N@tM 2023 Gallery

Photo

Panel Converted to Poncho

Nasca artist

100-200 CE

The main color of this poncho is a deep clay-like red. This is a big poncho, and it caught our eye and we gravitated towards it. There are a lot of animal-like figures all over the poncho. They are supposed to represent superhuman beings, and one of them on the left side of the poncho is eating a human. The figures have many different skin tones. There a lot of faces everywhere, it feels like an abstraction, because there are items we can make out but we can’t really tell what the poncho is representing.

What do you see going on in this work of art? Is there a story depicted?

It looks like the cycle of life. There are figures who look mystical and fantastical, and they are eating humans all around the painting. It looks like a continually repeating cycle, where humans are being reborn and being eaten later in life. Humans are sprouting from the animals and look like they are being born from them.

What different visual elements (ie: line, color, light, proportions, scale, composition, media type etc.) do you notice, and how do they help you make sense of the artwork?

The texture of the artwork is really standing out. It is a woven fabric thats used as the base medium, and it really makes it seem like a special piece. While the colors are muted, the piece still seemed really vibrant and lively. This was the inly colorful piece in this section of the exhibit, which is why it stood out to us.

What choices do you think the museum made about the object’s display?

They put this artwork right where the entrance was. Its flattened up against the wall, and they staged it do that it is very noticeable. Unfortunately, you can’t see the back of the artwork, which we wish we could. But it is a very stand out piece, and the museum definitely displayed it that way.

Group Members

Name (first and last) Campus Seminar 1 Professor
Charlize Yee, Susan Lin, Diya Singh, Ingrid Ibarra City College of New York Susan Ziegler