’s capacity to see from all sides.” (Rodchenko 2)  I think that it is important that Alexander discovered the need to photograph things from many angles.  It goes to show that there are many ways to look at one particular situation, and often one perspective is not enough.  He makes this very clear with his example of the Eiffel Tower.  At the end of his story, Rodchenko makes a powerful statement to Kushner.  He says, “We don’t see what we look at.”  I found this remark to hold immense value.  We do not actually see the deeper significance behind something, until we view it from a different perspective.

The second story I found intriguing was “Pictures From Home” by Larry Sultan.  Sultan is trapped inside his home, but he also seems trapped within his mind.  “What am I looking for,” he asks himself as he rummages through his house. (Sultan 48)   He photographs his family, but only finds the true value in his pictures when he loses hope on taking pictures.  His father is troubled by the way he and his wife are portrayed in his son’s pictures.  He argues with his father that two people’s observations and interpretations of the same photograph can be completely different.  This is where Sultan’s message comes into play.  Each picture is open to various interpretations; that is the beauty of photography.  According to Sultan, his goal in photography is “to stop time.” (Sultan 50)  I agree that photography should aim to freeze time, which would allow each of us to interpret photographs differently.

Photography Terms:

  1. Exposure– the duration of time that light is permitted to act on a sensitive emulsion
  2. Aperture– a circular opening on a camera that controls the quantity of light entering or leaving it
  3. Contrast– the difference between the light and dark areas of a print, or a negative
  4. Front Lighting– the light shining on a photograph that comes from where the camera is located
  5. Panchromatic–  photo that is sensitive to all colors by adding certain dyes
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Funny Photo

People you see on the SI Ferry…

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These Two Bozos Finally Found Waldo.

Wait…Waldo is a girl?! This changes everything….

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Photography

It’s interesting to know what each photographer focuses on when it comes to capturing a moment. Although there are basic techniques that everyone commonly follows, each photographer has his or her own style and approach. Because people come from different backgrounds, their perspectives of the same object are different; everyone also has a different definition for “photography.” Alexander Rodchenko realizes that photos are generally taken from “belly button level or from eye level” (Rodchenko 1). He believes that one should take photos from new viewpoints to fully “present a complete impression of the object” (Rodchenko 5). His method of photography is a holistic view of a single object or scene.

On the other hand, Berenice Abbott believes in documenting things she sees, and capturing moments that will leave an impact on those who view her work. It’s important for her to record what is happening at the moment and spreading that to people. I believe this is an effective method of sharing experiences with others because everyone cannot share the same memories. Documenting a moment has a way of changing one’s perspective of what this world is like.

The piece that I really enjoyed reading was “Pictures From Home” by Larry Sultan. This is the most relatable piece because his experiences with photography are so simple and common, yet meaningful. He essentially takes pictures of anything he comes into contact with. However, he ends up disposing these moments because they “aren’t very interesting” (Sultan 49). When he’s taking a photo, he can’t formulate in his mind why he’s taking it. This is significant because it may be his subconscious mind dictating him. Oftentimes, I find that moments are worth capturing, but I can never answer why it’s important.  Ultimately he realizes that he was trying “to stop time…[and] wants [his] parents to live forever” (Sultan 50).

Each photograph is a representation of how people view this world and what they want; it is not simply adjusting the lighting and exposure. As cliche as it may sound, each of these photographers captured photos that have stories that need to be told.

Ambient Light

The available light completely surrounding a subject. Light already existing in an indoor or outdoor setting that is not caused by any illumination supplied by the photographer.

Balance

Placement of colors, light and dark masses, or large and small objects in a picture to create harmony and equilibrium.

Flat

Too low in contrast. The range in density in a negative or print is too short.

Foreground

The area between the camera and the principal subject.

