Monthly Archives: October 2013

Visit to Pace Gallery, “Poppy Fields” 9/24

During our trip to the Pace Gallery at 534 West 25th Street, we were greeted by one of the strangest paintings I have ever seen. Immediately after, I see a very similar painting in a different color and size only a few feet away from the first painting. I was appalled and stunned. Even more than that, I was confused.

It turns out that this was the “Poppy Fields” exhibition by none other than the artist Zhang Huan. According to his biography on the Pace website, it describes him as “one of the most vital, influential, and provocative contemporary artists working today.” (1) All of these are just so true, especially the provocative part.

Hey look! Colors on a board!

Hey look! Colors on a board!

From far away, the painting looks like a mesh of colors. It’s quite impossible to tell what the painting is trying to convey.  But, in an NY Times article about the exhibition, Zhang Huan describes it as: “The paintings represent the hallucination of happiness and the hallucination of fear and loneliness in this life as well as the hallucination of happiness in the next life.” It’s quite a stretch to give this painting such a wide range of emotions when it simply looks like an assortment of random colors. (2)

 

These creepy skulls stare straight into my heart...

These creepy skulls stare straight into my heart…

But, close in, you get to see the details of each and every skull. You could see how each skull isn’t on the same plane. One’s a little higher than the rest; another one is a little lower than the rest. This almost gives the painting a 3D aspect, making the viewer examine the painting even more. The painting itself was incredibly detailed. There’s so much labor involved, making each skull individual. It almost gives the impression that each skull was created separately, and then collectively put together. Also equally noticeable is each smile of the skull, it was near unnoticeable from far away.

What do I think this painting means? I’d take a more as an outsider viewing humanity. From far away, you really can’t tell what humanity is like. It seems like a mess, just as the painting. But, as you move closer, you can see that each individual is different. I personally don’t see the “hallucinations” described by Huan, but everyone has their own take on paintings and exhibitions.

 

Some sources:

http://www.nytimes.com/2013/09/15/arts/design/zhang-huans-colorful-skull-paintings-at-the-pace-gallery.html

http://www.pacegallery.com/newyork/exhibitions/12596/poppy-fields

 

its an illusion

I was just looking at news headlines on Yahoo when I saw this slideshow of optical illusions. There about thirty, and almost every one of them is worth seeing. I think this one below is my favorite, because it must have been really freaky to stand there, and then look down at empty sky. My favorite part was seeing the illusions and trying to figure out what was going on. I think that in general, optical illusions are interesting because they make you think twice about believing everything your eyes tell you. Sometimes you see a friend doing something crazy, and after thinking about it for second you realize your perception is just skewed because you walked into something in the middle. Posting the link so everyone can check it out.
http://news.yahoo.com/photos/optical-illusion-photography-slideshow/

You Can’t Hide Everything

IMG_20130925_100357

At the Pace Galleries’ Irving Penn exhibit, this particular photo stood out to me the most. I had no idea what the significance a turkey’s head held in the world of beauty. The photo was a part of the Extreme Beauty section of the gallery.

However, after reading the review of the photo by Nora Ephron in one of the magazines they had on display, everything made sense. The writer started off by stating how much of the outward appearance of a person was fake. People cover themselves with makeup or accessories so that one would never know what lies hidden beneath this mask. However, the author states that one of the hardest parts to cover up is the neck. Apparently, the photo was placing a great deal of emphasis on the neck of the turkey. While people can look 35 when they are actually 45 nowadays, she claims that you can tell how old or aged someone is by looking at their neck. I never had much reason to stare at people’s necks and don’t plan on doing so anytime soon, but I thought it was pretty cool. It was an interpretation of the photograph I would have never come to the conclusion of making. It was interesting to see how Irving Penn even decided on taking a picture of a turkey’s head to be a part of the Extreme Beauty portion of the gallery.