Exposure

The quantity of light allowed to act on a photographic material; a product of the intensity (controlled by the lens opening) and the duration (controlled by the shutter speed or enlarging time) of light striking the film or paper.

http://store.kodak.com/store/ekconsus/en_US/html/pbPage.termsU-Z/ThemeID.16765600

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Real Is the New Perfect

Each author in “Reflections on the Medium: What it Means to Photograph” emphasized the value of photography. Alexander Rodchenko, as an example, highly stressed the different perspectives that photography can capture. For hundreds of years, painters created work at the “belly button level or from eye level”. Rodchenko argued that in a world where everything is changing so rapidly, documenting an object from one perspective is not sufficient in portraying it vividly and realistically. He believed that photography, instead of being a substitute for paintings, should be more experimental. It is wrong to take photographs of people posing or a landscape from eye-level because it does not provide a new perspective for something already known. He described his experience with the Eiffel Tower to compare what photography is to what it should be. Seeing it from a distance, he was not amused. But standing below it and looking up, he saw a completely different scene.

Bernice Abbott, in her piece titled “Photography at the Crossroads”, shared a similar perspective to that of Rodchenko. In its early stages, photography did not seek to imitate other mediums of art. It captured the candid, everyday happenings. By the mid 19th century, “artificial props with phony settings began to be used”. Photographers leaped back to the time when perfect was the standard. Retouching, brushwork, props, and backdrops began to be used to create a more surreal imagine. It was all an attempt to correct the real and natural. Abbott believed that a photographer should have a motive for capturing a moment in time. The photograph’s message should be clear and powerful.

Both photographers took their work to be more than an art form: it was also a means of educating. They did not seek to perfect the subjects and landscapes that they photographed, but instead wanted to show them from different, more realistic perspectives. Looking at the misuse of photography from a sociological standpoint, they wondered how photos could change the way people viewed the world.

 

Photography Terms:

  1. Bracketing: Taking several photographs of the same scene at different exposure settings to ensure a well-exposed photograph.
  2. Grainy: description of an image that looks speckled because the particles of silver on the sensitized paper are clumping together.
  3. Aperture: the opening of a lens that controls the amount of light that enters the camera.
  4. Emulsion: Light-sensitive coating on film or paper (on which photograph will be produced).
  5. Reticulation: Cracking, scratching, or damaging the emulsion of a photograph during the developing process.

Funny Photo

Ouch

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Perspective and Selectivity

The technology for photography has transcended in the 21st century with color photos and the extraordinary ease of taking them, capturing reality as photographers see it ever more vividly. The tradition of formal family photographs is long gone, or at least the majority of the time a camera is not used to take formal family photographs anymore. Instead, we are more concentrated in taking photographs of ourselves, our families, and our surroundings. Personally for me, that’s true. I do not take photography as seriously and take pictures of things that only interest me. The depths of those photographs, however, can be questioned. I think, if there are any definite aspects, what sets apart a great photograph from a typical one lies in its selectivity and unique perspective, taking the two terms as defined by Berenice Abbott and Alexander Rodchenko, respectively.

Although Ken Light and Larry Sultan’s writings speak well of photography, I find Abbott’s and Rodchenko’s to be more revealing of what photography is. In Rodchenko’s views, a photograph is supposed to capture daily life as we see it in a variety of perspectives, not just “from the belly button.”  Everything would be boring if we all look at the same object in the same way. And therefore, Rodchenko proposes, “We who are accustomed to seeing the usual, the accepted, must reveal the world of sight. We must revolutionize our visual reasoning” (Rodchenko). In a sense, that’s what fills our lives with colors. We may participate in the same activity but we can have different takes on it, and that’s what a picture is set out to show – the different perspectives. For example, a regular floor lamp photo might look plain taken from a person looking at it a few feet away, but it would or might look very unique from top or bottom view.

As for Abbott, she stresses the importance of selectivity and draws attention to photographers as an artist, differing from those who paints, sings, or plays an instrument. To Abbott, “A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term–selectivity … it should be focused on the kind of subject matter which hits you hard with its impact and excites your imagination to the extent that you are forced to take it” (Abbott). In other words, a photograph is not a fashion statement; it should be something that the photographer is hooked by. A photograph is hollow if the photographer is not “forced” to capture it.

Both photographers show great passion in their occupation and is reflected clearly through their writing. Perspectives, together with selectivity, seem to be the highlight of a great photograph. It shows the creativity of the photographer and its ingenious freshness that it brings to the viewers. What these two emphasize might just be what separates a regular photograph to an amazing one.

Five Terms:

Auxiliary Lens: An add-on optical device that changes the focal length of the prime lens for zooming in and out of focus, and other special effects in photography. It usually comes in +1, +2, and +3 powers; the higher the number the greater the magnification.

Darkroom: Although not used much anymore, it was once the work space for developing and printing photographic film and making prints. Digital cameras, computers and printing replaced that.

Exposure: The amount of light that enters the lens and strikes the film or sensor. Exposures are broken down into aperture (the diameter of the opening of the lens) and shutter speed (the amount of time the light strikes the film). Thus, exposure is a combination of the intensity and duration of light.

Frame: The outer borders of a picture, or its ratio of the height to width (now). Before when rolls for cameras were still in used, it is the individual image on a roll of film.

Tripod: A three-legged device with a platform or head for attaching the camera. It is used to steady the camera when taking a photo. (Note: It is most useful for exposures longer than 1/30 second, or when a constant framing must be maintained throughout a series of shots)

Funny Photo:

Textbooks… make me sleepy… zzz…

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“What It Means To Photograph”

Response to Reading
Two stories that caught my attention the most is Larry Sultan’s and Berenice Abbot’s stories. In Sultan’s story Pictures From Home, a few lines that I could relate myself to are, “What do you do with all those pictures that you make? You must have thousands of them by now,” and “You shoot thirty rolls of film to get one or two pictures that you like. Doesn’t that worry you?” Sometimes I find myself wondering the same things when it comes to my friends who are interested in photography. There are always so many different shots of the same subjects. This narrative goes into the perspective of the photographer, which really helps the reader understand what is going through the minds of these artists.
Something that struck me while reading Berenice Abbott’s Photography at the Crossroads was a line about the equipment and materials of a photographer. She states “a good photographer cannot fulfill the potential… if he is handicapped with equipment and materials… for amateurs…” which is something I disagree with. A good and bad photographer cannot be distinguished based on his work. Of course, a photographer with more advanced and professional equipment can be deemed greater, but a photographer with amateur technology should not be degraded simply based on what he uses to capture his art.

5 Terms
Bokeh – The way a lens blurs an image; how evenly and pleasingly the out of focus are looks
Exposure – The amount of light allowed to reach the film or sensor, which is determined by the intensity of the light
Focal Length – The distance between the film and the optical center of the lens when the lens is focused on infinity, usually measured in millimeters
Sensitivity – The degree to which a photographic emulsion or a digital camera reacts to light
Filter – Transparent material that modifies the light passing through

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Response to Reading and 5 Terms

Out of the four stories, I found the ones by Berenice Abbott and Larry Sultan to be the most interesting. Abbott’s story opened my eyes to the documenting aspects of photography. I thought that her best line was “the picture has almost replaced the word as a means of communication.” This emphasizes the importance that photography has since an image is easier to process than words, making every aesthetic decision that much more important. I found her history of photography to be very interesting, and I agree with her point that it must progress or wither away. However I think that with all the creativity and decision-making that goes into photography, it will never die since something new will always come up. What stuck out to me the most was her description of what photography is. Saying it should be a statement, guided by selectivity was new to me. I never understood photography because I was never interested in it. But seeing all the creativity and thought that influences selection, I can see why it is so fascinating. Everyone will be different, even when photographing the same subject, which is why photography is so fascinating.

Sultan’s story stood out to me because it was a personal family narrative. Personally, I take the point of view of the dad when he says, “You shoot thirty roles of film to get one or two pictures that you like. Doesn’t that worry you?” To me, this makes perfect sense since I don’t have that passion for photography that Sultan has. However through his eyes, I can see and understand why he does it. Making his parents live forever really stuck with me, because he was using photography to capture time and memories, which my own family does. It was relatable and I enjoyed that. I think that through these stories, I was able to get a deeper glimpse into photography and understand/relate to it more because I am now more interested in the art form.

5 Terms

Aperture – The variable opening produced by the iris diaphragm through which light passes to the film plane.

Depth of Field – The range of acceptably sharp focus in front of and behind the distance the lens is focused on.

Shutter Speed – How fast the camera’s shutters open. Determines how long the film is exposed for.

Close-Up – The general term for pictures taken at relatively close distances, from 1/10 life-size

Filter – A transparent piece of tinted glass, plastic or gelatin used to alter the color or character of light or to reduce the amount of light.

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Views of Reading the World(Five Photography Technical Terms at the back)

After reading all four of the stories, I found a common theme among them: the point of view photos deliver. All of them are, if not arguing then discussing, how a photo should be and what “medium” it shows. Should you pose for a picture? What does “reality” mean in photography? How is my view different from yours? Should I take a color picture or a black and white one? Does a photo need to have meanings? Can you actually call a photo—a “picture”? The answers to these questions for each photographer determine his or her idea of a photograph.

This became especially clear to me when I read the last story, “Pictures from Home” by Larry Sultan. The author had an argument with his father, for his dad thought the author’s photo of his wife (the author’s mom) made them look older than they were. Well, what can you expect from a photo of a woman “standing in front of a sliding glass door holding a cooked turkey on a silver plate (49, Sultan)”? IT’s just a typical mom! Like the author said, it is his mom, but his dad’s wife; therefore they have different expectations for the photo. (Though honestly I don’t think this should have been a problem.) Likewise, in Ken Light’s story, his photographs received certain criticisms on the color of the pictures. However, Light’s rebuttal was that everyone has a certain lens for the world. Just because you think the picture should be in some way, does not mean everybody sees it that way. He said in the article that he once took a photo in colors for the newspaper because “at the time magazines expected color”; for Light, however, the photos should have been in black and white (45, Light).

The articles were eye opening. I initially thought that all photos are the same, except the famous ones. Now, my perspectives had changed. Even though every photograph is a part of the reality, it is the exact viewing of the photograph that is important, not the scene.

Saturation: “An attribute of perceived color, or the percentage of hue in a color. Saturated colors are called vivid, strong, or deep. Desaturated colors are called dull, weak, or washed out.”

Terms

Sharpness: ” Subjective quality of an image indicating clear or distinct reproduction of detail: associated with resolution and contrast.”

Balance: “Placement of colors, light and dark masses, or large and small objects in a picture to create harmony and equilibrium.”

Zoom lens: “A lens in which you adjust the focal length over a wide range. In effect, this gives you lenses of many focal lengths.”

Exposure: “The quantity of light allowed to act on a photographic material; a product of the intensity (controlled by the lens opening) and the duration (controlled by the shutter speed or enlarging time) of light striking the film or paper.”

 

http://www.idigitalphoto.com/dictionary/sharpness

http://store.kodak.com/store/ekconsus/en_US/html/pbPage.GlossaryContent/ThemeID.16765600

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Photography Links

We begin our study of photography on Thursday, October 25th. Do check out the links listed below:

 

http://www.pbs.org/wgbh/amex/eastman/timeline/index.html

http://www.robinurton.com/history/photography.htm

http://photo.net/learn/history/timeline

video: http://vimeo.com25857940

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Dear Arts in NYC students:

A couple of reminders about next week and a comment on the Collage Themes. First, the Collage Themes. Your ideas were lively. I encourage you to aim for originality and creativity. Although I did say that the collage did not have to be on a cultural encounter theme, do consider weaving in a theme since it might strengthen the work. There are two creative arts projects this semester, the collage and the street photography project –which can be on any subject. The collage is based on the notion that the sum is greater than its parts, that the mixture/tension/friction of parts creates a greater, more meaningful whole. The street photography project is a series of photos on a given theme. But the collage is a chance to turn things inside out!

For Tuesday, October 2nd, please bring in a dance performance review and be prepared to discuss the challenges faced by a dance critic.  Remember that we are scheduled to see Fall for Dance on Tuesday evening at 8 PM at City Center at 131 West  55th Street (between 6th and 7th Avenues).

On Thursday, October 4th, we will have a class visit from Jody Sperling. I also asked that you upload your reviews of The Train Driver by October 4th.

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The Occupations of New York

What makes New York so unique is the diversity that surrounds the city. From its food to its clothing, New York is known as the home of vast ideas, peoples and cultures. Another aspect where New York is rather diverse is in its occupations. The five boroughs are home to job titles such as beekeepers, undercover restaurant testers and even artists like the naked cowboy.

By displaying new and unordinary positions, I believe the class and I will benefit from gaining a new perspective of the city we live in. We will have the opportunity to learn about interesting experiences and maybe even take a part in them some day. I would like to capture all the eccentric and unconventional professions in one collage to showcase them and reveal that there is more to New York than just corporate America.

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Collage Proposal (Hitting the Nail on the Head)

The theme I have chosen for my collage is different headwear in New York City. Headwear speaks volumes about a person, whether it represents religious beliefs, or even a sports team they like. I feel that since NYC is such a diverse place, it is important to think about the various beliefs and preferences that exist.

Looking at headwear is an interesting way to study beliefs, as I believe that it is not paid enough attention to, and the subtle differences that exist between religious headwear is often not recognized by an average New Yorker with an extremely fast paced lifestyle. The people who we see as a blur offer us clues as to their past and background simply by what they wear on their head, and this is what I intend to explore through this collage.

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I <3 Faces

It’s true. I am so fascinated by faces. It’s my favorite thing to draw and paint, but this time I’m going to explore a different facet through photography. Except I’m not going to take any pictures of human faces. Instead, I’ll take a picture of anything man-made that looks like one. Every day, we walk by still-life that is a caricature of the humans that made it. Eyes don’t have to be round. They can be square, triangular, star-shaped, etc. Mouths don’t have to be depicted with a line. I’m going to capture every “face” that has some sort of expression. The more dramatic, the better. I guess you can say it’s my spoof on “face-recognition” technology, which is not always accurate.

Oh, and if faces start appearing on the street on your way to school, don’t blame me.

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Collage Proposal

For my collage, I would like to document the transportation aspect of the city. But, not in the traditional like trains, buses, taxis, or cars. I longboard to school most days, and I see many other people skating as well. Taking pictures of the different—and in my opinion more fun—means of moving from one place to another.

Taking a bus or a taxi can be mundane. Most of the time it is the same as it was last time. When skating, every experience is different. I would like to board around the city with my camera and take pictures of/with different bikers and skaters around the city. In October, there is an event called the Broadway Bomb. In this event, thousands of skaters from all over the tri-state area come down and race most of the length of Manhattan. This year, I was planning to go and I would be stoked if I could incorporate the event into a school project.

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Collage Proposal

My collage theme is to look at the infrastructure of NYC. I am not talking about the bridges, highways, or parks. Instead I will look at the things many of us walk past on a daily basis (utility covers, manholes, etc.) or things we rarely use (call boxes, mail boxes, even the old parking meters) The whole point is to show how many of these underrated things lasted over the years and represent a time we didn’t before. For example, who uses a call box.

I will also want to do it digitally. One of the most important things is to have a side-by-side shot. For example, looking an older street sign compared to a new one. Looking at antique streetlights compared to the new ones. Even looking at the old subway cars compared to the new ones or the old parking meters with munimeters. This project in a sense will get the audience involved in the fact that NYC is a huge city with huge electrical, sewer, water, and transportation demands and that most these utilities that have been here for many years still function, they provide art (intricate designs on call boxes, manholes, utility covers), and even can provide a history of NYC.

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Collage Proposal

When the collage project was first introduced, I knew I wanted to make something related to Japan. Then I remembered something I saw in Brooklyn Botanic Garden and also from many anime that I saw – a torii.  A torii is a traditional Japanese gate to shrines, most commonly found at the entrance to a Shinto shrine. Hence, it is the mark of the entrance to a sacred place and holds a special place in Japanese culture.

I thought it would be fascinating to make a torii out of the many Japanese stores, places, events, flowers, and items that are in New York. Together, it would be a sort of “entrance” to Japan-in-America type of cultural encounter; and the torii would be the perfect symbol to link everything in New York together back to its origin in Japan.

Since I have already been to a few Japan cultural events and stores, I have a lot of resources and references to work with, and I will collect more by visiting shops that I have never been to before, such as Kinokuniya (a Japanese bookstore).

For this project, I will be using prezi as advised by Ben so that I can learn more about photo editing and have fun with it. The other unfortunate reason would be that I don’t have color ink to print out the photographs and mess with them.

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Collage Proposal

The theme of my collage will be, “Body Language.” I see body gestures as a universal language where people are not separated because of language barriers. Simple gestures are able to convey emotions and ideas effectively. These gestures are also connected to the subconscious mind, whereas words are able to conceal one’s true emotions. I also see it as a form of art. The spoken language is often decorated with adjectives, nouns, verbs, adverbs, etc. Words are stringed together to form a complex idea. However, body language portrays only the most fundamental ideas. When two people with different cultural backgrounds meet, I believe the first form of communication will be through body language.

For this collage, I will be making a digital collage with pictures of various gestures and descriptions of what these gestures imply. I will be doing research on the connection between body language and the subconscious mind. I’ll also be taking pictures around NYC’s neighborhoods where cultures are constantly clashing. Some of the most obvious body gestures are evident when people come across a new culture for the first time. I will be capturing these emotions and natural body gestures. Together, the collage will depict a culture of unspoken words.

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Collage Proposal

As we explore the world, it becomes almost impossible to avoid the various forms of art that surround us.  Some types of art are more obvious than others, while others are regarded as most profound.  For my collage project, I would like to explore a genre of art that is often forgotten and disregarded as art: Street Art and Graffiti.  Street artists use various methods of creating their art, and a social, or cultural, issue often inspires them.

While countless delinquent children take a mischievous approach to street art and graffiti, many artists do not; often they are hired to create such works of art.  Often times their main objective is to get their ideas expressed publicly and have people notice them and relate them to their own lives.  For this collage, I will travel throughout New York City and photograph some of the most renowned street art and graffiti.  I will also include some images from the web to compliment the various photos I will be taking.  To create this collage, I will use digital media to help portray the various issues that street artists tend to explore.

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Collage Theme

For my collage I want to do something dealing with the number two. I want to show how frequent the number two comes up in our lives. My collage will deal with things coming in pairs along with things that are separate, but are connected to each other. The idea came to me as I was brainstorming. I looked around my room and noticed my pair of jeans lying on the floor. I stopped and thought of the word pair for a second. The word pair brought me to the Chinese saying that “good things come in pairs”. I decided that I wanted to see if the saying rings true by choosing this theme for my collage.

I am not quite sure if I want to do it by hand or use a digital presentation for the presentation of my collage. The only downfall to the presentation is that I feel a handmade collage is stronger and more powerful when it is tangible. In order to have that same mindblowing effect in a digital representation would require flashy effects and transitions that would in itself require more work for me since I am a person who is essentially technologically challenged outside of browsing the internet and checking e-mail. However, I feel that I will most likely use the digital presentation because I have the perfect song to accompany my presentation. By having so, I will also invoke the element of sound in a presentation that would otherwise be mostly visual.

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Collage Proposal

In a city as grand and bustling as New York, there is always something to do. Because people’s lives shouldn’t only revolve around school and work, they take up other activities and hobbies to do during their leisure time. There are so many things to do and see in the city, and I have decided to make a collage of the things New Yorkers or even tourists do during their free time. With so many diverse and multifaceted cultures, there are always millions of different things going on at once, whether it’s sketching something they see, going row-boating, shopping, or even simply taking a walk around Central Park.

I think I will be creating my collage by hand, with a bunch of different pictures that I will be taking around the city. These pictures will portray all the different things that people in New York seem to enjoy doing during their free time.

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Collage Proposal

For my collage, I want to focus on the various street vendors across Manhattan. I want to explore what “wares” they are selling, and the different techniques they employ. There are food vendors, clothing vendors, book vendors, and thousands of other varieties of street carts. Different types of carts are concentrated in different areas in the city. I think that the products that vendors sell says something about the culture they identify with or what they enjoy. I think that Chinatown would not be Chinatown without all of the vendors selling Louis Vuitton, Gucci, and Channel. The Greenwich Village has hundreds of small eclectic street vendors selling anything from tie dye t-shirts to odd antiques.

The techniques vendors use vary from very aggressive to more relaxed. I will use photographs as my primary source of media. I will create a digital collage using Prezi or some other software to create my project. I believe that the diversity among street carts mirrors the diversity of the city’s many inhabitants and cultures. Coming to the city for the first time, I was amazed at all the merchants selling food or clothing on the street. I think that the act of selling to passer-by consumers is unique to New York and big cities in general. The foot traffic supports a large customer base for such vendors creating a convenient, but real an up-close cultural encounter everyday.

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Collage Theme

For my collage about a cultural encounter, I want to do a collage on my first traditional celebration of Chinese New Year. I realize I am Chinese and that at first it seems like it is not much of an encounter, however I learned a lot from this experience. I always thought of myself as very American growing up so my first real experience learning about the New Year and its customs was an eye-opening experience. In my collage I want to use many aspects of celebrating the New Year from the food, the customs and the zodiac. The food obviously plays a significant role in Chinese New Year since each dish represents something like luck or good fortune for the next year. The customs involve the parade in Chinatown, the dragon dances, and the red envelopes. The zodiac represents which animal the following year will be whether its dog, dragon, rabbit, snake, etc.

For my collage I plan to do it by hand. Finding pictures and doing it digitally may be easier but I feel that one loses out on a lot. If done by hand, I can incorporate more texture such as the ruffles on fans or the embroidery on red envelopes. Obviously I can’t paste cooked foods onto the page but I can put dried foods on the collage such as the ones placed in the traditional candy dish around the New Year. This helps bring the culture to life by having it pop off the page towards the viewer. I also think that by hand, the viewer can vividly see the colors and brightness of the decorations and dragons that are used to celebrate the holiday. The personal effect of a handmade collage also appeals more to me than one done digitally. The disadvantages to a handmade collage are that it is harder to transport, stuff may fall off, and that it may get messy. However I think it is worth it because it will give a better story of my cultural encounter to the viewer.

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Collage Proposal

Even though I have lived in New York City all my life, nothing about my strides on the same streets of New York bored me, because there is always something new and fascinating to me. My collage project will portray the urban streets of New York City through my daily encounters in my commute to school, to clubs, to hangouts, and back home; specifically what I feel makes New York the magnificent city it is.

My presentation will consist of a mostly a variety of photos: from grandeur and infamous architectural masterpieces to miniscule details on the side of a building. My photos will be edited, and may be manipulated to depict my theme and carry the message across. I suppose I will try out Prezi as well for my presentation. With its zoom-in ability, I will zoom into the details of things to show how art is everywhere: from a far-away point of view, to an up-close and clear point of view. Either perspective, this collage will represent the aspects of New York City that stand out to me.

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Collage Proposal

One of the most beautiful things about New York City is its diversity of people. This city represents nearly every country and its customs. Personally, I learn to appreciate a foreign culture by trying out its foods. It’s interesting to see how different we all are, just by comparing our tastes and national dishes. Although analyzing the food that each nationally consumes may seem trivial, it is a huge indication of that people’s history and culture.

My collage project will be based on the different ethnic neighborhoods of New York City. I will include pictures of grocery stores, restaurants, and shops, with a specific focus on how different cultures sell their foods. I will primarily use a photo-editing app to crop the pictures and then Prezi to create the collage. I will use a map of the five boroughs as a template and paste pictures of neighborhoods accordingly. During the presentation, I will initially show the “map of foods”. Although it may first look like a chaos of different colors, I will then zoom in to each neighborhood to show its unique details.

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Collage Theme

For my collage, I want to use the theme “bond”. However, I want to expand this idea to not only the bonding of human, but also the bonds between cultural, to natural and the world. Therefore, I want to use different kind of symbols and pictures to express what I think “bond” is. Some people say in today’s world, it is hard to make a true connection, but in my opinion, I think it is even harder to not have connections. All human beings are born into a blood ties, and as people grow up, they make different kinds of relationships and connections. After all, human being is a social animal. I know it is a very abstract idea, but I think I can make it work.

I want to use this theme because I think it represent a part of myself. Personally, “bonds” are very important to me, and I would like to express this importance through the making of this collage. Moreover, since this class is about cultural encounter in NYC, the theme “bond” can also relate to the theme of the class in a way. I mean, while making connections, especially in NYC, many people encounter different aspects of different cultural. I want to also include this diversity in my collage.

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Artistic Endeavors

Not content to merely consume the arts in New York City, we set out to contribute something of our own. Through these projects, we discover that we are ALL artists!

 

In the Street Photography Project, each student will shoot 10 or 12 photos on a theme of their choice. Each photo will have a caption. Accompanying the images, will be a first-person essay describing how and why you shot the images –a narrative on your experience.

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